Allison Deutermann

Allison kay Deutermann

Assc Professor

Weissman School of Arts and Sciences

Department: English

Areas of expertise:

Email Address: allison.deutermann@baruch.cuny.edu

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Allison K. Deutermann joined Baruch's faculty in 2009. She specializes in early modern literature and culture, with an emphasis on theater and performance. At Baruch, she teaches classes on Shakespeare and sixteenth- and seventeenth-century drama as well as  British Literature Survey I and Great Works (2800). Her first book, Listening for Theatrical Form in Early Modern England (2016), examines the impact of hearing on the formal and generic development of early modern drama. She has co-edited two books, Publicity and the Early Modern Stage: People Made Public (2021) and Formal Matters: Reading the Materials of English Renaissance Literature (2013), as well as a special section of the journal Renaissance Drama on early modern affective ecologies. Her essays have appeared in Shakespeare Quarterly, Renaissance Drama, ELR, and other venues. She is currently completing a book on celebrity and dramatic character in early modern England.

Education

Ph.D., English Literature, Columbia University

Certificate in Feminist Scholarship, Gender and Women's Studies, Columbia University

MPhil, English Literature, Columbia University

M.A., English Literature, Columbia University

B.A., English Literature, University of Pennsylvania

SemesterCourse PrefixCourse NumberCourse Name
Fall 2023ENG6002HHonors English II
Spring 2023ENG6001HHonors-English I
Spring 2023ENG4145Topics in Shakespeare
Fall 2022ENG2800HHon Great Works of Lit I
Fall 2022ENG3010Survey of English Literature I
Spring 2022ENG3010Survey of English Literature I
Fall 2021ENG2800Great Works of Literature I
Fall 2021ENG2800Great Works of Literature I
Fall 2021ENG4140Shakespeare
Spring 2021ENG4145HHonors - Topics in Shakespeare
Spring 2021ENG4145Topics in Shakespeare
Fall 2020ENG5000Independent Study English I
Fall 2020ENG3010Survey of English Literature I
Fall 2019ENG2800HHon Great Works of Lit I
Spring 2019ENG3950Topics in Literature
Fall 2018ENG4150Renaissance Drama
Spring 2018ENG2800Great Works of Literature I
Fall 2017ENG4140Shakespeare
Spring 2016ENG3950HHonors - Topics In Literature
Spring 2016ENG6002HHonors English II
Fall 2015ENG6001HHonors-English I
Fall 2015ENG3010Survey of English Literature I
Spring 2015ENG2800Great Works of Literature I
Spring 2015ENG4140Shakespeare
Fall 2014ENG2800Great Works of Literature I
Fall 2014ENG3010Survey of English Literature I
Fall 2014ENG5000Independent Study English I
Fall 2014ENG4140Shakespeare
Spring 2014ENG4140Shakespeare
Spring 2014POL3999HHonors Spec Topic in Poli Sci
Spring 2014IDC4050HHon Feit Hum Sem I
Spring 2012ENG6002HHonors English II
Spring 2012ENG4140Shakespeare
Fall 2011ENG6001HHonors-English I
Fall 2011ENG3010Survey of English Literature I
Fall 2011ENG2800Great Works of Literature I
Spring 2011ENG3950HHonors - Topics In Literature
Spring 2011ENG2800Great Works of Literature I
Fall 2010ENG5000Independent Study English I
Fall 2010ENG3010Survey of English Literature I
Fall 2010ENG4150Renaissance Drama
Spring 2010ENG4140Shakespeare
Spring 2010ENG2150Writing II
Fall 2009ENG2100Writing I
Fall 2009ENG4150Renaissance Drama

Books

Deutermann, A., Hunter, M., & Gurnis, M. (2021). Publicity and the Early Modern Stage: People Made Public. New York, NY, Palgrave Macmillan .

Deutermann, A. (2016). Listening for Theatrical Form in Early Modern England. Edinburgh, Edinburgh University Press.

Deutermann, A., & N/A, A. (2013). Formal Matters: Reading the Materials of English Renaissance Literature. Manchester, Manchester University Press.

Journal Articles

(2024). "Uncertainty and Understanding in the Early Modern English Theater" (Review Essay). MLQ (Modern Language Quarterly), 85.1. 79-93.

(2024). Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama. ELR (English Literary Renaissance), 54.2. 157-78.

Deutermann, A. k., & Brown, P. (2023). "Introduction: Early Modern Affective Ecologies". Renaissance Drama, 51.2. 151-58.

Deutermann, A. (2017). Taverns, Theaters, Publics: The Intertheatrical Politics of Caroline Drama. Renaissance Drama, 45(2). 237-256.

(2011). 'Caviare to the general'? Taste, Hearing, and Genre in Hamlet. Shakespeare Quarterly, 62. 230-255.

(2010). ''Dining on Two Dishes': Shakespeare, Adaptation, and Auditory Reception of Purcell's The Fairy-Queen. Upstart Crow: "Shakespearean Hearing," Special Issue, ed. Leslie Dunn and Wesley Folkerth , 29. 57-71.

Book Chapters

Deutermann, A. (2021). Othello’s Strange Celebrity: Race and Publicity in Early Modern Drama. In Deutermann, A., Hunter, M., & Gurnis, M. (Eds.), Publicity and the Early Modern Stage: People Made Public (pp. 25-44). New York, NY. Palgrave Macmillan.

Deutermann, A. K., & Hunter, M. (2021). Introduction. Publicity and the Early Modern Stage: People Made Public (pp. 1-22). New York, NY. Palgrave Macmillan.

Kisery, A. (2016). The Matter of Form. In Brayman Hackel, H., Lander, J., & Lesser, Z. (Eds.), The Book in History, the Book as History (pp. 29-64). New Haven, CT. Yale University Press.

Deutermann, A. (2015). Literary Celebrity and Theater Culture in Shirley’s Bird in a Cage. In Arab, R., Dowd, M., & Zucker, A. (Eds.), Historical Affects and the Early Modern Theater (pp. 54-68). New York and London. Routledge.

Deutermann, A. (2013). Hearing Iago's Withheld Confession. In Craik, K., & Pollard, T. (Eds.), Shakespearean Sensations: Experiencing Literature in Early Modern England (pp. 46-63). Cambridge. Cambridge University Press.

Deutermann, A. (2010). 'Repeat to me the words of the Echo': Listening to The Tempest. In Raman, S., & Gallagher, L. (Eds.), Knowing Shakespeare: Senses, Embodiment, and Cognition (pp. 293-323). New York. Palgrave Macmillan.

Presentations

Deutermann, A. k. The Falstaff Effect. Columbia University Shakespeare Seminar (Annual Gloria and Bernard Beckerman Lecture).

Deutermann, A. k. Shakespeare's Affective Ecologies. Hebrew University of Jerusalem (ZOOM): Israel Institute for Advanced Studies.

Deutermann, A. (2020, December 31). Race and Character. Short Scripts Seminar. : Shakespeare Association of America.

Deutermann, A. (2019, December 31). "Extravagant and Wheeling characters". Shakespeare and Form. : Shakespeare Association of America.

Deutermann, A. (2017, April 30). Celebrity Shakespeare (Seminar Organizer and Leader). Shakespeare Association of America.

Deutermann, A. (2016, December 31). Breathing Room. Staging Atmospheres Conference. : University of London.

Deutermann, A. (2016, April 30). Shakespeare's Climatology. Renaissance Society of America.

Deutermann, A. (2016, April 30). The Senses of Early English Form. Renaissance Society of America.

Deutermann, A. (2016, March 13). Heavy Lies the Head. Heavy Lies the Head. : Baruch Performing Arts Center.

Deutermann, A. (2016, April 30). Breathing Room: Listening for the Dramatic Pause in 3 Henry VI. Renaissance Society of America.

Deutermann, A. (2016, April 30). Joint Labors: Actor-Audience-Playwright Collaborations in Early Modern English Theater. Renaissance Society of America.

Deutermann, A. (2015, February 28). "How to Hear 'the fatal screech-owl: Resilient Listening in 3 Henry VI". Touching Shakespeare: Proximity, Precarity, and Resilience in Early Modern Drama and Modern Life. Los Angeles, California: UCLA Center for Medieval and Renaissance Studies.

Deutermann, A. (2015, February 28). 'I like it, 'twill be new': Women's Acting and Literary Celebrity in James Shirley's Bird in a Cage. Society for the Study of Renaissance Women.

Deutermann, A. (2014, April 30). Dead Ends and Fresh Starts. Renaissance Society of America.

Deutermann, A. (2014, April 30). Rules of Playing and Theatrical Culture in Early Modern England. Shakespeare Association of America.

Deutermann, A. (2013, April 30). "'All clear behind the arras?': Eavesdropping at the Cockpit Theater. Shakespeare Association of America.

Deutermann, A. (2012, April 30). Chair and Respondent, "Theorizing 'Form' in Early Modern Drama". Renaissance Society of America.

Deutermann, A. (2012, April 30). Chair, "Going Public: Women Actor-Players and the Act of Writing". Renaissance Society of America.

Deutermann, A. (2012, April 14). Talk-Back (with Director Arin Arbus). The Duke Theater: Theatre for a New Audience production of William Shakespeare's The Taming of the Shrew.

Deutermann, A. (2011, April 30). Tis true, 'tis true, witness my knife's sharp point': Weaponized Words and the Making of Theatrical Form in Early Modern England. Shakespeare Association of America Conference.

Deutermann, A. (2011, July 31). Hearing Shakespeare. Scholarly Sustenance Program. : Huntington Library Society of Fellows.

Deutermann, A. (2011, February 28). Multi-Media Adaptation. Performing the Book Conference. : Rutgers University.

Deutermann, A. (2011, October 31). Is it Words that Shake Us Thus? Revenge, Confession, and Weaponized Words in Othello. Othello Colloquium. Fairleigh Dickinson University

Deutermann, A. (2010, April 30). So, Who Do You Think You're Talking to? The Fat Knight Speaks. : Baruch College.

Deutermann, A. (2010, July 31). Polyphony, Print, and 1590s Theater. Society for Renaissance Studies Conference. University of York, England

Deutermann, A. (2009, April 30). Polyphonic Print. Five Colleges Renaissance Seminar. University of Massachusetts: Center for Renaissance Studies.

Deutermann, A. (2009, December 31). Repeat to me the words of the Echo. Columbia University: Columbia University Shakespeare Seminar.

Deutermann, A. (2008, November 30). Ben Johnson's Polyphonic Printing. Group for Early Modern Cultural Studies Conference.

Deutermann, A. (2008, April 30). Forms of Early Modern Writing. Forms of Early Modern Writing Conference. Conference co-organizer: Columbia University.

Deutermann, A. (2008, April 30). Reading in vtopia: The Dering Library. Shakespeare Association of America Conference.

Deutermann, A. (2007, March 31). Dissecting Renaissance Anatomies. Renaissance Society of America Conference, Co-organizer and co-chair.

Deutermann, A. (2007, April 30). Learning to Listen to Early Modern Drama. : Shakespeare Association of America Conference.

Deutermann, A. (2005, November 30). The Discerning Ear: Listening for Distinction in Early Modern Drama. : Group for Early Modern Cultural Studies Conference.

Deutermann, A. (2005, April 30). Listening Up. Shakespeare Association of America Conference.

Other Scholarly Works

Deutermann, A. (2002). "Young Guns".

Deutermann, A. (2001). "War Weary".

Reviews

Deutermann, A. (2017,January 1). Hamlet's Moment, by Andras Kisery. Shakespeare Quarterly.

Deutermann, A. (2015,January 1). Staging the Blazon in Early Modern English Theater, ed. Deborah Uman and Sara Morrison. Renaissance Quarterly.

Deutermann, A. (2015,January 1). Early Modern Theatricality, ed. Henry S. Turner. Theatre Survey.

Deutermann, A. (2012,January 1). Ben Jonson and Envy, by Lynn S. Meskill. Renaissance Quarterly .

TitleFunding Agency SponsorStart DateEnd DateAwarded DateTotal FundingStatus
Forming Celebrity: Women, Notoriety, and Character on the Early Modern Stage PSC CUNY 5307/01/202206/30/202304/15/20224551Completed
Publicity and the Early Modern stagePSC-CUNY 5107/01/202006/30/202104/17/20204530Completed
Breathing RoomPSC-CUNY 4907/01/201806/30/201904/15/20184530Completed
The Roaring Girl and the Erotics of PublicityPSC-CUNY 4807/01/201706/30/201804/14/20174530Completed
Tavern Talk: Eavesdropping in the Public-Private Spaces of West End LondonPSC-CUNY 4607/01/201506/30/201604/17/20154470Completed
"Audiences to this act": Listening for Theatrical Form in Early Modern England"PSC-CUNY 4507/01/201406/30/201504/15/20144248Completed
Becoming Prynne: The Production and Function of Celebrity in Early Modern EnglandPSC-CUNY 4407/01/201306/30/201404/15/20133500Completed
Plucking the upstart crowPSC-CUNY 4307/01/201206/30/201304/17/20123500Completed
The Polyphonic Plays of Ben Johnson and John MarstonPSC-CUNY 4107/01/201006/30/20116000Completed
The Falstaff EffectPSC-CUNY 5407/01/202306/30/202404/18/20234551Funded - In Progress
Honor / AwardOrganization SponsorDate ReceivedDescription
Eugene M. Lang FellowshipEugene M. Lang Foundation2012
Whiting Teaching AwardMrs. Giles Whiting Foundation2012A year-long research fellowship awarded in recognition for outstanding teaching
Huntington Library Mayers Fellowship2011
National Endowment for the Humanities Summer Seminar Newberry Library2009
Mrs. Giles Whiting Foundation Fellowship2007

College

Committee NamePosition RoleStart DateEnd Date
Present
Present
Social Committee Member12/31/2015
Curriculum Committee Member12/31/2014
Departmental Secretary12/31/2012
Library Committee Member12/31/2012
Freshman Text Selection Committee Member12/31/2012
Curriculum Committee Member12/31/2011
Panel Participant in English Department Spring Symposium12/31/2010

University

Committee NamePosition RoleStart DateEnd Date
Present
PSC CUNY Awards Selection Committee Member 1/1/201812/31/2019
PSC CUNY Awards Selection Committee Member 1/1/201712/31/2018
PSC CUNY Awards Selection Committee Member 1/1/201612/31/2017
PSC CUNY Awards Selection Committee Member 1/1/201512/31/2016
PSC-CUNY Awards Selection Committee Member1/1/201412/31/2015
PSC-CUNY Awards Selection Committee Member1/1/201312/31/2014
PSC-CUNY Awards Selection Committee Member1/1/201212/31/2013
Panel Chair and Moderator, Hunter College Graduate Student Conference1/1/201012/31/2010

Professional

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
Member Modern Language Association of AmericaPresent
Member Society for Renaissance StudiesPresent
Member Shakespeare Association of AmericaPresent
Member Renaissance Society of AmericaPresent