Andrew Tomasello

Assc Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: andrew.tomasello@baruch.cuny.edu

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Education

Ph.D., Music History, Yale University New Haven CT

B.A., Music, Queens College, CUNY Flushing NY

SemesterCourse PrefixCourse NumberCourse Name
Spring 2024MSC5050Internship in Music Management
Spring 2024MSC3043Antiq Thru Baroque
Spring 2024MSC3044Classicism To Modern
Spring 2024MSC4900Music and Society
Fall 2023MSC5051Internship in Music Management
Fall 2023MSC3014The Opera
Fall 2023MSC5050Internship in Music Management
Fall 2023MSC3043Antiq Thru Baroque
Fall 2023MSC4900Music and Society
Spring 2023MSC4900Music and Society
Spring 2023MSC5050Internship in Music Management
Spring 2023MSC5051Internship in Music Management
Fall 2022MSC5050Internship in Music Management
Fall 2022MSC5000Independent Study Music I
Fall 2022MSC1005Principles of Music
Fall 2022MSC3043Antiq Thru Baroque
Fall 2022MSC4900Music and Society
Fall 2022MSC5051Internship in Music Management
Spring 2022MSC5050Internship in Music Management
Spring 2022MSC4900Music and Society
Spring 2022MSC1005Principles of Music
Spring 2022MSC5051Internship in Music Management
Fall 2021MSC3003Music of the Classic Period
Fall 2021MSC1005Principles of Music
Fall 2021MSC3043Antiq Thru Baroque
Fall 2021MSC4900Music and Society
Fall 2021MSC5050Internship in Music Management
Spring 2021MSC4900Music and Society
Spring 2021MSC1005Principles of Music
Spring 2021MSC5051Internship in Music Management
Spring 2021MSC5050Internship in Music Management
Fall 2020MSC4900Music and Society
Fall 2020MSC5050Internship in Music Management
Fall 2020MSC1005Principles of Music
Fall 2020MSC3014The Opera
Fall 2020MSC3043Antiq Thru Baroque
Summer 2020MSC3022Popular Song in America
Summer 2020MSC1005Principles of Music
Spring 2020MSC5051Internship in Music Management
Spring 2020MSC5000Independent Study Music I
Spring 2020MSC5050Internship in Music Management
Spring 2020MSC5000Independent Study Music I
Spring 2020MSC4900Music and Society
Spring 2020MSC3044Classicism To Modern
Spring 2020MSC1005Principles of Music
Fall 2019MSC4900Music and Society
Fall 2019MSC5050Internship in Music Management
Fall 2019MSC5051Internship in Music Management
Fall 2019MSC3043Antiq Thru Baroque
Fall 2019MSC1005Principles of Music
Summer 2019MSC3022Popular Song in America
Summer 2019MSC1005Principles of Music
Spring 2019MSC1005Principles of Music
Spring 2019MSC1005Principles of Music
Spring 2019MSC5050Internship in Music Management
Spring 2019MSC5051Internship in Music Management
Spring 2019MSC4900Music and Society
Fall 2018MSC5051Internship in Music Management
Fall 2018MSC4900Music and Society
Fall 2018MSC3043Antiq Thru Baroque
Fall 2018MSC5000Independent Study Music I
Fall 2018MSC5000Independent Study Music I
Fall 2018MSC5001Independent Study Music II
Fall 2018MSC5050Internship in Music Management
Summer 2018MSC3022Popular Song in America
Summer 2018MSC1005Principles of Music
Summer 2018MSC5050Internship in Music Management
Spring 2018MSC1005Principles of Music
Spring 2018MSC5050Internship in Music Management
Spring 2018MSC5051Internship in Music Management
Spring 2018MSC1005Principles of Music
Spring 2018MSC3044Classicism To Modern
Spring 2018MSC4900Music and Society
Spring 2018MSC5000Independent Study Music I
Fall 2017MSC5050Internship in Music Management
Fall 2017MSC5051Internship in Music Management
Fall 2017MSC4900Music and Society
Fall 2017MSC1005Principles of Music
Fall 2017MSC3043Antiq Thru Baroque
Summer 2017MSC1005Principles of Music
Summer 2017MSC3024Jazz: Origins to the Present
Summer 2017MSC5050Internship in Music Management
Spring 2017MSC1005Principles of Music
Spring 2017MSC1005Principles of Music
Spring 2017MSC3043Antiq Thru Baroque
Spring 2017MSC4900Music and Society
Spring 2017MSC5000Independent Study Music I
Spring 2017MSC5050Internship in Music Management
Spring 2017MSC5051Internship in Music Management
Fall 2016MSC5051Internship in Music Management
Fall 2016MSC5050Internship in Music Management
Fall 2016MSC1005Principles of Music
Fall 2016MSC3043Antiq Thru Baroque
Fall 2016MSC4900Music and Society
Summer 2016MSC5000Independent Study Music I
Summer 2016MSC1005Principles of Music
Summer 2016MSC3022Popular Song in America
Summer 2016MSC5050Internship in Music Management
Spring 2016MSC5050Internship in Music Management
Spring 2016MSC5000Independent Study Music I
Spring 2016MSC1005Principles of Music
Spring 2016MSC5051Internship in Music Management
Spring 2016MSC1005Principles of Music
Spring 2016MSC4900Music and Society
Fall 2015MSC3043Antiq Thru Baroque
Fall 2015MSC4900Music and Society
Fall 2015MSC5051Internship in Music Management
Fall 2015MSC5050Internship in Music Management
Summer 2015MSC5050Internship in Music Management
Summer 2015MSC1005Principles of Music
Summer 2015MSC3022Popular Song in America
Spring 2015MSC4900Music and Society
Spring 2015MSC1005Principles of Music
Spring 2015MSC5051Internship in Music Management
Spring 2015MSC5050Internship in Music Management
Fall 2014MSC5050Internship in Music Management
Fall 2014MSC5000Independent Study Music I
Fall 2014MSC4900Music and Society
Fall 2014MSC3043Antiq Thru Baroque
Fall 2014MSC5051Internship in Music Management
Summer 2014MSC5050Internship in Music Management
Summer 2014MSC3022Popular Song in America
Summer 2014MSC1005Principles of Music
Summer 2014MSC5050Internship in Music Management
Spring 2014MSC5050Internship in Music Management
Spring 2014MSC4900Music and Society
Spring 2014MSC5051Internship in Music Management
Fall 2013MSC4900Music and Society
Fall 2013MSC1005Principles of Music
Fall 2013MSC3043Antiq Thru Baroque
Fall 2013MSC5050Internship in Music Management
Summer 2013MSC1005Principles of Music
Summer 2013MSC5050Internship in Music Management
Summer 2013MSC3024Jazz: Origins to the Present
Spring 2013MSC5050Internship in Music Management
Spring 2013MSC4900Music and Society
Fall 2012MSC5050Internship in Music Management
Fall 2012MSC1003Music in Civilization
Fall 2012MSC3043Antiq Thru Baroque
Fall 2012MSC4900Music and Society
Fall 2012MSC5051Internship in Music Management
Summer 2012MSC1003Music in Civilization
Summer 2012MSC3024Jazz: Origins to the Present
Summer 2012MSC5000Independent Study Music I
Summer 2012MSC5050Internship in Music Management
Spring 2012MSC5050Internship in Music Management
Spring 2012MSC4900Music and Society
Spring 2012MSC5051Internship in Music Management
Fall 2011MSC5050Internship in Music Management
Fall 2011MSC5051Internship in Music Management
Fall 2011MSC5000Independent Study Music I
Fall 2011MSC4900Music and Society
Fall 2011MSC1003Music in Civilization
Fall 2011MSC1003Music in Civilization
Summer 2011MSC1003Music in Civilization
Summer 2011MSC3024Jazz: Origins to the Present
Summer 2011MSC5050Internship in Music Management
Summer 2011MSC5050Internship in Music Management
Spring 2011MSC5050Internship in Music Management
Spring 2011MSC5051Internship in Music Management
Spring 2011MSC4900Music and Society
Fall 2010MSC1003Music in Civilization
Fall 2010MSC4900Music and Society
Fall 2010MSC3043Antiq Thru Baroque
Fall 2010MSC5050Internship in Music Management
Fall 2010MSC5000Independent Study Music I
Fall 2010MSC5051Internship in Music Management
Summer 2010MSC1003Music in Civilization
Summer 2010MSC3024Jazz: Origins to the Present
Summer 2010MSC5050Internship in Music Management
Spring 2010MSC4900Music and Society
Spring 2010MSC5050Internship in Music Management
Fall 2009MSC5050Internship in Music Management
Fall 2009MSC5051Internship in Music Management
Fall 2009MSC3043Antiq Thru Baroque
Fall 2009MSC1003Music in Civilization
Fall 2009MSC5000Independent Study Music I
Fall 2009MSC4900Music and Society
Summer 2009MSC3036Commercial Music and the Media
Summer 2009MSC1003Music in Civilization
Summer 2009MSC5050Internship in Music Management
Summer 2009MSC5051Internship in Music Management
Spring 2009MSC5000Independent Study Music I
Spring 2009MSC4900Music and Society
Fall 2008MSC4900Music and Society
Fall 2008MSC1003Music in Civilization
Fall 2008MSC5051Internship in Music Management
Fall 2008MSC5000Independent Study Music I
Fall 2008MSC5000Independent Study Music I
Fall 2008MSC5050Internship in Music Management
Summer 2008MSC5051Internship in Music Management
Summer 2008MSC5050Internship in Music Management
Summer 2008MSC3043Antiq Thru Baroque
Summer 2008MSC1003Music in Civilization
Summer 2008MSC3036Commercial Music and the Media
Spring 2008MSC3044Classicism To Modern
Spring 2008MSC3043Antiq Thru Baroque
Spring 2008MSC4900Music and Society
Fall 2007MSC5001Independent Study Music II
Fall 2007MSC5000Independent Study Music I
Fall 2007MSC5000Independent Study Music I
Fall 2007MSC1003Music in Civilization
Fall 2007MSC4900Music and Society
Summer 2007MSC1003Music in Civilization
Summer 2007MSC3036Commercial Music and the Media
Summer 2007MSC5000Independent Study Music I
Summer 2007MSC5050Internship in Music Management
Summer 2007MSC5051Internship in Music Management
Spring 2007MSC5000Independent Study Music I
Spring 2007MSC5001Independent Study Music II
Spring 2007MSC4900Music and Society
Fall 2006MSC5050Internship in Music Management
Fall 2006MSC5000Independent Study Music I
Fall 2006MSC4900Music and Society
Fall 2006MSC4900Music and Society
Fall 2006MSC3043Antiq Thru Baroque
Fall 2006MSC1003Music in Civilization
Fall 2006MSC5051Internship in Music Management
Summer 2006MSC3036Commercial Music and the Media
Summer 2006MSC5050Internship in Music Management
Summer 2006MSC5051Internship in Music Management
Spring 2006FPA5000Independent Study FPA I
Spring 2006MSC5050Internship in Music Management
Spring 2006MSC5051Internship in Music Management
Fall 2005MSC5051Internship in Music Management
Fall 2005MSC5050Internship in Music Management
Fall 2005MSC4900Music and Society
Fall 2005MSC4900Music and Society
Fall 2005MSC1003Music in Civilization
Fall 2005MSC3043Antiq Thru Baroque
Summer 2005MSC1003Music in Civilization
Summer 2005MSC1003Music in Civilization
Summer 2005MSC5000Independent Study Music I
Summer 2005MSC5001Independent Study Music II
Summer 2005MSC5000Independent Study Music I
Spring 2005MSC5000Independent Study Music I
Spring 2005MSC5050Internship in Music Management
Spring 2005MSC5051Internship in Music Management
Spring 2005MSC4900Music and Society
Fall 2004MSC5050Internship in Music Management
Fall 2004MSC5051Internship in Music Management
Fall 2004MSC5000Independent Study Music I
Fall 2004MSC3043Antiq Thru Baroque
Fall 2004MSC3002Music of the Baroque Period
Fall 2004MSC1003Music in Civilization
Summer 2004MSC3036Commercial Music and the Media
Summer 2004MSC5000Independent Study Music I
Summer 2004MSC5000Independent Study Music I
Spring 2004MSC5000Independent Study Music I
Spring 2004MSC5000Independent Study Music I
Spring 2004MSC5050Internship in Music Management
Spring 2004MSC4900Music and Society
Fall 2003FRO1000First Year Seminar
Fall 2003MSC1003Music in Civilization
Fall 2003MSC5050Internship in Music Management
Fall 2003MSC3043Antiq Thru Baroque
Fall 2003MSC5051Internship in Music Management
Summer 2003MSC1003Music in Civilization
Summer 2003MSC3024Jazz: Origins to the Present
Summer 2003MSC5000Independent Study Music I
Summer 2003MSC5050Internship in Music Management
Spring 2003MSC5050Internship in Music Management
Spring 2003MSC1003Music in Civilization
Fall 2002MSC4900Music and Society
Fall 2002MSC5051Internship in Music Management
Fall 2002MSC3036Commercial Music and the Media
Fall 2002MSC1003Music in Civilization
Fall 2002FPA5070Arts Administration Internship
Fall 2002FRO1000First Year Seminar
Summer 2002MSC1003Music in Civilization
Summer 2002MSC1003Music in Civilization
Fall 2001MSC3043Antiq Thru Baroque
Fall 2001MSC3024Jazz: Origins to the Present
Fall 2001MSC1003Music in Civilization
Fall 2001MSC3024HHonors-Jazz: Origin to Present

Artistic and Creative Activities

Tomasello, A. (1988).

Tomasello, A. (1988). Philippe de Mezière's Play of the Presentation of the Virgin.

Tomasello, A. (1988). Manuscript Study: A Codicological Approach. 23rd International Congress on Medieval Studies.

Tomasello, A. (1987). American Musicological Society Meeting (by invitation).

Tomasello, A. (1987). History of the Sistine Chapel. 14th Congress of the International Musicological Society.

Tomasello, A. (1986).

Tomasello, A. (1984).

Tomasello, A. (1983).

Books

Tomasello, A. (1983). Music and Ritual in Papal Avignon (1309-1403). (p. 300). Ann Arbor, MI, UMI Research Press.

Journal Articles

Tomasello, A. (1995). A Footnote on Aragonese Mass Manuscripts and the Decline of the Great Court Theory of Music History. Musica Disciplina, XLIX. 95-120.

Tomasello, A. (1993). Philosophy, Science, Musicology, Tadpoles and Frogs. Revista de Musicología Espa-ola, XVI(4). 2421-2436.

Tomasello, A. (1990). The Las Huelgas Credo and Its Relationship to Fourteenth-Century Mass Repertory. Revista de Musicología Espa-ola, XIII(2). 501-10.

Tomasello, A. (1988). Scribal Design in the Compilation of Ivrea, MS 115*. Musica Disciplina, XLII. 73-100.

Tomasello, A. (1986). Ritual, Tradition, and Polyphony at the Court of Rome. The Journal of Musicology , IV. 447-71.

Book Chapters

Tomasello, A. (2016). The Madonna Triptych: A Mystical Reading of Three Early Music Videos. In Rothenberg, D., & Brand, B. (Eds.), Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism (pp. pp. 293-311). Cambridge,England. Cambridge University Press.

Tomasello, A. (2015). Church and State in Early Medieval France. In Tresize, S. (Ed.), The Cambridge Companion to French Music (pp. 322-38). Cambridge,England. Cambridge University Press.

Tomasello, A. (2007). The Shadow of Sound: Fourteenth-Century Sacred Polyphony. In Vela, M. C., Sabaiano, D., & Aresi, S. (Eds.), Le Notazioni della polifonia vocale dei secoli ix-xvii (pp. 289-301). Pisa,Italy. Edizione ETS.

Presentations

Tomasello, A. (1988, July 31). Notes biographique sur quelques musiciens?. Musique à Avignon. : Colloque oranis è par la Fonation Royamont en coproduction ave l'A.R.I.M.M. et le C.N.R.S..

Tomasello, A. (1988, November 30). A Musician By Any Other Name. New York, NY: Symposium on Archival Studies: CUNY Graduate Center Friday Matinee.

Tomasello, A. (1988, July 31). Notes biographique sur quelques musiciesns?. Val-sur-Oise, France: Musique à Avignon, Colloque organisè par la Fondation Royaumont en coproduction avec l'A.R.I.M.M et le C.N.R.S..

Tomasello, A. (1987, May 31). The Las Huelgas Credo and Its Relationship to Fourteenth-Century Mass Repertory. Cuenca, Spain: Meeting of the Sociedad Espa-ola de Musicologia, International Symposium Commemorating the VIII Centenary of the Foundation of the Royal Monastery of Las Huelgas.

Tomasello, A. (1986, November 30). Spanish Mass Cycles and Their Manuscripts. Cleveland, OH: National Meeting of the American Musicological Society.

Tomasello, A. (1986, November 30). Spanish Mass Cycles and Their Manuscripts. Cleveland, OH: National Meeting of the American Musicological Society.

Tomasello, A. (1986, May 31). Scribal Design in the Compilation of Ivrea, MS 115 (CXV). Kalamazoo, MI: 21st International Congress on Medieval Studies.

Tomasello, A. (1985, May 31). The Music of the Popes from the 12th to 15th Centuries: The Office of Papal Singer. Kalamazoo, MI: 20th International Congress on Medieval Studies.

Tomasello, A. (1985, March 22). Medieval Popes: Reluctant Patrons of Music?. St. Louis, MD: Washington University Symposium on Patronage.

Tomasello, A. (1984, March 9). Ritual and Tradition: Papal Music from the Twelfth to Fifteeth Century. New York, NY: Columbia University Department of Music Lecturing Series.

Tomasello, A. (1983, October 31). Apt, MS 16bis: A Study in Scribal Practicality. Louisville, KY: National Meeting of the American Musicological Society.

Tomasello, A. (1983, June 30). Culture musicale à la cour des papes d'Avignon au XIVème siècle. Avignon, France: Meeting of the Institut de Recherches et d'Etudes du Bas Moyen Age Avignonnais.

Tomasello, A. (1981, November 30). Music in the Papal Ceremonials of the Late Middle Ages. Boston, MA: National Meeting of the American Musicological Society.

Other Scholarly Works

Tomasello, A. (1992). “An Ensign for the Nations": Musical Reflections on Spain’s Last Crusade. 7(3), 2-14.

ums.aadl.org/ums/programs_19920328waverly

Tomasello, A. (1987). One People, One Land, One Faith. 3(2), 2-12.

Reviews

Tomasello, A., & Sheingorn, P. K. (1987,January 1). The Four Plays of St. Nicholas Presented by the Teatro Antico and The Early Music Institue of Indiana University at the 21st International Congress on Medieval Studies. Northwestern University: Research Opportunities in Renaissance Drama.

Wolf, Q. (1986,June 1). "A Little Nightmare Music" and "Twelve Quite Heavenly Songs". Notes.

Tomasello, A. (1986,June 1). "Guillaume Dufay--Chansons: Forty-five Settings in Original Notation" / D’ung aultre amer: Seventeen Settings in Two, Three, Four, and Five Parts". Notes.

Tomasello, A. (1984,September 1). "Chantilly, Musée Condé 564, Polyphonic Music of the Fourteenth Century". Notes.

Research Currently in Progess

Tomasello, A.(n.d.). Ivrea, Biblioteca Capitolare 115, Apt, Basilique de Sainte-Anne, Trèsor 16bis, with Appendix of Gragmentary Sources. In Progress.

Iventories of volumes

Tomasello, A.(n.d.). Medieval Popes: Reluctant Patrons of Music. In Progress.

Honor / AwardOrganization SponsorDate ReceivedDescription
Released-Time AwardsBaruch College 1988
Released-Time AwardsBaruch College 1986
PSC-CUNY Research AwardResearch Foundation of the City University of New York, "An Investigation of the Barcelona and Gerona Manuscripts" ($5,923.00)1985
Released-Time AwardsBaruch College 1985
PSC-CUNY Research AwardResearch Foundation of the City University of New York, "An Investigation of the Barcelona and Gerona Manuscripts" ($5,923.00)1984
Released-Time AwardsBaruch College 1984
Released-Time AwardsBaruch College 1983
Martha Baird Rockefeller Fund for Music Grant1980Began in 1957 as a private philanthropy of Martha Baird Rockefeller (1895-1971), to respond to various needs she saw in the field of music. Its interest centered on young solo artists, who received support directly through individual grants designed to address specific problems in the early stages of a career, or indirectly through contributions to performance organizations that offered advanced training and employment in important capacities. The Fund was dissolved in 1982.

College

Committee NamePosition RoleStart DateEnd Date
Executive CommitteePresent
Committee on Advisement and Special ProjectsPresent
Committee on CurriculumPresent
Student Concert CoordinatorPresent
Deputy ChairmanPresent
Acting ChairmanPresent
Publicity CoordinatorPresent
Proposed Globus Lecture Series: John Stinson12/31/1989
Faculty Advisor to the Jazz Society12/31/1988
CUNY Task Force Committee to Restructure Liberal Arts Curriculum For Education Students12/31/1988
The Trustees' Study Committee on Secondary Education12/31/1988
Acting Chairman12/31/1988
Final Exam Coordinator12/31/1987
Committee on Curriculum12/31/1987
Freshman Orientation Faculty Leader12/31/1987
Committee on the Feit Interdisciplinary Seminars in the Humanities12/31/1986
Committee on the NEH/China Studies Project12/31/1986
Coordinator for Globus Lecture Series: Craig Wright12/31/1986
Proposed Course in Rock Music12/31/1986
Designed Course in Non-Western Music (3005)12/31/1985
Executive Committee12/31/1985
Recital Committee12/31/1985
Faculty Secretary12/31/1985
Coordinator for Quality of Life Series: "Careers in the Popular Music Business"12/31/1984
Redesigned Course in Jazz (3024)12/31/1983
Make-up Exam Coordinator12/31/1983

University

Committee NamePosition RoleStart DateEnd Date
1/1/1987Present

Public

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
Professional SocietiesOld Book Society1/1/1988Present
Professional SocietiesInternational Musicological Society1/1/1987Present
Professional SocietiesAmerican Musicological Society1/1/1977Present
Professional SocietiesMedieval Academy of America1/1/1984Present
Professional SocietiesCollege Music Society1/1/1983Present
Professional SocietiesSociety for Ethnomusicology1/1/1986Present