Andrew Tomasello

Education

Ph.D., Music History, Yale University New Haven CT

B.A., Music, Queens College, CUNY Flushing NY

Artistic and Creative Activities

Tomasello, A. (1988).

Tomasello, A. (1988). Philippe de Mezière's Play of the Presentation of the Virgin.

Tomasello, A. (1988). Manuscript Study: A Codicological Approach. 23rd International Congress on Medieval Studies.

Tomasello, A. (1987). American Musicological Society Meeting (by invitation).

Tomasello, A. (1987). History of the Sistine Chapel. 14th Congress of the International Musicological Society.

Tomasello, A. (1986).

Tomasello, A. (1984).

Tomasello, A. (1983).

Books

Tomasello, A. (1983). Music and Ritual in Papal Avignon (1309-1403). (p. 300). Ann Arbor, MI, UMI Research Press.

Journal Articles

Tomasello, A. (1995). A Footnote on Aragonese Mass Manuscripts and the Decline of the Great Court Theory of Music History. Musica Disciplina, XLIX. 95-120.

Tomasello, A. (1993). Philosophy, Science, Musicology, Tadpoles and Frogs. Revista de Musicología Espa-ola, XVI(4). 2421-2436.

Tomasello, A. (1990). The Las Huelgas Credo and Its Relationship to Fourteenth-Century Mass Repertory. Revista de Musicología Espa-ola, XIII(2). 501-10.

Tomasello, A. (1988). Scribal Design in the Compilation of Ivrea, MS 115*. Musica Disciplina, XLII. 73-100.

Tomasello, A. (1986). Ritual, Tradition, and Polyphony at the Court of Rome. The Journal of Musicology , IV. 447-71.

Book Chapters

Tomasello, A. (2016). The Madonna Triptych: A Mystical Reading of Three Early Music Videos. In Rothenberg, D., & Brand, B. (Eds.), Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism (pp. pp. 293-311). Cambridge,England. Cambridge University Press.

Tomasello, A. (2015). Church and State in Early Medieval France. In Tresize, S. (Ed.), The Cambridge Companion to French Music (pp. 322-38). Cambridge,England. Cambridge University Press.

Tomasello, A. (2007). The Shadow of Sound: Fourteenth-Century Sacred Polyphony. In Vela, M. C., Sabaiano, D., & Aresi, S. (Eds.), Le Notazioni della polifonia vocale dei secoli ix-xvii (pp. 289-301). Pisa,Italy. Edizione ETS.

Presentations

Tomasello, A. (1988, July 31). Notes biographique sur quelques musiciens?. Musique à Avignon. : Colloque oranis è par la Fonation Royamont en coproduction ave l'A.R.I.M.M. et le C.N.R.S..

Tomasello, A. (1988, November 30). A Musician By Any Other Name. New York, NY: Symposium on Archival Studies: CUNY Graduate Center Friday Matinee.

Tomasello, A. (1988, July 31). Notes biographique sur quelques musiciesns?. Val-sur-Oise, France: Musique à Avignon, Colloque organisè par la Fondation Royaumont en coproduction avec l'A.R.I.M.M et le C.N.R.S..

Tomasello, A. (1987, May 31). The Las Huelgas Credo and Its Relationship to Fourteenth-Century Mass Repertory. Cuenca, Spain: Meeting of the Sociedad Espa-ola de Musicologia, International Symposium Commemorating the VIII Centenary of the Foundation of the Royal Monastery of Las Huelgas.

Tomasello, A. (1986, November 30). Spanish Mass Cycles and Their Manuscripts. Cleveland, OH: National Meeting of the American Musicological Society.

Tomasello, A. (1986, November 30). Spanish Mass Cycles and Their Manuscripts. Cleveland, OH: National Meeting of the American Musicological Society.

Tomasello, A. (1986, May 31). Scribal Design in the Compilation of Ivrea, MS 115 (CXV). Kalamazoo, MI: 21st International Congress on Medieval Studies.

Tomasello, A. (1985, May 31). The Music of the Popes from the 12th to 15th Centuries: The Office of Papal Singer. Kalamazoo, MI: 20th International Congress on Medieval Studies.

Tomasello, A. (1985, March 22). Medieval Popes: Reluctant Patrons of Music?. St. Louis, MD: Washington University Symposium on Patronage.

Tomasello, A. (1984, March 9). Ritual and Tradition: Papal Music from the Twelfth to Fifteeth Century. New York, NY: Columbia University Department of Music Lecturing Series.

Tomasello, A. (1983, October 31). Apt, MS 16bis: A Study in Scribal Practicality. Louisville, KY: National Meeting of the American Musicological Society.

Tomasello, A. (1983, June 30). Culture musicale à la cour des papes d'Avignon au XIVème siècle. Avignon, France: Meeting of the Institut de Recherches et d'Etudes du Bas Moyen Age Avignonnais.

Tomasello, A. (1981, November 30). Music in the Papal Ceremonials of the Late Middle Ages. Boston, MA: National Meeting of the American Musicological Society.

Other Scholarly Works

Reviews

Tomasello, A., & Sheingorn, P. K. (1987,January 1). The Four Plays of St. Nicholas Presented by the Teatro Antico and The Early Music Institue of Indiana University at the 21st International Congress on Medieval Studies. Northwestern University: Research Opportunities in Renaissance Drama.

Wolf, Q. (1986,June 1). "A Little Nightmare Music" and "Twelve Quite Heavenly Songs". Notes.

Tomasello, A. (1986,June 1). "Guillaume Dufay--Chansons: Forty-five Settings in Original Notation" / D’ung aultre amer: Seventeen Settings in Two, Three, Four, and Five Parts". Notes.

Tomasello, A. (1984,September 1). "Chantilly, Musée Condé 564, Polyphonic Music of the Fourteenth Century". Notes.

Research Currently in Progess

Tomasello, A.(n.d.). Ivrea, Biblioteca Capitolare 115, Apt, Basilique de Sainte-Anne, Trèsor 16bis, with Appendix of Gragmentary Sources. In Progress.

Tomasello, A.(n.d.). Medieval Popes: Reluctant Patrons of Music. In Progress.

College

University

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