Anne Swartz
Professor
Weissman School of Arts and Sciences
- Biography
- Teaching
- Research and Creative Activity
- Honors and Awards
- Service
Education
Ph.D., Historical Musicology, University of Pittsburgh
M.A., Historical Musicology, University of Pittsburgh
B.A., Music, Wilson College
Semester | Course Prefix | Course Number | Course Name |
---|---|---|---|
Fall 2023 | MSC | 3004 | Music of the Romantic Period |
Spring 2023 | MSC | 3016 | Music of the Twentieth Century |
Fall 2022 | MSC | 3004 | Music of the Romantic Period |
Spring 2022 | MSC | 3016 | Music of the Twentieth Century |
Fall 2021 | MSC | 3004 | Music of the Romantic Period |
Spring 2021 | MSC | 3016 | Music of the Twentieth Century |
Fall 2020 | MSC | 3004 | Music of the Romantic Period |
Spring 2020 | MSC | 3016 | Music of the Twentieth Century |
Fall 2019 | MSC | 3004 | Music of the Romantic Period |
Spring 2019 | MSC | 3016 | Music of the Twentieth Century |
Fall 2018 | MSC | 3004 | Music of the Romantic Period |
Spring 2018 | MSC | 3016 | Music of the Twentieth Century |
Fall 2017 | MSC | 3004 | Music of the Romantic Period |
Spring 2017 | MSC | 3016 | Music of the Twentieth Century |
Fall 2016 | MSC | 3004 | Music of the Romantic Period |
Spring 2016 | MSC | 3016 | Music of the Twentieth Century |
Fall 2015 | MSC | 3004 | Music of the Romantic Period |
Spring 2015 | MSC | 3016 | Music of the Twentieth Century |
Fall 2014 | MSC | 3004 | Music of the Romantic Period |
Spring 2014 | MSC | 3016 | Music of the Twentieth Century |
Fall 2013 | MSC | 3004 | Music of the Romantic Period |
Spring 2013 | MSC | 3016 | Music of the Twentieth Century |
Fall 2012 | MSC | 3004 | Music of the Romantic Period |
Spring 2012 | MSC | 1003 | Music in Civilization |
Fall 2011 | MSC | 3004 | Music of the Romantic Period |
Spring 2011 | MSC | 3016 | Music of the Twentieth Century |
Fall 2010 | MSC | 3004 | Music of the Romantic Period |
Spring 2010 | MSC | 1003 | Music in Civilization |
Spring 2010 | MSC | 3016 | Music of the Twentieth Century |
Fall 2009 | MSC | 3004 | Music of the Romantic Period |
Fall 2009 | MSC | 1003 | Music in Civilization |
Spring 2009 | MSC | 1003 | Music in Civilization |
Spring 2009 | MSC | 3016 | Music of the Twentieth Century |
Fall 2008 | MSC | 3004 | Music of the Romantic Period |
Fall 2008 | MSC | 1003 | Music in Civilization |
Spring 2008 | MSC | 1005 | Principles of Music |
Spring 2008 | MSC | 1005 | Principles of Music |
Spring 2008 | MSC | 3016 | Music of the Twentieth Century |
Fall 2007 | MSC | 3004 | Music of the Romantic Period |
Fall 2007 | MSC | 1005 | Principles of Music |
Spring 2007 | MSC | 3016 | Music of the Twentieth Century |
Spring 2007 | MSC | 1005 | Principles of Music |
Spring 2007 | MSC | 1005 | Principles of Music |
Fall 2006 | MSC | 1005 | Principles of Music |
Fall 2006 | MSC | 3004 | Music of the Romantic Period |
Spring 2006 | MSC | 1005 | Principles of Music |
Spring 2006 | MSC | 1005 | Principles of Music |
Spring 2006 | MSC | 3016 | Music of the Twentieth Century |
Fall 2005 | MSC | 1005 | Principles of Music |
Fall 2005 | MSC | 3004 | Music of the Romantic Period |
Spring 2005 | MSC | 3016 | Music of the Twentieth Century |
Spring 2005 | MSC | 5000 | Independent Study Music I |
Spring 2005 | MSC | 1005 | Principles of Music |
Fall 2004 | MSC | 1005 | Principles of Music |
Fall 2004 | MSC | 3004 | Music of the Romantic Period |
Spring 2004 | MSC | 1005 | Principles of Music |
Spring 2004 | MSC | 3016 | Music of the Twentieth Century |
Fall 2003 | MSC | 3004 | Music of the Romantic Period |
Fall 2003 | MSC | 1005 | Principles of Music |
Spring 2003 | MSC | 1005 | Principles of Music |
Spring 2003 | MSC | 3016 | Music of the Twentieth Century |
Fall 2002 | MSC | 3004 | Music of the Romantic Period |
Fall 2002 | IDC | 1001H | Honors-The Arts in New York |
Spring 2002 | MSC | 3016 | Music of the Twentieth Century |
Fall 2001 | IDC | 1001H | Honors-The Arts in New York |
Fall 2001 | MSC | 3004 | Music of the Romantic Period |
Fall 2001 | IDC | 1001H | Honors-The Arts in New York |
Artistic and Creative Activities
Swartz, A. (2013). Sixth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.
Swartz, A. (2012). Fifth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.
Swartz, A. (2011). Fourth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.
Swartz, A. (1995). Faculty Recital. Baruch College.
Swartz, A. (1993). Baruch College Chorus. Baruch College.
Swartz, A.
Books
Swartz, A. (2021). The Composer and Patron in Russia: A Musical Journey Through Time. (p. ix + 477). United Kingdom, United States, University of Liverpool.
Swartz, A. (2016). Piano Makers in Russia in the Nineteenth Century: Paperback Edition. Bethlehem PA, USA, Lehigh University Press.
Swartz, A. (2014). Piano Makers in Russia in the Nineteenth Century. (p. 300). Bethlehem, PA, USA, Lehigh University Press.
Swartz, A. (1998). Composers Born 1700 to 1799. Keyboard Music: Maria Szymanowska. Martha Furman Schleifer and Sylvia Glickman, Series General Editors. New York and London, Macmillan.
Journal Articles
Swartz, A. (2018). The Legacy of the Russian Virtuoso in the American South. Journal of the Royal Musical Association, In Progress.
Swartz, A. (2016). La musique ennoblie: Marius Petipa, le mecenat et La Belle au bois dormant de Piotr ilitch Tchaikovski [Ennobling Music: Petipa, Patronage, and Tchaikovsky's The Sleeping Beauty]. Slavica Occitania, 43(Special Edition). 253-263, 426-427.
Swartz, A. (2013). Le Piano en Russie: Professeurs particuliers et pianistes de cour sous le Regne d'Alexandre 1er. Revue des Etudes Slaves, Special Edition, Musique et Opera en Russie et Europe Centrale (XIXe - XXe siecles), 84(3-4). 379- 394.
Swartz, A. (2009). "Music, the Economy and Society: Szymanowska's Career Path in Russia in the 1820s,". Australian Slavonic and East European Studies, 23. 107-130.
Swartz, A. (2009). Shostakovich: the Personal and Public Face of the Composer and his Music. The Russian Review, 68. 679-684.
Swartz, A. (2007). "Facteurs de Pianos en Russie au XIXe Siecle". Slavica occitania, Special Edition on Russian Music of the 19th and 20th Centuries, 23(2007). 17-36.
Swartz, A. (2006). "Moniuszko's Halka and the Revival of the Noble Traditions at the Teatr Wielki". The Polish Review, 51(3-4). 325-349.
Swartz, A. (2002). "Elsner and the flourishing of opera in Poland before 1830". The Polish Review, 47(3). 281-291.
Swartz, A. (2002). "Technological Muses: Piano Builders in Russia, 1810-1881". Cahiers du Monde Russe, 43(1). 153-172.
Swartz, A. (1996). "Mifologiziruia istoriiu: Ivan IV Chaikovskogo". Idantutkimus. Zhurnal issledovaniia Vostochnoi Evropy. The Finnish Review of East European Studies, 1. 15-24.
Swartz, A. (1994). "Elsner, Chopin and Musical Narrative as Symbols of Nation". The Polish Review, 39(4). 421-432.
Swartz, A. (1994). "Mieczslaw Horszowski (1892-1993)". The Polish Review, 39(4). 502-503.
Swartz, A. (1991). "Maria Szymanowska to Adam Mickiewicz: Unpublished Letters from 1827". Australian Slavonic and East European Studies, 5(1). 25-45.
Swartz, A. (1991). "Szmanowska: the Virtuoso-Composer in Transition". New Journal for Music, 1(3). 7-31.
Swartz, A. (1990). "Maria Szymanowska: Contemporary Accounts from Moscow and St. Petersburg". New Journal for Music, 1(1). 38-64.
Swartz, A. (1990). "Chopin Holdings in the M.E. Saltykov-Shchedrin State Public Library, Leningrad". Fontes artis musicae, 37(4). 291-295.
Swartz, A. (1989). "Chopin's op. 74: the Vernacular in the Art Song". Revue de Musicologie, 75(2). 243-264.
Swartz, A. (1987). "Deutung der Schlusstakte in Chopins Mazurken op. 30, 4, op. 17, 4 and op. 24, 2". Uben und Musizieren, 1. 15-20.
Swartz, A. (1985). "Milton Babbitt on Milton Babbitt". American Music, 3(4). 467-473.
Swartz, A. (1985). "Maria Szymanowska and the Salon Music of the Early Ninteenth Century". The Polish Review, 30(1). 43-58.
Swartz, A. (1985). "Idealisme et realite: les promesses du cable culturel". Etudes de radio-television: Musiques, radio et television, 35. 83-90.
Swartz, A. (1984). "Goethe and Szymanowska: the Years 1823-1824 in Marienbad and Weimar". Germano-Slavica, 4(6 (Fall)). 321-330.
Swartz, A. (1984). "Music Programming for Cable Television: the New Technology". E B U Review: Programmes, Administration, Law, 35(4). 22-25.
Swartz, A. (1984). Emissions musicales pour la television par cable: la nouvelle technologie. Revue de l'U E R, 35(4). 22-25.
Swartz, A. (1983). "Folk Dance Elements in Chopin's Mazurkas". The Journal of Musicological Research, 4. 417-426.
Swartz, A. (1975). The Polish Folk Mazurka. Studia Musicologica Academiae Scientiarum Hungaricae, 17(1/4). 249-255.
Swartz, A. (1974). "A New Chronology of the Ballades of Machaut". Acta Musicologica, 46(2). 192-207.
Book Chapters
Swartz, A. (2018). Spartak Khachaturiana kak proletarskii geroi; Khachaturian's Spartacus as Proletarian Hero. Slavica Press. In Progress.
Swartz, A., & Wieczerzak, J. W. (2006). Elsner, Chopin and Musical Narrative as Symbols of Nation. In Kraszewski, C. S. (Ed.), Fifty Years of Polish Scholarship: the Polish Review: 1956-2006 New York, New York,USA. The Polish Institute of Arts and Sciences.
Swartz, A. (2005). Russian Music and Portrayals of The Thousand and One Nights: the 'eastern in Rimsky-Korsakov's Sheherazade. In Geybullayeva, R., & Mammad, T. (Eds.), Edebi-nezeri mecmue, 2005 (Yearbook 2005) The Literary Institute of the Azerbaijan National Academy of Sciences.
Swartz, A. (2003). "Sarti's opera, Nachal' noe upralenie Olega (1791): An Eastern Tale from Catherine II". Selected Papers from the Sixth World Congress for Central and East European Studies Helsinki,Finland. Finnish Institute for Russian and East European Studies.
Swartz, A. (2002). "The Romanov Family's Patronage of Music, 1820-1880". In Crawford, D. (Ed.), Encomium Musicae: Essays in Memory of Robert J. Snow Hillsdale, New York,United States. Pendragon Press.
Swartz, A. (1999). The Intrigue of Love and Illusion in Tchaikovsky's The Oprichnik. In Mihailovic, A. (Ed.), Tchaikovsky and his contemporaries : a centennial symposium London,United Kingdom. Greenwood Press.
Swartz, A. (1998). "The Popular Libretto of Polish Romantic Music: Chopin and Moniuszko at Mid-Century". In Hill, R. J. (Ed.), Selected Papers from the Fifth World Congress for Central and East European Studies United States. St. Martin's Press.
Swartz, A. (1994). "Chopin as modernist in ninteenth-century Russia". In John Rink, J., & Samson, J. (Eds.), Chopin Studies 2 Cambridge,United Kingdom. Cambridge University Press.
Swartz, A. (1993). "Chopin, Politics, and Musical Meaning in Russia during the Regin of Nicholas I". New Yorki,United States. Columbia University Press.
Media Contributions
Swartz, A. (2016). Honoring Rostropovich's Legacy of Musical Diplomacy.
(1982). Instructional Program: Making Music.
(1981). Portraits of American Composers: Milton Babbitt.
(1980). WKYY/AM.
(1980). WSET/TV (ABC-affiliate).
Presentations
Swartz, A. (2020, February 28). Music and Revolution in Ukraine. Ukrainian Music Festival. New York: The Ukrainian Institute.
Swartz, A. (2019, March 18). Rimsky-Korsakov and the Fantastical East. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year. St. Petersburg, Russia: The St. Petersburg State Museum of Theatre and Music and The Rimsky-Korsakov St. Petersburg State Conservatory.
Swartz, A. (2018, April 30). Love Spiritualized: The Epistolary Romance of Tchaikovsky and Nadezhda von Meck. Barry S. Brook Center for Music Research and Documentation, CUNY. Graduate Center, CUNY: Ensemble for the Romantic Century.
Swartz, A. (2018, May 24). BBC Radio 3's Music Matters: Paul Kildea's Chopin's Piano: A Journey through Romanticism. BBC Radio. London: British Broadcasting Corporation.
Swartz, A. (2016, October 20). Mstislav Rostropovich as International Musical Icon. A Salute to Slava. Washington, D.C.: The Kennan Institute, the Kennedy Center and the National Symphony Orchestra.
Swartz, A. (2015, October 21). "Ennobling Music: Petipa, Patronage, and Tchaikovsky's The Sleeping Beauty. From Bordeaux to Saint-Petersbourg, Marius Petipa (1818-1910) and the Russian Ballet. Bordeaux, France: University of Bordeaux, Grand Theater Bordeaux, UNESCO.
Swartz, A. (2015, October 23). Panel Co-Chair, Petipa's text: it's establishment and reinterpretations. From Bordeaux to Saint-Petersbourg, Marius Petipa (1818-1910) and the Russian Ballet. Bordeaux, France: University of Bordeaux, Bordeaux Grand Theater, UNESCO.
Swartz, A. (2013, March 31). Chair and Discussant, "Musical Lives of Detention in the Twentieth Century". Northeast Slavic, East European, and Eurasian Conference. Barnard College, New York, New York
Swartz, A. (2011, October 31). Tchaikovsky and the Piano in St. Petersburg's Gilded Age. Celebration of the 120th Anniversary of the Opening of Carnegie Hall. New York Public Library: Carnegie Hall, the New York Public Library, the Mariinsky Theater.
Swartz, A. (2010, March 31). The Piano in Russia and Eastern Europe: Issues of Production, Identity and Innovation. The British Association for Slavonic and East European Studies. England: Cambridge University.
Swartz, A. (2010, March 31). Piano Makers in Russia: the Transition to Russian-Owned Firms during Alexander II's Reign. British Association for Slavonic and East European Studies. England: Cambridge University.
Swartz, A. (2010, October 31). Tchaikovsky and Music Patronage in Russia's Golden Age. Barry S. Brook Center for Music Research and Documentation, CUNY. New York, New York: The Graduate Center, CUNY.
Swartz, A. (2009, April 30). Szymanowska's Cultural and Economic Impact in St. Petersburg in the 1820s. Adam Mickiewicz University of Poznan. Poland: Poznanskie Towarzystwo Przyjaciol Nauk.
Swartz, A. (2009, March 31). The Piano in Russian Society during Nicholas I's Reign. British Association for Slavonic and East European Studies. England: Cambridge University.
Swartz, A. (2009, December 31). European Artisans and the Piano in Russia. The Otto Walter Memorial Lecture, The European Union Studies Center. New York, New York: The Graduate Center, CUNY, and The European Union Center of New York.
Swartz, A. (2008, June 30). Representations of Polish Popular Culture in Elsner's Echo w lesie (The Forest Echo) (1808). Polish Institute of the Arts and Sciences Annual Conference. Philadelphia: Polish Institute of the Arts and Sciences.
Swartz, A. (2007, June 30). Szymanowska's Musical Impact in Marienbad and Weimar, As Seen Through Goethe's Eyes. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.
Swartz, A. (2007, June 30). Szymanowska's Musical Impact in Marienbad and Weimar, As Seen Through Goethe's Eyes. The Polish Institute of the Arts and Sciences Annual Conference. Washington, D.C.: Georgetown University.
Swartz, A. (2006, June 30). Halka as Symbol of the Noble Traditions at the Warsaw Opera Theather. International Multidisciplinary Conference. New York: The Polish Institute of the Arts and Sciences.
Swartz, A. (2005, October 31). Moniuszko's Halka and the Revival of the Noble Traditions at the Teatr Wielki. Godlewski Evening of Polish Culture. Connecticut: Central Connecticut State University.
Swartz, A. (2005, June 30). Royal Patronage, Women, and Music: Evaluating Szymanowska's Cultural Impact in St. Petersburg in the 1820s. Annual Meeting, Polish Institute of the Arts and Sciences. Pittsburgh, PA: University of Pittsburgh, Center for Russian and East European Studies.
Swartz, A. (2004, June 30). Kurpinski's Principles of Music (1818) and Its Democratization. International Multidisciplinary Conference. Boston, MA: The Polish Institute of the Arts and Sciences.
Swartz, A. (2003, November 30). The Lasting Legacy of the Russian Virtuoso. Celebration of the 300th Anniversary of the City of St. Petersburg. New York, New York: The Harriman Institute of Columbia University.
Swartz, A. (2003, April 30). Culture/Kultura: Russian Influences on American Performing Arts Vol XX No. 11. The Kennan Institute for Advanced Russian Studies, Meeting Report, Kennan Institute. : Woodrow Wilson International Center for Scholars.
Swartz, A. (2003, February 28). Russian Influences on American Music. Culture Kultura: Russian Influences on American Performing Arts and Sports. Washington DC: Woodrow Wilson International Center for Scholars.
Swartz, A. (2002, June 30). Two portrayals of the Polish gentry in Moniuszko's Halka (1848): the shaping of a national culture in the Teatr Wielki. International Multidisciplinary Conference. Montreal, Canada: The Polish Institute of the Arts and Sciences.
Swartz, A. (2002, June 30). Elsner and the flourishing of opera in Poland before 1830. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.
Swartz, A. (2001, March 31). Nachal'noe upravlenie Olega (1791): A Tale of Russia and Byzantium by Sarti, L'vov, and Catherine II. Mid-Western Slavic Conference of the American Association for the Advancement of Slavic Studies. Cleveland, OH: Ohio State University.
Swartz, A. (2001, March 31). Pianos and Patronage in Russia, 1820-1860. International Conference. Washington, D.C.: Smithsonian Institution and the Library of Congress.
Swartz, A. (2000, August 31). Sarti's oper, Nachal'noe upravlenie Olega (1791): An Eastern Tale from Catherine II. International Council for Central and East European Studies. Tampere, Finland: International Council for Central and East European Studies.
Swartz, A. (1998, September 30). Literary Landscapes: Imagining the Nation in the 18th-century Russia. National Convention. Boca Raton, FL: American Association for the Advancement of Slavic Studies.
Swartz, A. (1998, May 31). Opera Nachal'noe Upravlenie Olega (1791) i ee avtory. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.
Swartz, A. (1997, March 31). Karol Szymanowski and the 'Young Poland in Music'. Polish Institute of the Arts and Sciences. New York, New York: Polish Institute of the Arts and Sciences.
Swartz, A. (1997, April 30). Khachaturian's Spartak: Death and Transfiguration of the Bolshevik Hero. Annual Conference. Berkeley, California: Interdisciplinary Nineteenth-Century Studies.
Swartz, A. (1997, April 30). The Romanov Family Patronage of Music in Russia's Golden Age. Bicentennial Conference, Alexander Sergeevich Pushkin. Columbus, Ohio: Ohio State University.
Swartz, A. (1997, May 31). The Economic Impact of Romanov Family Patronage on Music Institutions in Russia. New York City International Philosophy Conference, Symposium on Recent Scholarship in Russian Studies. New York, New York: Hunter College.
Swartz, A. (1997, June 30). Economicheskii vklad sem'i romanovykh v muzykal' nuiu promyshlennost. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.
Swartz, A. (1997, November 30). Medieval Images in Modern Russian Music. Russian Culture: the Modern Era. New Haven, CT: Yale University.
Swartz, A. (1997, November 30). Russian Music and the Conquest of Central Asia. American Association for the Advancement of Slavic Studies Annual Conference. Seattle, Washingtion: American Association for the Advancement of Slavic Studies.
Swartz, A. (1996, June 30). Szymanowska and her Patron in Post-Enlightenment Russia. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.
Swartz, A. (1996, May 31). Spartak Khachaturiana kak proletarskii geroi. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.
Swartz, A. (1996, November 30). Music in Stalinist Cultural Policy. National Convention, American Association for the Advancement of Slavic Studies. Boston, MA: American Association for the Advancement of Slavic Studies.
Swartz, A. (1996, March 31). Maira Agata Wolowska Szymanowska: Eighteenth-Century Court Musician. Celebration of Women's History Month, Kosciuszko Foundation. New York, NY: Kosciuszko Foundation.
Swartz, A. (1995, October 31). Khachaturian's Spartak as Proletarian Hero. American Association for the Advancement of Slavic Studies, National Convention. Washington, D.C.: American Association for the Advancement of Slavic Studies.
Swartz, A. (1995, November 30). New Issues in Russian Music. American Musicological Society Annual Meeting. New York, New York: American Musicological Society.
Swartz, A. (1995, November 30). Mifologiziruia istoriiu. Ivan IV Chaikovskogo. Russian and American Historical Association Annual Conference. St. Petersburg, Russia: St. Petersburg University.
Swartz, A. (1995, October 31). Mythologizing History: Slavic Opera Transformed. American Association for the Advancement of Slavic Studies National Convention. Washington, D.C.: American Association for the Advancement of Slavic Studies.
Swartz, A. (1995, August 31). The Popular Libretto of Polish Romanitc Music: Chopin and Moniuszko at mid-century. International Congress of the Council for Central and East European Studies. Warsaw, Poland: Polish Academy of Sciences.
Swartz, A. (1995, March 31). The Oprichnik as History: Tchaikovsky vs. Cui. Mid-Atlantic Slavic Conference of the American Association for the Advancement of Slavic Studies. New York, New York: Harriman Institute, Columbia University.
Swartz, A. (1994, June 30). Elsner, Chopin and Musical Narrative as Symbols of Nation. International Multidisciplinary Conference, Polish Institute of the Arts and Sciences. Washington, D.C.: Polish Institute of the Arts and Sciences.
Swartz, A. (1994, January 31). . Harvard University, Society of Fellows. Cambridge, MA: Harvard University.
Swartz, A. (1994, November 30). Shopen v interpretatsii Rubinshteina. International Musicological Conference, A. G. Rubinshtein (1829-1894): Lichnost', Tvorchestvo, Stil'. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.
Swartz, A. (1994, August 31). Istoriia oprichninyi: Chaikovkii protiv Kyui. Faculty of Russian Music History. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.
Swartz, A. (1994, August 31). Rossiiskie mneniia ob Oprichnike Chaikovskogo. St. Petersburg University Faculties of History and International Relations. St. Petersburg, Russia: St. Petersburg University.
Swartz, A. (1993, June 30). Krasota i illiuziia v oprichnike Chaikovskogo. N. A. Rimsky-Korsakov Conservatory. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.
Swartz, A. (1993, October 31). The Intrigue of Love and Illusion in Tchaikovsky's The Oprichnik. Interdisciplinary Conference. New York: Hofstra University.
Swartz, A. (1992, November 30). Women Patrons and Performers in St. Petersburg, 1820-1840. American Association for the Advancement of Slavic Studies National Convention. Phoenix, AZ: American Association for the Advancement of Slavic Studies.
Swartz, A. (1992, July 31). Shopen, Serov, Rubinshtein: noveishii i sovremennyi muzykal'nyi stil' v Rossii XIX veka. N. A. Rimsky-Korsakov Conservatory. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.
Swartz, A. (1992, June 30). Chopin, Politics and Musical Meaning in Russia during the Reign of Nicholas I. 50th Anniversary International Congres of the Polish Institute of Arts and Sciences. New Haven, CT: Yale University.
Swartz, A. (1992, May 31). Chopin a pojecie nowoczesnosci w Rosji polowy dziewietnastego wieku. Polish Academy of Sciences. Warsaw, Poland: Biblioteka Narodowa.
Swartz, A. (1992, May 31). Polska arystokracja, rosyjskie caryce i kobiety muzycy na dworze Aleksandra pierwszego. Warsaw, Biblioteka Narodowa. Warsaw, Poland: Biblioteka Narodowa.
Swartz, A. (1992, April 30). Classicism and romanticism (romantizm: music at the Russian court, 1810-1830. Tufts University. Medford, MA: Tufts University.
Other Scholarly Works
Swartz, A. (2018). Diplomacy and Artistic Collaboration in Russia: Petipa, von Meck and Tchaikovsky's The Sleeping Beauty.
Swartz, A., & Libin, L. (2015). Iakov Davidovich Bekker. Grove Dictionary of Musical Instruments. Russian Piano History.. 4(2nd Edition), 1337.
Swartz, A. (2009). Maria Szymanowska. Three Waltzes from Eighteen Dances of different genres for the Piano-forte.
Swartz, A. (1998). Maria Szymanowska. Polonaise and Trio from Dix-huit Danses de differentes genres pour le Piano-forte.
Swartz, A. (1998). Maria Szymanowska. Three Etudes from Vingt exercices et preludes pour le Pianoforte.
Swartz, A. (1998). Maria Szymanowska, Three Valses from Dix-huit Danses de differentes genres pour le Piano-forte.
Swartz, A. (1998). Maria Szymanowska. Caprice sur la romance de Joconde pour le Pianoforte.
Swartz, A. (1998). Maria Szymanowska. Four Anglaises from Dix-huit Danses de differentes genres pour le Piano-forte.
Swartz, A. (1998). Maria Szymanowska. Menuet No. 2 from Six Menuets pour le Pianoforte.
Swartz, A. (1987). "Szymanowska Festival in New York: concert premiere co-hosted by the Kosciuszko Foundation and the French Embassy". 38(3), 12-13.
Swartz, A.
Reviews
Swartz, A. (2020,April 1). Critical Lives of Dmitry Shostakovich. USA: Russian Review.
Swartz, A. (2024,August 30). Moniuszko, Hrabina, Opera in three Acts (Europa Galante, Fabio Biondi), and Moniuszko, Straszny dwor, opera in 4 acts (Orchestra of the 18th century, Grezgorz Nowak. Witold Lutoslawski Concert Studio of Polish Radio, Warsaw, Poland. Oakland, California: University of California Press. In Progress.
Swartz, A. (2011,December 1). European Fin-de-siecle and Polish Modernism: the Music of Mieczyslaw Karlowicz. Ad Parnassum Studies,United States: Nineteenth Century Music Review.
Swartz, A. (2009,January 1). "Maria Szymanowska: Pianist and Composer". New York, New York,USA: The Polish Review.
Swartz, A. (2008,April 1). Zygmunt Stojowski: Life and Music. New York: The Polish Review.
Swartz, A. (2006,July 1). "Polish Music since Szymanowski". Slavic Review (Journal of the Association for Slavic, East European, and Eurasian Studies.
Swartz, A. (2005,January 1). "The Age of Chopin: Interdisciplinary Inquiries". The Polish Review.
Swartz, A. (2005,January 1). Grazyna Bacewicz, A Distingushing Mark. The Polish Review.
Swartz, A. (2005,July 1). A Shostakovich Casebook. Center for Russian and East European Studies, University of Kansas: The Russian Review.
Swartz, A. (2004,January 1). "Music in the Culture of Polish Galicia, 1772-1914". University of Southern California: Polish Music Journal.
Swartz, A. (2004,January 1). "The Songs of Karol Szymanowski and his Contemporaries. New York, New York: The Polish Review.
Swartz, A. (2001,January 1). "Music in Russian Poetry". Middlebury Studies in Russian Language and Literature,United States: Romantic Russia.
Swartz, A. (1999,July 1). "Petersburg: Crucible of Cultural Revolution". Harvard University Press,United States: Russian History.
Swartz, A. (1998,January 1). "Wagner and Russia". Amsterdam: The Journal of Musicological Research.
Swartz, A. (1998,January 1). "Wagner's Musical Prose: Texts and Contexts". United States: The Journal of Musicological Research.
Swartz, A. (1997,January 1). "Karol Szymanowski: His Life and Works". New York, New York,United States: The Polish Review.
Swartz, A. (1996,January 1). "Shostakovich: A Life Remembered". The American Historical Review (Journal of the American Historical Association).
Swartz, A. (1994,January 1). "Dvorak and His World". Slavic Review (Journal of the Association for Slavic, East European, and Eurasian Studies).
Swartz, A. (1992,January 1). "Chopin Studies". New York: Columbia University Press,United States: Current Musicology .
Swartz, A. (1992,January 1). "Polish Folk Music: Slavonic Heritage, Polish Tradition, Contemporary Trends". Cambridge,United States: Slavic Review.
Swartz, A. (1987,January 1). "Charles Ives: the Ideas Behind the Music". University of Illinois Press,United States: American Music.
Swartz, A. (1987,January 1). "Fryderyk Chopin: Pianist from Warsaw". New York,United States: The Polish Review.
Swartz, A. (1986,January 1). "Grazyna Bacewicz: Her Life and Works, with a foreword by Witold Lutoslawski". University of Southern California,United States: East Central Europe.
Swartz, A. (1985,April 1). "A History of Ninteenth-Century American Polish Music, with annotated Bibliography and Illstrations". Polish American Historical Association,United States: Polish American Studies.
Swartz, A. (1984,April 1). "Leopold Stokowski". Polish American Historical Association,United States: Polish American Studies.
Research Currently in Progess
Swartz, A.(n.d.). Spartak Khachaturiana kak proletarskii geroi (Khachaturian's Spartacus as Proletarian Hero). In Progress.
Scholarly article to be submitted to a University Press for a book of essays on Russian and Soviet studies; in Russian with summaries in English and German.
Swartz, A.(n.d.). Maria Szymanowska: The Russian Years, 1822-1831. In Progress.
Pp. 250, Musical Examples, Selected Bibliography, Appendix, Index (sole-authored book-length manuscript in progress.
Swartz, A.(n.d.). The Legacy of the Russian Virtuoso in the American South. In Progress.
Scholarly article based on new research compiled from results of recent research grants. To be submitted to a scholarly musicological refereed journal.
Honor / Award | Organization Sponsor | Date Received | Description |
---|---|---|---|
Presidential Excellence Award | Baruch College | 2001 |
College
Committee Name | Position Role | Start Date | End Date |
---|---|---|---|
Art-A-Thon Organiing Committee | Committee Member | Present | |
Rockley Family Foundation Music Scholarship Fund | Committee Chair | Present | |
Teaching Observations Panel | Committee Member | Present | |
Faculty Exchange, South West University of Finance and Economics, Chengdu, China | Committee Chair | Present | |
Departmental Executive Committee | Committee Member | Present | |
Rose Nagelberg Undergraduate Student Internship Award Program | Committee Chair | Present | |
Department Chair | Chair, Department of Fine and Performing Arts | Present | |
Fine and Performing Arts Executive Committee | Committee Chair | Present | |
WSAS Personnel and Budget Committee | Committee Member | Present | |
Faculty Senate Committee on Academic Freedom | Committee Member | 4/1/2021 | |
South West University of Economics and Finance, Chengdu, China | Management Placement of FPA Teachers for the Program | 12/31/2019 | |
Department Self-Study | Committee Chair | 4/16/2019 | |
National Arts Day | Committee Member | 4/12/2018 | |
Globus lecture with Ashley Hall | Coordinator | 11/2/2017 | |
Globus Lecture with Ashley Hall | Coordinator | 3/2/2017 | |
Department Self Study | Committee Chair | 4/20/2012 | |
WSAS 17 Lexington Design Committee, Fine and Performing Arts | Committee Member | 5/31/2010 | |
WSAS Faculty Committee on Research and Travel | Committee Chair | 5/31/2010 | |
WSAS Russian Festival Committee | Committee Member | 12/31/2006 | |
Classical Music Club | Faculty Advisor | 5/31/2006 | |
Lectures in Music Series | Coordinator | 11/30/2005 | |
Globus lecture with Michael Beckerman | Coordinator | 10/31/2005 | |
WSAS Whiting Foundation Award Committee | 12/31/2002 | ||
WSAS Graduate Curriculum Committee | Committee Member | 12/31/2001 | |
Faculty Senate Committee on Academic Policy | 12/31/2001 | ||
Master of Arts Program in Environmental Studies | Committee Member | 12/31/2001 | |
Mentoring Program for New Faculty | Faculty Mentor | 9/30/2001 | |
WSAS Representative to the Zicklin School of Business Graduate Curriculum Committee | Committee Member | 7/31/2001 | |
WSAS Director of Graduate Studies | Director | 7/31/2001 | |
WSAS Committee on Graduate Affairs | Committee Chair | 7/31/2001 | |
WSAS Dean's Senior Staff | Committee Member | 7/31/2001 | |
WSAS Search Committee , Higher Education Assistant | Committee Chair | 12/31/2000 | |
Fine and Performing Arts Curriculum Committee | Committee Member | 12/31/1999 | |
Curriculum Commitee | Committee Member | 5/31/1999 | |
WSAS Executive Committee | Committee Member | 12/31/1998 | |
WSAS Faculty Evaluation Committee, Modern Language Department | Committee Member | 12/31/1998 | |
WSAS Executive Committee | Committee Member | 6/30/1998 | |
Baruch Consortium for the Arts | 12/31/1997 | ||
Advisement and Secial Projects | Committee Member | 12/31/1996 | |
Departmental Executive Committee | Committee Member | 12/31/1996 | |
Middle States Review, Subcommittee on Cultural Diversity | Committee Member | 6/30/1995 | |
Globus Lecture with Yevgeny Yevtushenko | Coordinator | 3/31/1994 | |
Globus Series Film with Yevgeny Yevtushenko | Coordinator | 3/31/1994 | |
Search Committee for the Director of Grants | 12/31/1993 | ||
Faculty Senate Sub-Committee on Finance and Planning | 12/31/1993 | ||
Baruch/Hunter Arts Management Committee | Committee Member | 12/31/1993 | |
Globus Lecture with Caryl Emerson | Coordinator | 10/31/1993 | |
Globus Lecture with Malcolm Hamrick Brown | Coordinator | 10/31/1993 | |
Faculty Senate Sub-Committee on Finance and Planning | Committee Member | 6/30/1993 | |
WSAS Music Consultant, Arms and the Man | Faculty Advisor | 12/31/1992 | |
Globus Lecture with Michael Beckerman | Coordinator | 10/31/1992 | |
Funding Opportunities NSF/NEH/FIPSE | Committee Member | 6/30/1992 | |
Silberman Concert Series Committee | Committee Chair | 5/31/1992 | |
Baruch Recital Series Committee | Committee Chair | 5/31/1992 | |
Globus Lecture with Richard Taruskin | Coordinator | 3/31/1992 | |
Globus Lecture with the Uptown String Quartet | Coordinator | 3/31/1992 | |
Search Committee for the Director of Grants | 12/31/1991 | ||
WSAS Faculty Committee on Research and Travel | Committee Member | 12/31/1991 | |
WSAS Faculty Committee on Research and Travel | Committee Member | 12/31/1991 | |
WSAS Faculty Committee on Research and Travel | Committee Member | 11/30/1991 | |
Quality of Life Committee: Introduction to Andean Panpipes with Tom Turino | Coordinator | 10/31/1991 | |
Committee on College Security | Committee Member | 6/30/1991 | |
WSAS Associate Dean Search Committee | Committee Member | 6/30/1990 | |
Freshman Orientation Lectures | Committee Member | 6/30/1989 | |
WSAS Globus Committee | Committee Member | 5/31/1989 | |
Globus Lecture with Lewis Lockwood | Coordinator | 4/30/1988 | |
Women and Work in Film | Coordinator | 3/31/1988 | |
WSAS Representative to the School of Business and Public Administration | Committee Member | 12/31/1987 | |
Globus Lecture with Philip Gossett | Coordinator | 10/31/1987 | |
Globus Lecture with Bridget Paolucci | Coordinator | 9/30/1987 | |
Jane Globus Seminar with Bruno Nettl | Coordinator | 4/30/1987 | |
Jane Globus Seminar with Richard Taruskin | Coordinator | 10/31/1986 | |
Jane Globus Seminar with Jacob Lateiner | Coordinator | 3/31/1986 | |
Jane Globus Seminar with Laurence Libin on Early Instruments | Coordinator | 3/31/1985 | |
Music Club | Faculty Advisor | 12/31/1984 | |
Jane Globus Seminar with Laurence Libin on Early Instruments | Coordinator | 10/31/1984 | |
WSAS Film Program Committee | Committee Member | 6/30/1984 | |
Committee on Ceremonial Occasions | Committee Member | 6/30/1984 | |
Baruch Music Club | Faculty Advisor | 5/31/1984 | |
Baruch Scholarship Program | Committee Member | 6/30/1983 | |
Jane Globus Seminar with Charles Rosen | Coordinator | 4/30/1983 | |
Committee on Departmental Publicity | Committee Member | 12/31/1982 | |
Departmental Publicity | Committee Member | 5/31/1982 | |
College Night Outreach | Faculty Mentor | 6/30/1981 | |
College Night Representative, High School of Music and Art | Department Representative | 5/31/1981 | |
Baruch College Quality of Life | Coordinator and Moderator of Seminar, Music and Television | 4/30/1981 | |
Quality of Life Commitee: Music and Television | Coordinator and Moderator | 4/30/1981 |
University
Committee Name | Position Role | Start Date | End Date |
---|---|---|---|
University Music Discipline Committee | Committee Member | 9/1/2010 | Present |
Transfer Opportunity Program | Committee Member | 10/23/2018 | Present |
Russian Language Proficiency Exam | Coordinator and Grader | 9/1/1996 | Present |
Ph.D. Dissertation Committe, CUNY Grad Center | Committee Chair | 1/1/2022 | 12/31/2022 |
Candidate for Doctorate of Musical Arts, Vocal Performance | Committee Member | 1/1/2022 | 11/30/2022 |
PSC-CUNY Research Award Review Committee, Grant Proposal Reviewer, Internal | Committee Member | 2/1/2021 | 4/30/2021 |
PSC-CUNY Research Award Review Committee | Grant Proposal Reviewer, Internal | 2/6/2020 | 3/20/2020 |
PSC-CUNY Research Award Program Music Review Committee | Committee Member | 2/6/2019 | 3/20/2019 |
Ph.D. Dissertation Committee | Committee Chair | 6/1/2018 | 8/31/2018 |
The Bary S. Brook Dissertation Award Committee | Committee Chair | 9/1/2002 | 5/31/2014 |
The Barry S. Brook Dissertation Award Committee | Committee Member | 9/1/1992 | 5/31/2014 |
D.M.A. Dissertation Committee | Committee Member | 1/1/2006 | 6/30/2006 |
Macaulay Honors College Curriculum Committee | Committee Member | 9/1/2000 | 6/30/2002 |
D.M.A. Dissertation | Reader | 5/31/1997 | |
D.M.A. Dissertation | Reader | 7/31/1994 | |
D.M.A. Dissertation | Reader | 8/31/1993 | |
Ph.D. Dissertation | Reader | 1/31/1992 |
Professional
Organization | Position Role | Organization State | Organization Country | Start Date | End Date | Audience |
---|---|---|---|---|---|---|
The British Association for Slavonic and East European Studies | Member | 1/1/2008 | Present | |||
The Soviet and Post-Soviet Review | Editorial Review Board Member | 9/1/1995 | Present | |||
Associate, Columbia University Seminar on Slavic History and Culture | 9/1/1991 | Present | ||||
Russian and American Historical Association | Member | 1/1/1992 | Present | |||
Polish Music Journal | Editorial Review Board Member | 1/1/2004 | Present | |||
Interdisciplinary Nineteenth Century Studies | Member | 1/1/1995 | Present | |||
The Polish Review | Editorial Review Board Member | 9/1/1993 | Present | |||
Board of Friends of Women's Studies, Women's Studies Program, University of Pittsburgh | Committee Member | 9/1/1999 | Present | |||
Association for Slavic, East European and Eurasian Studies | Member | 1/1/1990 | Present | |||
Polish Institute of the Arts and Sciences | Member | 1/1/1990 | Present | |||
American Musicological Society | Member | 1/1/1980 | Present | |||
College Music Society | Member | 1/1/1980 | Present | |||
Reviewer of scholarly manuscript for Rowman and Littlefield Publishers | Reviewer | 6/30/2017 | ||||
Manuscript reviewer for Rochester University Press | Reviewer of scholarly manuscript | 11/30/2016 | ||||
University of Rochester Press | Reviewer, Book | 8/1/2016 | 11/1/2016 | |||
University of Indiana School of Music | External Reviewer Tenure and Promotion | 2/1/2016 | 4/15/2016 | |||
Tenure and Promotion Reviewer, Indiana University School of Music | Reviewer of candidate's scholarly work | 3/31/2016 | ||||
Frederic Chopin Piano Competition held at Barnard College and Columbia University | Adjudicator | 3/1/2011 | 3/31/2014 | |||
Sixth Annual Frederic Chopin Piano Competition | Chairperson | New York | United States | 3/1/2013 | ||
Sixth Annual Frederic Chopin Piano Competition | Judge | New York | 3/1/2013 | |||
The Polish Music Society | Board of Directors of a Company | 9/1/2004 | 6/30/2009 | |||
Theoria | Editorial Review Board Member | 9/1/1996 | 8/31/2000 | |||
Woodrow Wilson Center for Fellows, Fellowships | Reviewer, Grant Proposal | 9/1/1996 | 5/31/2000 | |||
American Musicological Society | Elected Member, National Council | 9/1/1995 | 8/31/1997 | |||
Studies in Russian and East European Music, University of Southern California | Editor, Associate Editor | 7/1/1995 | 12/31/1996 | |||
RCA/Melodiia: Rimsky-Korsakov Anthology | Interaction with Industry | 9/1/1994 | 12/31/1994 | |||
Woodrow Wilson Center for Fellows, Fellowships | Reviewer, Grant Proposal | 9/1/1992 | 6/30/1994 | |||
National Endowment for the Humanities, Research Division, Music History and Criticism | Reviewer, Grant Proposal | 1/1/1992 | 12/31/1992 | |||
Music Anthology, W. W. Norton | Reviewer, Textbook | 12/31/1991 | ||||
Music Appreciation Text, Wadsworth | Reviewer, Textbook | 12/31/1990 | ||||
National Endowment for the Humanities, Research Division, Texts Program, Translation Category | Reviewer, Grant Proposal | 8/31/1990 | ||||
Harmony Text, W. W. Norton | Reviewer, Textbook | 12/31/1987 | ||||
American Musicological Society Committee on Academic and non-Academic Employment | Committee Member | 1/1/1982 | 12/31/1984 | |||
National Endowment for the Humanities, Research Division, Younger Scholars Program | Reviewer, Grant Proposal | 9/1/1983 | 6/30/1984 | |||
Music Fundamentals text, Random House | Reviewer, Textbook | 9/1/1981 | 8/31/1983 | |||
Virginia Center for the Creative Arts | Reviewer, Grant Proposal | 12/31/1980 |