Anne Swartz

Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: anne.swartz@baruch.cuny.edu

Education

Ph.D., Historical Musicology, University of Pittsburgh

M.A., Historical Musicology, University of Pittsburgh

B.A., Music, Wilson College

SemesterCourse PrefixCourse NumberCourse Name
Fall 2023MSC3004Music of the Romantic Period
Spring 2023MSC3016Music of the Twentieth Century
Fall 2022MSC3004Music of the Romantic Period
Spring 2022MSC3016Music of the Twentieth Century
Fall 2021MSC3004Music of the Romantic Period
Spring 2021MSC3016Music of the Twentieth Century
Fall 2020MSC3004Music of the Romantic Period
Spring 2020MSC3016Music of the Twentieth Century
Fall 2019MSC3004Music of the Romantic Period
Spring 2019MSC3016Music of the Twentieth Century
Fall 2018MSC3004Music of the Romantic Period
Spring 2018MSC3016Music of the Twentieth Century
Fall 2017MSC3004Music of the Romantic Period
Spring 2017MSC3016Music of the Twentieth Century
Fall 2016MSC3004Music of the Romantic Period
Spring 2016MSC3016Music of the Twentieth Century
Fall 2015MSC3004Music of the Romantic Period
Spring 2015MSC3016Music of the Twentieth Century
Fall 2014MSC3004Music of the Romantic Period
Spring 2014MSC3016Music of the Twentieth Century
Fall 2013MSC3004Music of the Romantic Period
Spring 2013MSC3016Music of the Twentieth Century
Fall 2012MSC3004Music of the Romantic Period
Spring 2012MSC1003Music in Civilization
Fall 2011MSC3004Music of the Romantic Period
Spring 2011MSC3016Music of the Twentieth Century
Fall 2010MSC3004Music of the Romantic Period
Spring 2010MSC1003Music in Civilization
Spring 2010MSC3016Music of the Twentieth Century
Fall 2009MSC3004Music of the Romantic Period
Fall 2009MSC1003Music in Civilization
Spring 2009MSC1003Music in Civilization
Spring 2009MSC3016Music of the Twentieth Century
Fall 2008MSC3004Music of the Romantic Period
Fall 2008MSC1003Music in Civilization
Spring 2008MSC1005Principles of Music
Spring 2008MSC1005Principles of Music
Spring 2008MSC3016Music of the Twentieth Century
Fall 2007MSC3004Music of the Romantic Period
Fall 2007MSC1005Principles of Music
Spring 2007MSC3016Music of the Twentieth Century
Spring 2007MSC1005Principles of Music
Spring 2007MSC1005Principles of Music
Fall 2006MSC1005Principles of Music
Fall 2006MSC3004Music of the Romantic Period
Spring 2006MSC1005Principles of Music
Spring 2006MSC1005Principles of Music
Spring 2006MSC3016Music of the Twentieth Century
Fall 2005MSC1005Principles of Music
Fall 2005MSC3004Music of the Romantic Period
Spring 2005MSC3016Music of the Twentieth Century
Spring 2005MSC5000Independent Study Music I
Spring 2005MSC1005Principles of Music
Fall 2004MSC1005Principles of Music
Fall 2004MSC3004Music of the Romantic Period
Spring 2004MSC1005Principles of Music
Spring 2004MSC3016Music of the Twentieth Century
Fall 2003MSC3004Music of the Romantic Period
Fall 2003MSC1005Principles of Music
Spring 2003MSC1005Principles of Music
Spring 2003MSC3016Music of the Twentieth Century
Fall 2002MSC3004Music of the Romantic Period
Fall 2002IDC1001HHonors-The Arts in New York
Spring 2002MSC3016Music of the Twentieth Century
Fall 2001IDC1001HHonors-The Arts in New York
Fall 2001MSC3004Music of the Romantic Period
Fall 2001IDC1001HHonors-The Arts in New York

Artistic and Creative Activities

Swartz, A. (2013). Sixth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.

Swartz, A. (2012). Fifth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.

Swartz, A. (2011). Fourth Annual Frederic Chopin Piano Competition. Barnard College and Columbia University.

Swartz, A. (1995). Faculty Recital. Baruch College.

Swartz, A. (1993). Baruch College Chorus. Baruch College.

Swartz, A.

Books

Swartz, A. (2021). The Composer and Patron in Russia: A Musical Journey Through Time. (p. ix + 477). United Kingdom, United States, University of Liverpool.

Swartz, A. (2016). Piano Makers in Russia in the Nineteenth Century: Paperback Edition. Bethlehem PA, USA, Lehigh University Press.

Swartz, A. (2014). Piano Makers in Russia in the Nineteenth Century. (p. 300). Bethlehem, PA, USA, Lehigh University Press.

Swartz, A. (1998). Composers Born 1700 to 1799. Keyboard Music: Maria Szymanowska. Martha Furman Schleifer and Sylvia Glickman, Series General Editors. New York and London, Macmillan.

Journal Articles

Swartz, A. (2018). The Legacy of the Russian Virtuoso in the American South. Journal of the Royal Musical Association, In Progress.

Swartz, A. (2016). La musique ennoblie: Marius Petipa, le mecenat et La Belle au bois dormant de Piotr ilitch Tchaikovski [Ennobling Music: Petipa, Patronage, and Tchaikovsky's The Sleeping Beauty]. Slavica Occitania, 43(Special Edition). 253-263, 426-427.

Swartz, A. (2013). Le Piano en Russie: Professeurs particuliers et pianistes de cour sous le Regne d'Alexandre 1er. Revue des Etudes Slaves, Special Edition, Musique et Opera en Russie et Europe Centrale (XIXe - XXe siecles), 84(3-4). 379- 394.

Swartz, A. (2009). "Music, the Economy and Society: Szymanowska's Career Path in Russia in the 1820s,". Australian Slavonic and East European Studies, 23. 107-130.

Swartz, A. (2009). Shostakovich: the Personal and Public Face of the Composer and his Music. The Russian Review, 68. 679-684.

Swartz, A. (2007). "Facteurs de Pianos en Russie au XIXe Siecle". Slavica occitania, Special Edition on Russian Music of the 19th and 20th Centuries, 23(2007). 17-36.

Swartz, A. (2006). "Moniuszko's Halka and the Revival of the Noble Traditions at the Teatr Wielki". The Polish Review, 51(3-4). 325-349.

Swartz, A. (2002). "Elsner and the flourishing of opera in Poland before 1830". The Polish Review, 47(3). 281-291.

Swartz, A. (2002). "Technological Muses: Piano Builders in Russia, 1810-1881". Cahiers du Monde Russe, 43(1). 153-172.

Swartz, A. (1996). "Mifologiziruia istoriiu: Ivan IV Chaikovskogo". Idantutkimus. Zhurnal issledovaniia Vostochnoi Evropy. The Finnish Review of East European Studies, 1. 15-24.

Swartz, A. (1994). "Elsner, Chopin and Musical Narrative as Symbols of Nation". The Polish Review, 39(4). 421-432.

Swartz, A. (1994). "Mieczslaw Horszowski (1892-1993)". The Polish Review, 39(4). 502-503.

Swartz, A. (1991). "Maria Szymanowska to Adam Mickiewicz: Unpublished Letters from 1827". Australian Slavonic and East European Studies, 5(1). 25-45.

Swartz, A. (1991). "Szmanowska: the Virtuoso-Composer in Transition". New Journal for Music, 1(3). 7-31.

Swartz, A. (1990). "Maria Szymanowska: Contemporary Accounts from Moscow and St. Petersburg". New Journal for Music, 1(1). 38-64.

Swartz, A. (1990). "Chopin Holdings in the M.E. Saltykov-Shchedrin State Public Library, Leningrad". Fontes artis musicae, 37(4). 291-295.

Swartz, A. (1989). "Chopin's op. 74: the Vernacular in the Art Song". Revue de Musicologie, 75(2). 243-264.

Swartz, A. (1987). "Deutung der Schlusstakte in Chopins Mazurken op. 30, 4, op. 17, 4 and op. 24, 2". Uben und Musizieren, 1. 15-20.

Swartz, A. (1985). "Milton Babbitt on Milton Babbitt". American Music, 3(4). 467-473.

Swartz, A. (1985). "Maria Szymanowska and the Salon Music of the Early Ninteenth Century". The Polish Review, 30(1). 43-58.

Swartz, A. (1985). "Idealisme et realite: les promesses du cable culturel". Etudes de radio-television: Musiques, radio et television, 35. 83-90.

Swartz, A. (1984). "Goethe and Szymanowska: the Years 1823-1824 in Marienbad and Weimar". Germano-Slavica, 4(6 (Fall)). 321-330.

Swartz, A. (1984). "Music Programming for Cable Television: the New Technology". E B U Review: Programmes, Administration, Law, 35(4). 22-25.

Swartz, A. (1984). Emissions musicales pour la television par cable: la nouvelle technologie. Revue de l'U E R, 35(4). 22-25.

Swartz, A. (1983). "Folk Dance Elements in Chopin's Mazurkas". The Journal of Musicological Research, 4. 417-426.

Swartz, A. (1975). The Polish Folk Mazurka. Studia Musicologica Academiae Scientiarum Hungaricae, 17(1/4). 249-255.

Swartz, A. (1974). "A New Chronology of the Ballades of Machaut". Acta Musicologica, 46(2). 192-207.

Book Chapters

Swartz, A. (2018). Spartak Khachaturiana kak proletarskii geroi; Khachaturian's Spartacus as Proletarian Hero. Slavica Press. In Progress.

Swartz, A., & Wieczerzak, J. W. (2006). Elsner, Chopin and Musical Narrative as Symbols of Nation. In Kraszewski, C. S. (Ed.), Fifty Years of Polish Scholarship: the Polish Review: 1956-2006 New York, New York,USA. The Polish Institute of Arts and Sciences.

Swartz, A. (2005). Russian Music and Portrayals of The Thousand and One Nights: the 'eastern in Rimsky-Korsakov's Sheherazade. In Geybullayeva, R., & Mammad, T. (Eds.), Edebi-nezeri mecmue, 2005 (Yearbook 2005) The Literary Institute of the Azerbaijan National Academy of Sciences.

Swartz, A. (2003). "Sarti's opera, Nachal' noe upralenie Olega (1791): An Eastern Tale from Catherine II". Selected Papers from the Sixth World Congress for Central and East European Studies Helsinki,Finland. Finnish Institute for Russian and East European Studies.

Swartz, A. (2002). "The Romanov Family's Patronage of Music, 1820-1880". In Crawford, D. (Ed.), Encomium Musicae: Essays in Memory of Robert J. Snow Hillsdale, New York,United States. Pendragon Press.

Swartz, A. (1999). The Intrigue of Love and Illusion in Tchaikovsky's The Oprichnik. In Mihailovic, A. (Ed.), Tchaikovsky and his contemporaries : a centennial symposium London,United Kingdom. Greenwood Press.

Swartz, A. (1998). "The Popular Libretto of Polish Romantic Music: Chopin and Moniuszko at Mid-Century". In Hill, R. J. (Ed.), Selected Papers from the Fifth World Congress for Central and East European Studies United States. St. Martin's Press.

Swartz, A. (1994). "Chopin as modernist in ninteenth-century Russia". In John Rink, J., & Samson, J. (Eds.), Chopin Studies 2 Cambridge,United Kingdom. Cambridge University Press.

Swartz, A. (1993). "Chopin, Politics, and Musical Meaning in Russia during the Regin of Nicholas I". New Yorki,United States. Columbia University Press.

Media Contributions

Swartz, A. (2016). Honoring Rostropovich's Legacy of Musical Diplomacy.

(1982). Instructional Program: Making Music.

(1981). Portraits of American Composers: Milton Babbitt.

(1980). WKYY/AM.

(1980). WSET/TV (ABC-affiliate).

Presentations

Swartz, A. (2020, February 28). Music and Revolution in Ukraine. Ukrainian Music Festival. New York: The Ukrainian Institute.

Swartz, A. (2019, March 18). Rimsky-Korsakov and the Fantastical East. Rimsky-Korsakov at 175: A Survey of his Legacy Year on Year. St. Petersburg, Russia: The St. Petersburg State Museum of Theatre and Music and The Rimsky-Korsakov St. Petersburg State Conservatory.

Swartz, A. (2018, April 30). Love Spiritualized: The Epistolary Romance of Tchaikovsky and Nadezhda von Meck. Barry S. Brook Center for Music Research and Documentation, CUNY. Graduate Center, CUNY: Ensemble for the Romantic Century.

Swartz, A. (2018, May 24). BBC Radio 3's Music Matters: Paul Kildea's Chopin's Piano: A Journey through Romanticism. BBC Radio. London: British Broadcasting Corporation.

Swartz, A. (2016, October 20). Mstislav Rostropovich as International Musical Icon. A Salute to Slava. Washington, D.C.: The Kennan Institute, the Kennedy Center and the National Symphony Orchestra.

Swartz, A. (2015, October 21). "Ennobling Music: Petipa, Patronage, and Tchaikovsky's The Sleeping Beauty. From Bordeaux to Saint-Petersbourg, Marius Petipa (1818-1910) and the Russian Ballet. Bordeaux, France: University of Bordeaux, Grand Theater Bordeaux, UNESCO.

Swartz, A. (2015, October 23). Panel Co-Chair, Petipa's text: it's establishment and reinterpretations. From Bordeaux to Saint-Petersbourg, Marius Petipa (1818-1910) and the Russian Ballet. Bordeaux, France: University of Bordeaux, Bordeaux Grand Theater, UNESCO.

Swartz, A. (2013, March 31). Chair and Discussant, "Musical Lives of Detention in the Twentieth Century". Northeast Slavic, East European, and Eurasian Conference. Barnard College, New York, New York

Swartz, A. (2011, October 31). Tchaikovsky and the Piano in St. Petersburg's Gilded Age. Celebration of the 120th Anniversary of the Opening of Carnegie Hall. New York Public Library: Carnegie Hall, the New York Public Library, the Mariinsky Theater.

Swartz, A. (2010, March 31). The Piano in Russia and Eastern Europe: Issues of Production, Identity and Innovation. The British Association for Slavonic and East European Studies. England: Cambridge University.

Swartz, A. (2010, March 31). Piano Makers in Russia: the Transition to Russian-Owned Firms during Alexander II's Reign. British Association for Slavonic and East European Studies. England: Cambridge University.

Swartz, A. (2010, October 31). Tchaikovsky and Music Patronage in Russia's Golden Age. Barry S. Brook Center for Music Research and Documentation, CUNY. New York, New York: The Graduate Center, CUNY.

Swartz, A. (2009, April 30). Szymanowska's Cultural and Economic Impact in St. Petersburg in the 1820s. Adam Mickiewicz University of Poznan. Poland: Poznanskie Towarzystwo Przyjaciol Nauk.

Swartz, A. (2009, March 31). The Piano in Russian Society during Nicholas I's Reign. British Association for Slavonic and East European Studies. England: Cambridge University.

Swartz, A. (2009, December 31). European Artisans and the Piano in Russia. The Otto Walter Memorial Lecture, The European Union Studies Center. New York, New York: The Graduate Center, CUNY, and The European Union Center of New York.

Swartz, A. (2008, June 30). Representations of Polish Popular Culture in Elsner's Echo w lesie (The Forest Echo) (1808). Polish Institute of the Arts and Sciences Annual Conference. Philadelphia: Polish Institute of the Arts and Sciences.

Swartz, A. (2007, June 30). Szymanowska's Musical Impact in Marienbad and Weimar, As Seen Through Goethe's Eyes. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.

Swartz, A. (2007, June 30). Szymanowska's Musical Impact in Marienbad and Weimar, As Seen Through Goethe's Eyes. The Polish Institute of the Arts and Sciences Annual Conference. Washington, D.C.: Georgetown University.

Swartz, A. (2006, June 30). Halka as Symbol of the Noble Traditions at the Warsaw Opera Theather. International Multidisciplinary Conference. New York: The Polish Institute of the Arts and Sciences.

Swartz, A. (2005, October 31). Moniuszko's Halka and the Revival of the Noble Traditions at the Teatr Wielki. Godlewski Evening of Polish Culture. Connecticut: Central Connecticut State University.

Swartz, A. (2005, June 30). Royal Patronage, Women, and Music: Evaluating Szymanowska's Cultural Impact in St. Petersburg in the 1820s. Annual Meeting, Polish Institute of the Arts and Sciences. Pittsburgh, PA: University of Pittsburgh, Center for Russian and East European Studies.

Swartz, A. (2004, June 30). Kurpinski's Principles of Music (1818) and Its Democratization. International Multidisciplinary Conference. Boston, MA: The Polish Institute of the Arts and Sciences.

Swartz, A. (2003, November 30). The Lasting Legacy of the Russian Virtuoso. Celebration of the 300th Anniversary of the City of St. Petersburg. New York, New York: The Harriman Institute of Columbia University.

Swartz, A. (2003, April 30). Culture/Kultura: Russian Influences on American Performing Arts Vol XX No. 11. The Kennan Institute for Advanced Russian Studies, Meeting Report, Kennan Institute. : Woodrow Wilson International Center for Scholars.

Swartz, A. (2003, February 28). Russian Influences on American Music. Culture Kultura: Russian Influences on American Performing Arts and Sports. Washington DC: Woodrow Wilson International Center for Scholars.

Swartz, A. (2002, June 30). Two portrayals of the Polish gentry in Moniuszko's Halka (1848): the shaping of a national culture in the Teatr Wielki. International Multidisciplinary Conference. Montreal, Canada: The Polish Institute of the Arts and Sciences.

Swartz, A. (2002, June 30). Elsner and the flourishing of opera in Poland before 1830. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.

Swartz, A. (2001, March 31). Nachal'noe upravlenie Olega (1791): A Tale of Russia and Byzantium by Sarti, L'vov, and Catherine II. Mid-Western Slavic Conference of the American Association for the Advancement of Slavic Studies. Cleveland, OH: Ohio State University.

Swartz, A. (2001, March 31). Pianos and Patronage in Russia, 1820-1860. International Conference. Washington, D.C.: Smithsonian Institution and the Library of Congress.

Swartz, A. (2000, August 31). Sarti's oper, Nachal'noe upravlenie Olega (1791): An Eastern Tale from Catherine II. International Council for Central and East European Studies. Tampere, Finland: International Council for Central and East European Studies.

Swartz, A. (1998, September 30). Literary Landscapes: Imagining the Nation in the 18th-century Russia. National Convention. Boca Raton, FL: American Association for the Advancement of Slavic Studies.

Swartz, A. (1998, May 31). Opera Nachal'noe Upravlenie Olega (1791) i ee avtory. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.

Swartz, A. (1997, March 31). Karol Szymanowski and the 'Young Poland in Music'. Polish Institute of the Arts and Sciences. New York, New York: Polish Institute of the Arts and Sciences.

Swartz, A. (1997, April 30). Khachaturian's Spartak: Death and Transfiguration of the Bolshevik Hero. Annual Conference. Berkeley, California: Interdisciplinary Nineteenth-Century Studies.

Swartz, A. (1997, April 30). The Romanov Family Patronage of Music in Russia's Golden Age. Bicentennial Conference, Alexander Sergeevich Pushkin. Columbus, Ohio: Ohio State University.

Swartz, A. (1997, May 31). The Economic Impact of Romanov Family Patronage on Music Institutions in Russia. New York City International Philosophy Conference, Symposium on Recent Scholarship in Russian Studies. New York, New York: Hunter College.

Swartz, A. (1997, June 30). Economicheskii vklad sem'i romanovykh v muzykal' nuiu promyshlennost. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.

Swartz, A. (1997, November 30). Medieval Images in Modern Russian Music. Russian Culture: the Modern Era. New Haven, CT: Yale University.

Swartz, A. (1997, November 30). Russian Music and the Conquest of Central Asia. American Association for the Advancement of Slavic Studies Annual Conference. Seattle, Washingtion: American Association for the Advancement of Slavic Studies.

Swartz, A. (1996, June 30). Szymanowska and her Patron in Post-Enlightenment Russia. International Multidisciplinary Conference. Georgetown University: The Polish Institute of the Arts and Sciences.

Swartz, A. (1996, May 31). Spartak Khachaturiana kak proletarskii geroi. Russian and American Historical Association. St. Petersburg, Russia: St. Petersburg University and the Smol'nyi Institute.

Swartz, A. (1996, November 30). Music in Stalinist Cultural Policy. National Convention, American Association for the Advancement of Slavic Studies. Boston, MA: American Association for the Advancement of Slavic Studies.

Swartz, A. (1996, March 31). Maira Agata Wolowska Szymanowska: Eighteenth-Century Court Musician. Celebration of Women's History Month, Kosciuszko Foundation. New York, NY: Kosciuszko Foundation.

Swartz, A. (1995, October 31). Khachaturian's Spartak as Proletarian Hero. American Association for the Advancement of Slavic Studies, National Convention. Washington, D.C.: American Association for the Advancement of Slavic Studies.

Swartz, A. (1995, November 30). New Issues in Russian Music. American Musicological Society Annual Meeting. New York, New York: American Musicological Society.

Swartz, A. (1995, November 30). Mifologiziruia istoriiu. Ivan IV Chaikovskogo. Russian and American Historical Association Annual Conference. St. Petersburg, Russia: St. Petersburg University.

Swartz, A. (1995, October 31). Mythologizing History: Slavic Opera Transformed. American Association for the Advancement of Slavic Studies National Convention. Washington, D.C.: American Association for the Advancement of Slavic Studies.

Swartz, A. (1995, August 31). The Popular Libretto of Polish Romanitc Music: Chopin and Moniuszko at mid-century. International Congress of the Council for Central and East European Studies. Warsaw, Poland: Polish Academy of Sciences.

Swartz, A. (1995, March 31). The Oprichnik as History: Tchaikovsky vs. Cui. Mid-Atlantic Slavic Conference of the American Association for the Advancement of Slavic Studies. New York, New York: Harriman Institute, Columbia University.

Swartz, A. (1994, June 30). Elsner, Chopin and Musical Narrative as Symbols of Nation. International Multidisciplinary Conference, Polish Institute of the Arts and Sciences. Washington, D.C.: Polish Institute of the Arts and Sciences.

Swartz, A. (1994, January 31). . Harvard University, Society of Fellows. Cambridge, MA: Harvard University.

Swartz, A. (1994, November 30). Shopen v interpretatsii Rubinshteina. International Musicological Conference, A. G. Rubinshtein (1829-1894): Lichnost', Tvorchestvo, Stil'. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.

Swartz, A. (1994, August 31). Istoriia oprichninyi: Chaikovkii protiv Kyui. Faculty of Russian Music History. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.

Swartz, A. (1994, August 31). Rossiiskie mneniia ob Oprichnike Chaikovskogo. St. Petersburg University Faculties of History and International Relations. St. Petersburg, Russia: St. Petersburg University.

Swartz, A. (1993, June 30). Krasota i illiuziia v oprichnike Chaikovskogo. N. A. Rimsky-Korsakov Conservatory. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.

Swartz, A. (1993, October 31). The Intrigue of Love and Illusion in Tchaikovsky's The Oprichnik. Interdisciplinary Conference. New York: Hofstra University.

Swartz, A. (1992, November 30). Women Patrons and Performers in St. Petersburg, 1820-1840. American Association for the Advancement of Slavic Studies National Convention. Phoenix, AZ: American Association for the Advancement of Slavic Studies.

Swartz, A. (1992, July 31). Shopen, Serov, Rubinshtein: noveishii i sovremennyi muzykal'nyi stil' v Rossii XIX veka. N. A. Rimsky-Korsakov Conservatory. St. Petersburg, Russia: N. A. Rimsky-Korsakov Conservatory.

Swartz, A. (1992, June 30). Chopin, Politics and Musical Meaning in Russia during the Reign of Nicholas I. 50th Anniversary International Congres of the Polish Institute of Arts and Sciences. New Haven, CT: Yale University.

Swartz, A. (1992, May 31). Chopin a pojecie nowoczesnosci w Rosji polowy dziewietnastego wieku. Polish Academy of Sciences. Warsaw, Poland: Biblioteka Narodowa.

Swartz, A. (1992, May 31). Polska arystokracja, rosyjskie caryce i kobiety muzycy na dworze Aleksandra pierwszego. Warsaw, Biblioteka Narodowa. Warsaw, Poland: Biblioteka Narodowa.

Swartz, A. (1992, April 30). Classicism and romanticism (romantizm: music at the Russian court, 1810-1830. Tufts University. Medford, MA: Tufts University.

Other Scholarly Works

Swartz, A. (2018). Diplomacy and Artistic Collaboration in Russia: Petipa, von Meck and Tchaikovsky's The Sleeping Beauty.

Swartz, A., & Libin, L. (2015). Iakov Davidovich Bekker. Grove Dictionary of Musical Instruments. Russian Piano History.. 4(2nd Edition), 1337.

Swartz, A. (2009). Maria Szymanowska. Three Waltzes from Eighteen Dances of different genres for the Piano-forte.

Swartz, A. (1998). Maria Szymanowska. Polonaise and Trio from Dix-huit Danses de differentes genres pour le Piano-forte.

Swartz, A. (1998). Maria Szymanowska. Three Etudes from Vingt exercices et preludes pour le Pianoforte.

Swartz, A. (1998). Maria Szymanowska, Three Valses from Dix-huit Danses de differentes genres pour le Piano-forte.

Swartz, A. (1998). Maria Szymanowska. Caprice sur la romance de Joconde pour le Pianoforte.

Swartz, A. (1998). Maria Szymanowska. Four Anglaises from Dix-huit Danses de differentes genres pour le Piano-forte.

Swartz, A. (1998). Maria Szymanowska. Menuet No. 2 from Six Menuets pour le Pianoforte.

Swartz, A. (1987). "Szymanowska Festival in New York: concert premiere co-hosted by the Kosciuszko Foundation and the French Embassy". 38(3), 12-13.

Swartz, A.

Reviews

Swartz, A. (2020,April 1). Critical Lives of Dmitry Shostakovich. USA: Russian Review.

Swartz, A. (2024,August 30). Moniuszko, Hrabina, Opera in three Acts (Europa Galante, Fabio Biondi), and Moniuszko, Straszny dwor, opera in 4 acts (Orchestra of the 18th century, Grezgorz Nowak. Witold Lutoslawski Concert Studio of Polish Radio, Warsaw, Poland. Oakland, California: University of California Press. In Progress.

Swartz, A. (2011,December 1). European Fin-de-siecle and Polish Modernism: the Music of Mieczyslaw Karlowicz. Ad Parnassum Studies,United States: Nineteenth Century Music Review.

Swartz, A. (2009,January 1). "Maria Szymanowska: Pianist and Composer". New York, New York,USA: The Polish Review.

Swartz, A. (2008,April 1). Zygmunt Stojowski: Life and Music. New York: The Polish Review.

Swartz, A. (2006,July 1). "Polish Music since Szymanowski". Slavic Review (Journal of the Association for Slavic, East European, and Eurasian Studies.

Swartz, A. (2005,January 1). "The Age of Chopin: Interdisciplinary Inquiries". The Polish Review.

Swartz, A. (2005,January 1). Grazyna Bacewicz, A Distingushing Mark. The Polish Review.

Swartz, A. (2005,July 1). A Shostakovich Casebook. Center for Russian and East European Studies, University of Kansas: The Russian Review.

Swartz, A. (2004,January 1). "Music in the Culture of Polish Galicia, 1772-1914". University of Southern California: Polish Music Journal.

Swartz, A. (2004,January 1). "The Songs of Karol Szymanowski and his Contemporaries. New York, New York: The Polish Review.

Swartz, A. (2001,January 1). "Music in Russian Poetry". Middlebury Studies in Russian Language and Literature,United States: Romantic Russia.

Swartz, A. (1999,July 1). "Petersburg: Crucible of Cultural Revolution". Harvard University Press,United States: Russian History.

Swartz, A. (1998,January 1). "Wagner and Russia". Amsterdam: The Journal of Musicological Research.

Swartz, A. (1998,January 1). "Wagner's Musical Prose: Texts and Contexts". United States: The Journal of Musicological Research.

Swartz, A. (1997,January 1). "Karol Szymanowski: His Life and Works". New York, New York,United States: The Polish Review.

Swartz, A. (1996,January 1). "Shostakovich: A Life Remembered". The American Historical Review (Journal of the American Historical Association).

Swartz, A. (1994,January 1). "Dvorak and His World". Slavic Review (Journal of the Association for Slavic, East European, and Eurasian Studies).

Swartz, A. (1992,January 1). "Chopin Studies". New York: Columbia University Press,United States: Current Musicology .

Swartz, A. (1992,January 1). "Polish Folk Music: Slavonic Heritage, Polish Tradition, Contemporary Trends". Cambridge,United States: Slavic Review.

Swartz, A. (1987,January 1). "Charles Ives: the Ideas Behind the Music". University of Illinois Press,United States: American Music.

Swartz, A. (1987,January 1). "Fryderyk Chopin: Pianist from Warsaw". New York,United States: The Polish Review.

Swartz, A. (1986,January 1). "Grazyna Bacewicz: Her Life and Works, with a foreword by Witold Lutoslawski". University of Southern California,United States: East Central Europe.

Swartz, A. (1985,April 1). "A History of Ninteenth-Century American Polish Music, with annotated Bibliography and Illstrations". Polish American Historical Association,United States: Polish American Studies.

Swartz, A. (1984,April 1). "Leopold Stokowski". Polish American Historical Association,United States: Polish American Studies.

Research Currently in Progess

Swartz, A.(n.d.). Spartak Khachaturiana kak proletarskii geroi (Khachaturian's Spartacus as Proletarian Hero). In Progress.

Scholarly article to be submitted to a University Press for a book of essays on Russian and Soviet studies; in Russian with summaries in English and German.

Swartz, A.(n.d.). Maria Szymanowska: The Russian Years, 1822-1831. In Progress.

Pp. 250, Musical Examples, Selected Bibliography, Appendix, Index (sole-authored book-length manuscript in progress.

Swartz, A.(n.d.). The Legacy of the Russian Virtuoso in the American South. In Progress.

Scholarly article based on new research compiled from results of recent research grants. To be submitted to a scholarly musicological refereed journal.

Honor / AwardOrganization SponsorDate ReceivedDescription
Presidential Excellence AwardBaruch College2001

College

Committee NamePosition RoleStart DateEnd Date
Art-A-Thon Organiing CommitteeCommittee MemberPresent
Rockley Family Foundation Music Scholarship FundCommittee ChairPresent
Teaching Observations PanelCommittee MemberPresent
Faculty Exchange, South West University of Finance and Economics, Chengdu, ChinaCommittee ChairPresent
Departmental Executive CommitteeCommittee MemberPresent
Rose Nagelberg Undergraduate Student Internship Award ProgramCommittee ChairPresent
Department ChairChair, Department of Fine and Performing ArtsPresent
Fine and Performing Arts Executive CommitteeCommittee ChairPresent
WSAS Personnel and Budget CommitteeCommittee MemberPresent
Faculty Senate Committee on Academic FreedomCommittee Member4/1/2021
South West University of Economics and Finance, Chengdu, ChinaManagement Placement of FPA Teachers for the Program12/31/2019
Department Self-StudyCommittee Chair4/16/2019
National Arts DayCommittee Member4/12/2018
Globus lecture with Ashley HallCoordinator11/2/2017
Globus Lecture with Ashley HallCoordinator3/2/2017
Department Self StudyCommittee Chair4/20/2012
WSAS 17 Lexington Design Committee, Fine and Performing ArtsCommittee Member5/31/2010
WSAS Faculty Committee on Research and TravelCommittee Chair5/31/2010
WSAS Russian Festival CommitteeCommittee Member12/31/2006
Classical Music ClubFaculty Advisor5/31/2006
Lectures in Music SeriesCoordinator11/30/2005
Globus lecture with Michael BeckermanCoordinator10/31/2005
WSAS Whiting Foundation Award Committee12/31/2002
WSAS Graduate Curriculum CommitteeCommittee Member12/31/2001
Faculty Senate Committee on Academic Policy12/31/2001
Master of Arts Program in Environmental StudiesCommittee Member12/31/2001
Mentoring Program for New FacultyFaculty Mentor9/30/2001
WSAS Representative to the Zicklin School of Business Graduate Curriculum CommitteeCommittee Member7/31/2001
WSAS Director of Graduate StudiesDirector7/31/2001
WSAS Committee on Graduate AffairsCommittee Chair7/31/2001
WSAS Dean's Senior StaffCommittee Member7/31/2001
WSAS Search Committee , Higher Education AssistantCommittee Chair12/31/2000
Fine and Performing Arts Curriculum CommitteeCommittee Member12/31/1999
Curriculum CommiteeCommittee Member5/31/1999
WSAS Executive CommitteeCommittee Member12/31/1998
WSAS Faculty Evaluation Committee, Modern Language DepartmentCommittee Member12/31/1998
WSAS Executive CommitteeCommittee Member6/30/1998
Baruch Consortium for the Arts12/31/1997
Advisement and Secial ProjectsCommittee Member12/31/1996
Departmental Executive CommitteeCommittee Member12/31/1996
Middle States Review, Subcommittee on Cultural DiversityCommittee Member6/30/1995
Globus Lecture with Yevgeny YevtushenkoCoordinator3/31/1994
Globus Series Film with Yevgeny YevtushenkoCoordinator3/31/1994
Search Committee for the Director of Grants12/31/1993
Faculty Senate Sub-Committee on Finance and Planning12/31/1993
Baruch/Hunter Arts Management CommitteeCommittee Member12/31/1993
Globus Lecture with Caryl EmersonCoordinator10/31/1993
Globus Lecture with Malcolm Hamrick BrownCoordinator10/31/1993
Faculty Senate Sub-Committee on Finance and PlanningCommittee Member6/30/1993
WSAS Music Consultant, Arms and the ManFaculty Advisor12/31/1992
Globus Lecture with Michael BeckermanCoordinator10/31/1992
Funding Opportunities NSF/NEH/FIPSECommittee Member6/30/1992
Silberman Concert Series CommitteeCommittee Chair5/31/1992
Baruch Recital Series CommitteeCommittee Chair5/31/1992
Globus Lecture with Richard TaruskinCoordinator3/31/1992
Globus Lecture with the Uptown String QuartetCoordinator3/31/1992
Search Committee for the Director of Grants12/31/1991
WSAS Faculty Committee on Research and TravelCommittee Member12/31/1991
WSAS Faculty Committee on Research and TravelCommittee Member12/31/1991
WSAS Faculty Committee on Research and TravelCommittee Member11/30/1991
Quality of Life Committee: Introduction to Andean Panpipes with Tom TurinoCoordinator10/31/1991
Committee on College SecurityCommittee Member6/30/1991
WSAS Associate Dean Search CommitteeCommittee Member6/30/1990
Freshman Orientation LecturesCommittee Member6/30/1989
WSAS Globus CommitteeCommittee Member5/31/1989
Globus Lecture with Lewis LockwoodCoordinator4/30/1988
Women and Work in Film Coordinator3/31/1988
WSAS Representative to the School of Business and Public AdministrationCommittee Member12/31/1987
Globus Lecture with Philip GossettCoordinator10/31/1987
Globus Lecture with Bridget PaolucciCoordinator9/30/1987
Jane Globus Seminar with Bruno NettlCoordinator4/30/1987
Jane Globus Seminar with Richard TaruskinCoordinator10/31/1986
Jane Globus Seminar with Jacob LateinerCoordinator3/31/1986
Jane Globus Seminar with Laurence Libin on Early InstrumentsCoordinator3/31/1985
Music ClubFaculty Advisor12/31/1984
Jane Globus Seminar with Laurence Libin on Early InstrumentsCoordinator10/31/1984
WSAS Film Program CommitteeCommittee Member6/30/1984
Committee on Ceremonial OccasionsCommittee Member6/30/1984
Baruch Music Club Faculty Advisor5/31/1984
Baruch Scholarship ProgramCommittee Member6/30/1983
Jane Globus Seminar with Charles RosenCoordinator4/30/1983
Committee on Departmental PublicityCommittee Member12/31/1982
Departmental PublicityCommittee Member5/31/1982
College Night OutreachFaculty Mentor6/30/1981
College Night Representative, High School of Music and ArtDepartment Representative5/31/1981
Baruch College Quality of LifeCoordinator and Moderator of Seminar, Music and Television4/30/1981
Quality of Life Commitee: Music and TelevisionCoordinator and Moderator4/30/1981

University

Committee NamePosition RoleStart DateEnd Date
University Music Discipline CommitteeCommittee Member9/1/2010Present
Transfer Opportunity Program Committee Member10/23/2018Present
Russian Language Proficiency ExamCoordinator and Grader9/1/1996Present
Ph.D. Dissertation Committe, CUNY Grad CenterCommittee Chair1/1/202212/31/2022
Candidate for Doctorate of Musical Arts, Vocal PerformanceCommittee Member1/1/202211/30/2022
PSC-CUNY Research Award Review Committee, Grant Proposal Reviewer, InternalCommittee Member2/1/20214/30/2021
PSC-CUNY Research Award Review CommitteeGrant Proposal Reviewer, Internal2/6/20203/20/2020
PSC-CUNY Research Award Program Music Review CommitteeCommittee Member2/6/20193/20/2019
Ph.D. Dissertation CommitteeCommittee Chair6/1/20188/31/2018
The Bary S. Brook Dissertation Award CommitteeCommittee Chair9/1/20025/31/2014
The Barry S. Brook Dissertation Award CommitteeCommittee Member9/1/19925/31/2014
D.M.A. Dissertation CommitteeCommittee Member1/1/20066/30/2006
Macaulay Honors College Curriculum CommitteeCommittee Member9/1/20006/30/2002
D.M.A. DissertationReader5/31/1997
D.M.A. DissertationReader7/31/1994
D.M.A. DissertationReader8/31/1993
Ph.D. Dissertation Reader1/31/1992

Professional

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
The British Association for Slavonic and East European StudiesMember1/1/2008Present
The Soviet and Post-Soviet ReviewEditorial Review Board Member9/1/1995Present
Associate, Columbia University Seminar on Slavic History and Culture9/1/1991Present
Russian and American Historical AssociationMember1/1/1992Present
Polish Music JournalEditorial Review Board Member1/1/2004Present
Interdisciplinary Nineteenth Century StudiesMember1/1/1995Present
The Polish ReviewEditorial Review Board Member9/1/1993Present
Board of Friends of Women's Studies, Women's Studies Program, University of PittsburghCommittee Member9/1/1999Present
Association for Slavic, East European and Eurasian StudiesMember1/1/1990Present
Polish Institute of the Arts and SciencesMember1/1/1990Present
American Musicological SocietyMember1/1/1980Present
College Music SocietyMember1/1/1980Present
Reviewer of scholarly manuscript for Rowman and Littlefield PublishersReviewer6/30/2017
Manuscript reviewer for Rochester University PressReviewer of scholarly manuscript11/30/2016
University of Rochester PressReviewer, Book8/1/201611/1/2016
University of Indiana School of MusicExternal Reviewer Tenure and Promotion 2/1/20164/15/2016
Tenure and Promotion Reviewer, Indiana University School of MusicReviewer of candidate's scholarly work3/31/2016
Frederic Chopin Piano Competition held at Barnard College and Columbia UniversityAdjudicator3/1/20113/31/2014
Sixth Annual Frederic Chopin Piano CompetitionChairpersonNew YorkUnited States3/1/2013
Sixth Annual Frederic Chopin Piano CompetitionJudgeNew York3/1/2013
The Polish Music SocietyBoard of Directors of a Company9/1/20046/30/2009
TheoriaEditorial Review Board Member9/1/19968/31/2000
Woodrow Wilson Center for Fellows, FellowshipsReviewer, Grant Proposal9/1/19965/31/2000
American Musicological SocietyElected Member, National Council9/1/19958/31/1997
Studies in Russian and East European Music, University of Southern CaliforniaEditor, Associate Editor7/1/199512/31/1996
RCA/Melodiia: Rimsky-Korsakov AnthologyInteraction with Industry9/1/199412/31/1994
Woodrow Wilson Center for Fellows, FellowshipsReviewer, Grant Proposal9/1/19926/30/1994
National Endowment for the Humanities, Research Division, Music History and CriticismReviewer, Grant Proposal1/1/199212/31/1992
Music Anthology, W. W. NortonReviewer, Textbook12/31/1991
Music Appreciation Text, WadsworthReviewer, Textbook12/31/1990
National Endowment for the Humanities, Research Division, Texts Program, Translation CategoryReviewer, Grant Proposal8/31/1990
Harmony Text, W. W. NortonReviewer, Textbook12/31/1987
American Musicological Society Committee on Academic and non-Academic EmploymentCommittee Member1/1/198212/31/1984
National Endowment for the Humanities, Research Division, Younger Scholars ProgramReviewer, Grant Proposal9/1/19836/30/1984
Music Fundamentals text, Random HouseReviewer, Textbook9/1/19818/31/1983
Virginia Center for the Creative ArtsReviewer, Grant Proposal12/31/1980