Gail Levin

Education

Ph.D., Art History, Rutgers University

M.A., Fine Arts, Tufts University

B.A., Art/Art History, Simmons College

Artistic and Creative Activities

Levin, G. (2020). Edward and Jo Hopper. French Television channel 5.

Levin, G. (2017). Food for Thought.

Levin, G. (2015). Scholar Rocks. Squire Foundation.

Levin, G. (2015). Scholar Rocks. El Museo Cultural.

Levin, G. (2015). Collages and Stone Sculptures. Sandisfield Art Center.

Levin, G. (2015). Food for Thought. Santa Barbara, CA.

Levin, G. (2014). On NOT Becoming An Artist. National Association of Women Artists.

Levin, G. (2013). Interviewed on Theresa Bernstein by Ronnie Eldridge. CUNY-TV.

Levin, G. (2012). Picturing America.

Levin, G. (2007). Hopper's Places and Other Cape Cod Connections. Cape Cod Museum of Art.

Levin, G. (1996). Hopper's Places. Provincetown Monument Museum.

Levin, G. (1996). This Land is My Land. Elaine Benson Gallery.

Levin, G. (1995). Gail Levin, Photographs. Trustman Art Gallery.

Levin, G. (1995). Edward Hopper and Friends. Renee Fotouhi Gallery.

Levin, G. (1990). Marsden Hartley in Bavaria. Emerson Art Gallery.

Levin, G. (1988). Invitational Group Show. Ceres Gallery.

Levin, G. (1988). AIR Gallery Invitational.

Levin, G. (1988). AIR Gallery Invitational.

Levin, G. (1988). Photographs. Peale House Gallery.

Levin, G. (1988). Hopper's Places Photographs. Art Gallery of the Chappaqua Library.

Levin, G. (1988). Hopper's Places Photographs. Arizona State University.

Levin, G. (1988). Photographs. Cabrini Gallery.

Levin, G. (1987). Photographs. Saint Peter's College Art Gallery.

Levin, G. (1987). Hopper's Places Photographs. Polk College Heritage Gallery.

Levin, G. (1987). Faculty Exhibition. The Art Department of Baruch College.

Levin, G. (1987). Photographs. University of Iowa Museum of Art.

Levin, G. (1986). Photographs. the 9th Precinct Gallery.

Levin, G. (1986). Photographs. Hilton Head Art League.

Levin, G. (1986). Hopper's Places Photographs. Cedar Rapids Art Museum.

Levin, G. (1986). Hopper's Places Photographs. Cornell College Art Gallery.

Levin, G. (1986). Hopper's Places Photographs. Hopper House Art Center.

Levin, G. (1986). Photographs. Barridoff Gallery.

Levin, G. (1985). Perspectives '85. Catskill Center for Photography.

Levin, G. (1985). Photographs. Kennedy Galleries, Inc.

Levin, G. (1985). Hopper's Places Photographs. Jay Voorhees Zimmerli Art Museum.

Levin, G. (1985). Photographs. Fay Gold Gallery.

Levin, G. (1984). Photographs. Kingston Artists Group.

Levin, G. High Museum of Art.

Levin, G. The Center for Photography.

Levin, G. The Pollock-Krasner House and Study Center.

Books

Levin, G. (2022). Museum Catalogue essay. Tampa, Florida, United States, Tampa Museum of Art.

Levin, G. (2021). Edward Hopper: An Intimate Biography, Chinese translation. Beijing, China, Playbook Studio .

Levin, G. (2020). Zayasaikhan Sambuu: Mongolia, Lost and Found. Ulaanbaatar, Mongolia, National Gallery of Mongoiia and the Zanabazar Fine Arts Museum .

Levin, G. (2018). Becoming Judy Chicago: A Biography of the Artist, 2nd edition. Berkeley, California, US, University of California Press.

Levin, G. (2018). Paul Jenkins, Yasuo Kuniyoshi, and Asian Affinities, for Paul Jenkins, exhibition catalogue, June-August 2018, The Redfern Gallery. London, England,

Levin, G. (2017). Sajitha's Saga: Biography of a Woman Artist in India, book in progress. In Progress.

Levin, G. (2016). Diana Copperwhite: Fake New World. (p. 7-11). Dublin, Royal Hibernian Society, (main essay, invited).

Levin, G. (2016). Connie Fox and William King: An Artist Couple. (p. 52). East Hampton NY, US, Guild Hall Museum.

Levin, G., & Tick, J. (2015). Aaron Copland's America: A Cultural Perspective (Chinese Translation). Beijing, China, Watson-Guptill, New York, 2000; Toshindo, Tokyo, Japan, 2003; People's Music Publishing, Beijing, China, 2015 [principal, co-author with Judith Tick] first Chinese translation. (I was curator for the accompanying show at the Heckscher Museum; 75% my work; my concept.).

Levin, G. (2014). The Unknown Hopper: Edward Hopper as Illustrator. Stockbridge, MA, Norman Rockwell Museum.

Levin, G. (2013). Theresa Bernstein: A Century in Art. Lincoln, NB: University of Nebraska Press, (lead essayist and editor of two other senior scholars and five of my Ph.D. students).

Levin, G. (2012). Edward Hopper: An Intimate Biography Korean Translation. Seoul, Korea, Eulyoo Publishing Co., Ltd., Seoul, Korea, 2012. First Korean translation. Under contract for Chinese translation Playbook Studio, Beijing, China, 2021.

Levin, G. (2011). Lee Krasner: A Biography. New York: William Morrow, 2011, paperback edition, 2012. London: Thames & Hudson, 2019.

Levin, G. (2007). Becoming Judy Chicago: A Biography of the Artist . New York, Harmony Books. Berkeley, University of California Press, 2018.

Levin, G. (2007). Edward Hopper: An Intimate Biography. (p. 778). Rizzoli.

Levin, G., & King, E. A. (2006). Ethics and the Visual Arts. New York, NY, USA, Allworth Press.

Levin, G. (2006). Johns Hardy Paintings of New York City-Objects of Desire . New York, NY, DFN Gallery .

Levin, G. (2006). Nancy Youdelman Sculpture. Mountain View, California , Mohr Gallery .

Levin, G. (2003). Gerson Leiber. East Hampton, New York , Guild Hall Museum .

Levin, G. (2003). Inside Out: Selected Works by Janet Sobel . New York, NY, Gary Snyder Fine Art .

Levin, G. (2002). Gerson Leiber. New York, NY, Denise Bibro Gallery .

Levin, G. (2002). John Hardy, New York Objects of Desire . New York, NY, Rsquared Gallery.

Levin, G. (2001). Paul Weingarten. New York, NY, Salamder-O'Reilly Galleries, Inc..

Levin, G. (2000). Aaon Copland's America: A Cultural Perspective. New York, US,

Levin, G. (2000). Collected and introduced by. Silent Places: A Tribute to Edward Hopper. New York, Universe Books (fiction anthology).

Levin, G. (1999). Ann Sperry . New York, NY, Kraushaar Galleries .

Levin, G., & Van Sickle, J. (1999). Jackie Hinkson: Caribbean Vibrations . London, England ,

Levin, G., & Van Sickle, J. (1999). Sarah Plimpton . New York, NY, Juen Kelly Gallery.

Levin, G. (1999). Naoto Nakagawa. Davidson, NC, Van Every Gallery, Davidson College.

Levin, G. (1998). Die gemalte Wirklichkeit. Edward Hopper und sein Amerika. Munich, Germany, Paul List Verlag.

Levin, G. (1998). Hopper's Places 2nd Expanded Edition. Berkeley and London , USA, University of California Press.

Levin, G., & Van Sickle, J. (1997). "Elie Nadelman's New Classicism," in Elie Nadelman. New York, NY, Salander-O'Reilly Galleries .

Levin, G. (1997). Collected and introduced by. The Poetry of Solitude: A Tribute to Edward Hopper. New York, Universe Books, 1995, (translated as La Poesia del Silenzio, Milano, 1997).

Levin, G. (1995). Edward Hopper: A Catalogue Raisonne. (p. Four volumes including a CD-Rom). New York and London , WW Norton Inc. .

Levin, G. (1995). The Early Drawings of Edward Hopper . New York, NY, Kennedy Galleries .

Levin, G. (1994). "The Natural Magic Of Charles Seliger," In Charles Seliger. New York, NY, Michael Rosenfeld Gallery .

Levin, G. (1994). New Work by Ellen K. Levy: The Collapse of Postmodernism. Trenton , New Jersey State Museum.

Levin, G. (1993). Edward Hopper and the Politics of Modernism . New York, NY, Gagosian Gallery .

Levin, G. (1992). Arlene Slavin: A Screen Retrospective 1979-1992. Danville, Kentucky, Norton Center for the Arts, Centre College.

Levin, G. (1992). Marsden Hartley Six Berlin Paintings: Marsden in Berlin 1913-1915. New York, NY, Salander-O'Reilly Galleries, Inc..

Levin, G., & Lorenz, M. (1992). Theme and Variation: Kandinsky and the American Avant-garde, 1912-1950. Boston , Bullfinch Press.

Levin, G. (1991). Paul Weingarten . Montclair, NJ, Montclair Art Museum .

Levin, G. (1989). Edward Hopper . Madrid, Spain , Fundacion Juan March .

Levin, G. (1989). Edward Hopper: Selected Drawings . Los Angeles, CA, Louis Newman Galleries .

Levin, G. (1989). Marsden Hartley in Bavaria. Hannover and London, University Press of New England .

Levin, G. (1988). Forecasts: Visions of Technology in Contemporary Paiting and Sculpture. New York, NY, Nerlino Gallery.

Levin, G. (1988). H.A. Schult. New York, NY, Carlo Lamagna Gallery.

Levin, G. (1988). Twentieth Century American Painting, The Thyssen-Bornemisza Collection. New York, Harper & Row; London: Sotheby Publications, 1987.

Levin, G. (1985). "Byron Browne in The Context of Abstract Expressionism," in Byron Browne: Abstract Woeks, 1930-1950. Houston, TX, Meredith Long & Company .

Levin, G. (1985). Hopper's Places. New York, NY, USA, Alfred A. Knopf.

Levin, G. (1984). Alex Katz: Process and Development . Hamilton, New York , The Picker Art Gallery, Colgate University .

Levin, G. (1984). Edward Hopper. New York, Crown Publishers Inc., Paris, France: Flammarion, 1984.

Levin, G. (1982). The World of Edward Hopper. Adelaide, Australia, Art Gallery of South Australia.

Levin, G. (1981). Edward Hopper: Gli anni della formazione. Milan, Italy , Electra Editrice.

Levin, G. (1980). Edward Hopper: The Art and the Artist . New York, WW Norton Inc. .

Levin, G. (1980). Edward Hopper: The Art and the Artist . New York, NY, Whitney Museum of American Art.

Levin, G. (1979). Edward Hopper as Illustrator . New York, WW Norton Inc. .

Levin, G. (1979). Edward Hopper: The Complete Prints . New York, WW Norton Inc. .

Levin, G. (1979). Edward Hopper: Prints and Illustrations . New York, NY, Whitney Museum of American Art.

Levin, G., & Hobbs, R. C. (1978). Abstract Expressionism: The Formative Years. Whitney Museum of American Art; Seibu Museum of Art, Tokyo, 1978; Cornell University Press, 1981 [co-author].

Levin, G. (1978). Synchromism and American Color Abstraction, 1910-1925. New York, George Braziller.

Levin, G. (1978). Synchromism and American Color Abstraction, 1910-1925. New York, NY, Whitney Museum of American Art.

Journal Articles

Levin, G. (2021). “Anglo-Saxon”: Nationalism and Race in the Promotion of Edward Hopper. Panorama, 7(spring). online only.

Levin, G. (2021). "Edward Hopper's Loneliness". Social Reearch,

Levin, G. (2021). “Zaya: A Contemporary Mongolian Painter,Melding Music From East and West“. The Journal of Asian Arts & Aesthetics, Vol. 7(2021). pp. 21–34..

Levin, G. (2020). Empowering the Rights of Women in India: Sajitha Shankhar’s Art. Switch (on paper) , Fall 2020.

Levin, G. (2020). South India to Germany: Sajitha Shankhar's Engagement with European Art and Culture. The Journal of Asian Arts & Aesthetics, pp. 59-73.

Levin, G. (2019). Breakthrough: Krasner Turns the Tables. RA Royal Academy of the Arts Magazine, p. 24.

Levin, G. (2019). Artists' Estates: When Trust is Betrayed. Ritsumeikan Social Sciences Review, Ritsumeikan University, Kyoto, Japan, (translation of my essay from Gail Levin and Elaine A. King, eds. Ethics and the Visual Arts, New York, Allworth Press, 2006.), vol. 55(no. 1). pp. 155-170.

Levin, G. (2019). Getting to Know Lee Krasner. Apollo,

Levin, G. (2018). Mapping Edward Hopper: Jo Hopper as an Artist and as her Husband’s Cartographer. Cartographic Styles and Discourse of The Artl@s Bulletin,

Levin, G. (2018). Georgia Peach' to Art Historian: An Unlikely Path. Southern Cultures, Center for the Study of the American South, Univeristy of Chapel Hill, NC. (acceptance form in file), vol. 25. pp. 125-136.

Levin, G. (2018). Edward Hopper, Literature, and Landscape. Ritsumeikan Studies in Language and Culture, Ritsumeikan University, vol. 29(no. 4). pp. 127-143.

Levin, G. (2018). Jewish Children Singing Dixie: The Toll of the Confederate Monuments as Seen by a Jew, a Native Southerner, and an Art Historian. Jewish Historical Studies, Transactions of the Jewish Historical Society of England,, vol. 49. pp. 1-11.

Levin, G. (2017). Sajitha R. Shankhar: An Indian Artist’s Journey. Parts I & II, in The Nomadic Journal,

Levin, G. (2016). Threading Jewish Identity: The Sara Stern in Sonia Delaunay. Journal of Modern Jewish Studies, in Special Issue: Configuring and Contesting Jewish Identities in the Visual Field,, 15,(no. 1, 2016). 88-108, first published online: 11 Jan 2016, print version followed, as described on website, peer-reviewed.

Levin, G. (2015). Tracing an Erased Artist in Multiple Archives: Josephine Verstille Nivison Hopper,. The Brooklyn Rail, October 5, 2015. http://brooklynrail.org/2015/10/criticspage/tracing-an-erased-artist-in-multiple-archives-josephine-verstille-nivison-hopper,

Levin, G. (2014). Lee Krasner and Ad Reinhardt: Notes on a Friendship. in Ad Reinhardt Centennial, 1913-2013, edited by Barbara Rose for the Brooklyn Rail, December 2013/January 2014, p. 65. ,

Levin, G. (2013). La Influencia de la Politica y del Arte Espanoles en La Pintura Expressionista Abstracta de Estados Unidos. Arte y Parte, no. 106. 22-37.

Levin, G. (2013). Jackson Pollock, Lee Krasner and a New Concept of Nature. Ritsumeikan Studies in Language and Culture, Ritsumeikan University, Kyoto, Japan, vol. 24(no. 3). 15-37.

Levin, G. (2012). Sexo, Politica, e el Arte de Edward Hopper. Arte y Parte, no. 99. 13-25.

Levin, G. (2012). Japanese Cultural Influence in American: The Boston-New York Exchange. Source Notes in the History of Art, XXXI, no. 3. 13-22.

Levin, G. (2012). Et Paris crea Hopper, in Edward Hopper au Grand Palais. Beaux Arts editions, 12-21.

Levin, G. (2012). Edward Hopper: La Peinture comme au Cinema. Beaux Arts, 73-79.

Levin, G. (2012). Visual Culture and the Beginnings of the Environmental Movement in the United States. Journal of Jiangsu University (Social Science Edition, School of Foreign Languages, Shandong Polytechnic University, , vol. 14(no. 5). 1-5.

(2011). The Extraordinary Interventions of Alfonso Ossorio, Patron and Collector of Jackson Pollock and Lee Krasner and Alfonso Ossorio and Zen. Archives of American Art Journal, 50(1-2). 4-19.

Levin, G. (2010). Art World Power and Women's Incognito Work: The Case of Edward and Jo Hopper, and other Artist Couples. Journal of the Faculty of Letters, December 2010 (expanded version of that published in Museums and Gender.), 54. 147-171.

(2010). Audrey Flack's Davey Moore. in Masterworks from The Butler Institute of American Art. The Butler Institute of American Art,

Levin, G. (2010). Jewish American Artists: Whom Does That Include?. Journal of Modern Jewish Studies, 9(3). 421-430.

(2010). Milton Avery: Industrial Revelations, exhibition catalogue. Knoedler & Co,

(2010). Reflections on an Exhition in Nagoya: Contemporary American Artists and Environmental Concerns. Journal of Asian Arts and Aesthetics,

(2010). Researching at the Archives of American Art . 50 Years, Archives of American Art Journal, 49(1-2,). 29.

(2008). Censorship, Politics and Sexual Imagery in the Work of Jewish-American Feminist Artists. Nashim: A Journal of Jewish Women’s Studies and Gender Issues, 14.

(2007). "Censorship, Policies, and Sexual Imagery in the Work of Jewish-American Feminist Artists". Nashim: A Journal of Jewish Women's Studies & Gender Issues ,

Levin, G. (2007). Beyond the Pale: Lee Kranser and Jewish Culture. New Brunswick NJ; Women's Art Journal, Rutgers University,

(2007). "Art Meets Policies: How Judy Chicago's Dinner Party Came to Brooklyn". Dissent published by the Foundation For the Study of Independent Social Ideas, Inc. , 87-92.

(2006). "A Scholar's Perspective: The Edward Hopper Catalogue Raisonne". Catalogues Raisonnes and the Authentication Process-Where the Ivory Tower Meets the Marketplace: IFAR Journal, The International Foundation for Art Research, 8(3&4). 117-121.

(2005). "Beyond the Pale: Jewish Identity, Radical Politics, and Feminist Art in the United States". Modern Jewish Studies, 1(2). 205-232.

(2005). "Janet Sobel: Primitivist, Surrealist, and Abstract Expressionist". Woman's Art Journal, Rutgers University , 26(1). 8-14.

(2004). "Biography and the Visual Arts: The Problamatic Interfaceof Images and Life". Biography and Source Studies AMS Press, 8. 121-137.

(2004). "American Women Artists, Art Dealers, and Museum Personnel: Feminists or Self-Involved Careerists?. Art Research, Ritsumeikan University, 4. 5-22.

(2004). "Problems in Dating: Putting the Catalogue Raisonne in Order". CRSA Forum The Newsletter of the Catalogue Raisonne Scholars Association, an affiliated society of teh College Art Association , (15). 1&5-9.

(2004). "Between Two Worlds: Folk Culture, Identity, and the Merican Art of Yasuo Kuniyoshi". Archives of American Art Journal, Smithsonian Institution , 43(3-4). 2-17.

(2002). "Learning about the Self through Biography . Biography and Source Studies AMS Press, 7. 1-6.

(2002). "Learning to Appreciate Judy Chicago". Women in the Arts, National Museum of Women in the Arts, XX(2). 12-17.

(2001). "Being American: Folk Origins of Appalchian Spring" in Aaron Copland: Letter from Home Official Publication of Copland House. Cortland Manor, IV(1). 3.

Levin, G. (2000). "Visualizing Modernity and Tradition in Copland's America" in Institute for Studies in American Music Newsletter. Conservatory of Music, Brooklyn College, CUNY, XXX(1). 6-7 and 15.

Levin, G. (2000). "Treasure and Trouble: The Role of Gender in the Reception of New Archival Sources". Biography and Source Studies AMS Press, 6. 1-6.

Levin, G. (2000). "Edward Hopper y el cine" in Arte y Parte. Revista de Informacion Artistica de Espana y Portugal, Santander, Spain, (28). 38-61.

(2000). "The Painterly Visions of Derek Walcott and Donald Hinkson" in . Latino(a) Research Review (CELAC Center for Latino, Latin American, and Caribbean Studies, SUNY, Albany), 46-48.

(1998). "Elie Nadelman's New Classicism" in Sculpture Review . National Sculpture Society , XLVI(4).

(1996). "Biography & Catalogue Raisonne: Edward Hopper in Two Genres". Biography and Source Studies AMS Press, 2. 111-123.

(1996). "Edward Hopper's 'Nighthawks,' Surrealism, and the War" in Mary Reynolds and the Spirit of Surrealism. Museum Studies, Art Institute of Chicago, 22. 180-195.

(1995). "Edward Hopper: Through the Biographer's Lens". Art Times A Literacy Journal and Resource for all the Arts, 12. 12-13.

Levin, G. (1994). "Changing Cultures: The Recent Immigration of Chinese Artists to the United States". Asian Art News, 70-73.

(1993). "Photography's 'Appeal' to Marsden Hartley". The Yale University Library Gazette,

(1992). "Reflections on Painting in Marsden Hartley's Poem: 'Lewiston is a Pleasant Place". Provincetown Arts, 97-98.

(1992). "The Recent Immigration of Ciniese Artists to the USA". Vytvarne Umeni The Magazine for Contemporary Art, 103-107.

(1991). "The Response to Picasso's Guernica in New York". Jong Holland (Amsterdamn, the Netherlands), 7. 2-11.

(1989). "Edward Hopper and Contemporary Artists". Bijutsu Techo [Tokyo, in Japanese], 66-76.

Levin, G. (1989). "Hopper's Places" [Japanese excerpt of book]. Bijutsu Techo [Tokyo, in Japanese], 60-62.

(1988). "Edward Hopper and Contemporary Artists". Art Times , 5. 1 & 4.

(1985). "Marsden Hartley and Mysticism". Arts Magazine , 16-21.

(1985). "Byron Browne in the Context of Abstract Expressionism". Arts Magazine , 129-133.

(1984). "The Office Image in the Visual Arts". Arts Magazine , 98-103.

(1984). "'Primitivism' in American Art: Some Literary Parallels of the 1910s and 1920s". Arts Magazine , 101-105.

(1983). "In the Footsteps of Edward Hopper". Geo, 36-45.

(1982). "Symbol and Reality in Edward Hopper's 'Room in New York". Arts Magazine , 148-153.

(1982). "Konrad Cramer: Link from the German to the American Avantgarde". Arts Magazine , 145-149.

(1981). "Hopper's America". Monthly Art Magazine Bijutsu Techo (Japanese), 162-186.

(1981). "Edward Hooper's 'Nighthawks'". Arts Magazine , 154-161.

(1981). "Editor's Statement" Edward Hopper Symposium at the Whitney Museum of American Art. Art Journal, College Art Association , 115-117.

(1981). "Thomas Hart Benton, Synchronism, and Abstract Art". Arts Magazine , 144-148.

(1980). "Edward Hopper als Radierer". Die Kunstzeitschrift, 38-49.

(1980). "Josephine Verstille Nivision Hopper". Woman's Art Journal , 28-32.

(1980). "Edward Hopper's Evening". The Connoisseur, 56-63.

(1980). "Hopper, un gigante del realismo americano: l'america e sola al mondo". BolaffiArte, 42-48.

(1980). "Edward Hopper: The Influence of Theater anf Film". Arts Magazine , 123-27.

(1980). "Edward Hopper: The Artist" . Museum Magazine, 66-67.

(1980). "Richard Pousette-Dart's Emergence as an Abstarct Expressionist". Arts Magazine , 125-129.

(1980). "Edward Hopper's Process of Self-Analysis". Art News , 144-147.

(1979). "Blaise Cendrars and Morgan Rusell: Chronicle of a Friendship". Dada and Surrealism , 5-19.

(1979). Patrick Henry Bruse and Arthur Burdett Frost, Jr.: From the Henri Class to the Avant-Garde". Arts Magazine , 102-106.

(1979). "Edward Hopper: Francophile". Arts Magazine , 114-21.

(1979). "Marsden Hartley and the European Avant-garde". Arts Magazine , 158-163.

(1979). "Hopper's Etchings:Some of the Finest Examples of American Printmaking". Art News , 90-93.

(1979). "Edward Hopper as Printmaker and Illustrator: Some Correspondences". Print Collector's Newsletter , 121-123.

(1979). "Wassily Kandinsky and the American Literary Avant-Garde". Criticism a Quartely for Literature and the Arts, Wayne State University , 347-361.

(1979). "Hidden Symbolism in Marsden Hartley's Military Pictures". Arts Magazine , 154-158.

(1978). "Edward Hopper's 'Office at Night'". Arts Magazine , 134-137.

(1978). "Andrew Dasburg: Recollections of the Avant-Garde". Arts Magazine , 126-130.

(1978). Synchromism: The State of Scholarship: Past, Present, and Future". Arts Magazine , 131-135.

(1978). "James Daugherty: Early Modernist and Simultaneist". Whitney Review , 24-27.

(1977). "The Tradition of teh Heroic Figure in Synchromist Abstraction". Arts Magazine , 138-142.

(1977). "Morgan Russell's 'Synchromy in Orange: To Form". Gallery Studies, Albright-Knox Art Gallery , 4-10.

(1977). "Marsden Hartley, Kandinsky, and Der Blaue Reiter". Arts Magazine , 156-160.

(1976). "Morgan Russell's Notebooks: An American Avant-Garde Painter in Paris". RACAR Canadian Art Review, 3(3). 73-87.

Book Chapters

Levin, G. (2022). Years Later, Looking at Art Made in Response to 9/11 in New York: Gerhard Richter, Eric Fischl, Naoto Nakagawa, and Roz Dimon. Art of the City Tokyo,Japan. Suiseisha Press.

Levin, G. (2021). Edward Hopper: Complete Paintings. In Lamers-Schuetze, P. (Ed.), (p. very large and long; not sure precisely). Koln or Cologne,Germany. Taschen.

Levin, G. (2021). Frida Kahlo’s Circulating Crafts: Her Painting and Her Invented Identities. In Biro, Y., & Etienne, N. (Eds.), Rhapsodic Objects Art, Agency, and Materiality (1700–2000) is a non-profit academic publication. The publisher is De Gruyter Berlin,Germany. De Gruyter.

Levin, G. (2021). Becoming Luise Kaish. In Reilly,, M. (Ed.), Luise Kaish: An American Art Legacy, in press London and New York. D. Giles Ltd. Publishing.

Levin, G. (2020). Theresa Bernstein. entry in Palmer Art Museum Collection Catalogue, Penn State, University College Pennsylvania. entry in Palmer Art Museum Collection Catalogue, Penn State, University College.

Levin, G. (2020). Claudia DeMonte. Binomial: Claude DeMonte and Ed Magowan, Lowe Art Museum, University of Miami Miami, Florida,US. The University of Miami.

Levin, G. (2019). Lee Krasner: A Biography British Edition. London,Britain. Thames & Hudson.

Levin, G. (2019). Reflections: Lee Krasner Interview from February 6, 1971. In Nairne, E. (Ed.), Lee Krasner Living Colour (pp. pp. 170-183). London. Thames & Hudson for Barbican retrospective exhibition and touring to Frankfurt, Berne, and Bilbao.

Levin, G. (2017). After Georgia O’Keeffe’s Flower. In Block, L. (Ed.), Alive in Shape and Color: 17 Paintings by Great Artists and the Stories They Inspired New York and London. Pegasus Books.

Levin, G. (2017). Greek Subjects, Greek-American Artists, and American Abstract Expressionism. (pp. 25-34). Athens Journal of Humanities and Arts, http://www.athensjournals.gr/ajha/current Symposium proceedings.

Levin, G. (2017). Fashioning a Feminist Vision, 1972-2017, in Nancy Youdelman: Fashioning a Feminist Vision, 1972-2017. (pp. 13-24). Fresno, CA: Fresno Art Museum. Museum Exhibition catalogue; mine is the lead essay; invited essayist.

Levin, G. (2016). Linda Stein's Holocaust Heroes: Fierce Heroes: Fierce Females and Related Works. (pp. 66-70). Holocaust Heroes: Fierce Females: Tapestries and Sculpture By Linda Stein, New York: Have Art: Will Travel! Inc., for touring exhibition, Museum exhibition catalogue; mine is the only art historical essay; invited essayist.

Levin, G. (2016). Sajitha: Journey in Art. Kerala, India,India. Alterbodies: Sajitha R. Shankhar, AllianceFrancaise, Trivandrum, n.p. small catalogue; also available at: http://www.sajithashankar.com/pdf/alterbodies%20catelogue.pdf.

Levin, G. (2016). The Preacher Collects, in Lawrence Block, ed. in Sunlight or In Shadow: Stories Inspired by the Paintings of Edward Hopper. (pp. 155-166). New York and London: Pegasus Books. Anthology of fiction; my work invited by editor.

Levin, G. (2016). Theresa Bernstein (1890-2002): A Krakow-born jewish Artist in America,. (pp. 109-115). Warsaw, Poland,Poland. Art in Jewish Society, Symposium proceedings.

Levin, G. (2016). Syd Solomon: Concealed and Revealed. Syd Solomon: Concealed and Revealed (pp. 7-21). lead essay in exhibition catalogue for Syd Solomon show at the Greenville County Museum of Art (touring exhibition starting in South Carolina). Museum exhibition catalogue; mine is the lead essay; invited essayist.

Levin, G. (2016). Angel Mateo Charris, in Los Cosmolocalistas: Charris [Angel Mateo Charris], MURAM. (pp. 9-15 and 72-73). Cartagena,Spain. (Museo Regional de Arte Moderno), Museum exhibition catalogue; mine is the lead essay; invited essayist.

Levin, G. (2015). Russian Jews' at the National Academy of Design. (pp. 196-219). Saint Petersberg,Russia. Russian Jews in America, Giperion Publishing, invited by the editor; published in Russian translation.

Levin, G. (2014). Jackson Pollock, Lee Krasner, and a New Concept of 'Nature'. (pp. 246-267). Tokyo,Japan. Perception of Nature-Construction of Landscape. Global Perspectives, ed. by Yuko Nakama and Hans Dickel, Sangensha Publishers Inc., Symposium proceedings.

Levin, G. (2014). Anti-Heroic Images in Contemporary American Art. Epos e Antiepos dall'Antichita al Novecento, CentoPagine, Rivista elettronica internazionale che raccoglie i contributiresi nei Seminari sulla continuita dell'antico:CentoPagine 2011. http://hdl.handle.net/10077/9521, Symposium proceedings.

Levin, G. (2014). Jewish Women Artists as Activists: Theresa Bernstein, Lee Krasner, Judy Chicago, and Helene Aylon. Waltham, Massachusetts,USA. Festschrift for Gail Reimer, edited by Joyce Antler, Jewish Women's Archives, PDF online invited by the editor.

Levin, G. (2013). Visual Culture adn the Beginning of Environmental Movement in the United States, in Constructive Postmodernism adn Ecoaesthetics. (pp. 2-11). Jenan, China: Shandong University Press.

Levin, G. (2013). The Cosmopolitan vs. the National: Shifting Identities in American Art, 1900-1945. (pp. 32-53). Art Across America: American Art and Culture, The National Museum of Korea, Seoul, Museum exhibition publication, invited.

Levin, G. (2012). Judy Chicago in Fresno,” in Entering the Picture: Judy Chicago. In Fields, J. (Ed.), the Fresno Feminist Art Program and the Collective Visions of Women Artists (pp. 25-44). New York. Routlege.

Levin, G. (2012). Alfred Stieglitz, les compositeurs contemporains et le Modernisme. Paris,France. Carrefour Stieglitz (The Sign of Stieglitz), ed. by Jay Bochner and Jean-Pierre Montier (Rennes, France: Presses Universitaire de Rennes, Symposium proceedings.

Levin, G. (2012). Max Ferguson: Painting My Father. (pp. 2-7). New York,USA. Hebrew Union Museum, exhibition catalogue essay.

Levin, G. (2011). “Aaron Copland’s America,”. In Teck, K. (Ed.), Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art (pp. 158-160). New York,US. Oxford University Press.

Levin, G. (2010). “Swiecka sztuka zydowska: tozsa-mosc sydowska w kontekscie kosmopolityzmju,” in Polak, Zyd, artysta: Tozamosc a awangarda,” [“Secular Jewish Artists: Defining Jewish Identity in Cosmopolitan Terms,” in “Jewish Identities and Avant-garde Movement in Poland,”. (pp. 169-187). Lodz,,Poland. Museum Sztuki.

(2010). “Peter Seidel: Die Mikwe-Serie,” in Ganz rein! Judische Ritualba*der Fotografied von Peter Seidel. (pp. 83-88). Vienna,Austria. Verlag Holzhausen.

Levin, G. (2010). “Reflections on Lee Krasner and Jewish Culture of Eastern Europe”. In Malinowski, J., Piatkowska, R., & Sztyma-Knasieka, T. (Eds.), Jewish Artists in Central-Eastern Europe,” The First Congress of Jewish Art in Poland, Conferences of the Polish Society of Oriental Art, vol. III. Warsaw,Poland.

Levin, G. (2009). Edward Hopper Biografia intima Italian Translation. Milan,Italy. Edward Hopper Biografia intima by Johan & Levi Editore, Milano in 2009..

Levin, G. (2009). “The Presence and Impact of Dutch Painters in 20th Century America,”. In Krabbendam, H., van Minnen, C. A., & Scott-Smith, G. (Eds.), Four Centuries of Dutch-American Relations (pp. pp. 1071-1080.). US/Netherlands. published for the Roosevelt Study Centery by Amsterdam/Albany: Boom Uitgevers/State University of New York Press.

Levin, G. (2008). “Lee Krasner’s Little Images”. In Harrison, H. (Ed.), Lee Krasner: The Little Image Paintings, 1946–1950 East Hampton, New York,US. Pollock-Krasner House and Study Center, Stonybrook Foundation, SUNY.

(2007). "Judy Chicago: Jewish Identity," in Just Chicago: Jewish Indentity, exhibition catalogue. (pp. 5-9). New York, NY. Hebrew Union College.

Levin, G. (2007). "Modern and Postmodern ArtArt and Architecture". In Kallendorf, C. (Ed.), A Companion to the Classical Tradition Oxford, England. Blackwell Publishing.

Levin, G. (2005). "From the New York Avante-garde to Mexican Modernists: Aaron Copland and the Visual Arts,". In Oja, C. J., & Tick, J. (Eds.), Bard Festival - Aaron Copland and his World (pp. 101-120). Princeton, NJ. Princeton University Press.

Levin, G. (2005). "Upstarts and Matriarchs: Jewish-American Feminists and the Transformation of American Art,". In Zalkind, S. (Ed.), Upstarts and Matriarchs: Jewish-American Feminists Denver, CO. Mizel Center for Arts and Culture.

Levin, G. (2004). "Judy Chicago in the1060's". In Bloch, A., & Umansky, L. (Eds.), Women, Culture and the Sixties (pp. 305-326). New York. New York University Press.

(2003). "Looking at White: The Painting of Angel Mateo Charris," in Blanco Charris. (pp. 46-57). Madrid, Spain. Casa de Vacas.

(2003). "Writing about Forgotten Women Artists: The Rediscovery of Jo Nivision Hopper," in Singular E. Women: Writing the Lives of Women Artists. (pp. 130-145). Berkeley: University of California Press.

Levin, G. (2003). Aaron Copland's America: A Cultural Perspective (Japanese translation). In Levin, G. (Ed.), Tokyo,Japan. Toshindo.

(2001). "Edward Hopper and Architecture as Metaphor," in De las Vanguardias a las postmodernidad. Barcelona, Spain. Plawerg.

(2001). Essays on works by Marsden Hartley and Edward Hopper in American Dreams: American Art to 1950 in the Williams College Museum of Art. New York. Hudson Hills Press.

Levin, G. (2000). "Edward Hopper and American Culture: The View through Cinema and Architecture,". In Hayakawa, H. (Ed.), Edward Hopper Tokyo, Japan. The Bunkamura Museum of Art.

(2000). "The World of Angel Mateo Charris," in Angel Mateo Charris, IV AM (Institut Valencia Art Modern). (pp. 8-23). Madrid, Spain. Centro Cultural del Conde Duque.

(2000). Essays on works by Edward Hopper for American Twentieth-Century Watercolors the Collection of the Munson-Williams-Proctor Institute Museum of Art. Utica, New York.

(1999). Entries on Edward Hopper and Marsden Hartley fro American National Biography. (pp. 254-257 and 197-199). Oxford Universtiy Press, under the auspices of the American Council of Learned Societies.

Levin, G. (1998). "Bilder der Arbeit in America und Europe 1900-1930," in Work & Culture, Buro Inzenierung von Arbeit. (pp. 149-155). Linz ,Austria. Landedmeseum, Ritter Verlag.

Levin, G. (1998). Edward Hopper. Ein Intimes Porträt, German Translation. Munich,Germany. Paul List Verlag,.

Levin, G. (1998). "Hemingway, Spain, and the Visual Arts," in Documenta Hemingway. Valencia, Spain. Centre Cultural La Beneficencia.

(1997). "Angel Mateo Charris, Gonzalo Sicre Maqueda, y lo hopperiano," in Cape Cod-Cabo de Palos. Valencia, Spain. Mestizo Press.

(1996). Entries on Marsden Hartley, Edward Hopper, Morgan Russell, and Synchromism in The Dictionary of Art. London, England. Macmillan Publishers Limited.

(1995). "Edward Hopper and the Democratic Experience," in Democracy and the Arts in the United States. (pp. 75-87). Munich, Germany. American Studies Monograph Series, Wihelm Fink Verlag.

Levin, G. (1995). Edward Hopper: An Intimate Biography.

(1995). "Les Ballets Suedois and American Culture," in Avant-Garde in Paris: The Swedish Ballet. The Fine Arts Museums of San Francisco, University of Washington Press.

(1995). "Edward Hopper's Legacy for Artists," in Edward Hopper and the American Imagination. New York. WW Norton & Co., Inc. for the Whitney Museum of American Art.

(1994). Entries on Marsden Hartley and Edward Hopper for Master Paintings From The Butler Institute of American Art. New York. Harry N. Abrams, Inc..

(1994). Entry on Marsden Hartley in Life Lines: American Master Drawings (1788-1962) From the Munson-Williams-Proctor Institut. Utica, New York.

(1993). Entry on Edward Hopper. New York. Collier's Encyclopedia.

(1990). Entries on Edward Hopper and on Nighthawks, The International Dictionary of Art and Artists. London and Chicago. St. James Press.

(1989). "Edward Hopper's Experience in France and Its Lasting Impact," in Edward Hopper. Paris, France. Adam Biro.

(1989). Essays on works by Edward Hopper and Morgan Russell in the Catalogue of American Paintings in the Munson-Williams-Proctor Institute. New York. Abrams Art Books.

Levin, G. (1988). "Edward Hopper's Railroad Imagery". In Marx, L., & Danly, S. (Eds.), The Railroad and the American Landscape: Representations of Technological Change in the Visual Arts MIT University Press.

(1988). "The Technological Image as Metaphor in American Art, 1920-1940," in Visions of Tomorrow: New York and American Industrialization in the 1920's and 1930's. Tokyo, Japan. Isetan Museum of Art.

(1988). Entry on Edward Hopper, Dictionary of American Biography. Under the auspices of teh American Council of Learned Societies, Charles Scribner's Sons, Supplement VIII.

(1988). "Edward Hopper," in Sotheby's Art at Auction, 1987-88. London. Sotheby's Publications.

(1987). "The Changing Status of American Women Artists, 1900-1930," in American Women Artists: 1870-1930, inaugural exhibition. Washington, DC. National Museum of Women in the Arts.

(1987). Essays on works by Edward Hopper and Reginald Marsh in American Watercolors in the Collection of the Worcester Art Museum. New York. Abbeville Press.

(1987). Foreword, Collection of the Woodstock Artsists Association. Woodstock, New York. Overlook Press,.

(1986). "Surrealisten in New York und ihr Einfluss Auf Die Amerikanische Kunst," in Europe-America: Die Geschichte einer kunstlerischen Faszination. Cologne, West Germany. Museum Ludwig.

(1986). Entries in catalogue for Futurismo e Futurismi, Palazzo Grassi. New York. Abbeville Press.

(1985). "Die Musik in dr fruhen amerikanischen Abstraktion," in Vom Klang der Bilder: Der Musik in der Kunst des 20. Jahrhunderts. Stuttgart, Verlag. Staatsgalerie.

(1984). "American Art, in Primitivism in 20th Century Art: Affinity of teh Tribal and the Modern". (p. William Rubin). New York. The Museum of Modern Art.

(1984). "Le Bureau: le Point de Vue des Artists," in L' Empire du Bureau, 1900-2000. Paris. Musee des Arts decoratifs (Berger-Levrault, CNAP).

Levin, G. (1984). Essays on work by Jim Dine, Jasper Johns, Roy Lichtenstein, Claes Oldenburh, Robert Rauschenberg, James Rosenquist, and George Segal. In Naumann, F. M. (Ed.), The Mary Sisler Collection New York. The Museum of Modern Art.

(1983). "James Daugherty: Early Modernist and Simultaneist," in James H. Daugherty: An Exhibition of Work from Seven Decades. Westport, Connecticut. Westport-Weston Arts Council Gallery, Town Hall (re-publication).

(1981). "Konrad Cramer: Link from the German to the American Avant-garde," in Konrad Cramer: A Retrospective. New York. Bard College Center, Annandale-on-Hudson.

(1981). "November, Washington Square' by Edward Hopper," The Preston Morton Collection of American Art. Santa Barbara Museum of Art.

(1981). "Edward Hopper: Das Fruhwerk," in Edward Hopper: Das Fruhwerk, Westfalisches Landesmuseum fur Kunst und Kulturgeschichte. Munster, West Germany.

(1980). "The First AMerican Experiments with Abstract Art," In Abstraction Towards a New Art. London. The Tate Gallery.

(1977). "Morgan Russell: The Avant-Garde Dilemma" and "Morgan Russell: Chronology," in California: 5 Footnotes to Modern Art History. Los Angeles County Museum of Art.

(1977). "Introduction," in Edward Hopper at Kennedy Galleries.

Media Contributions

(2020). France Channel 5 .

(2019). Youtube.

(2018). Youtube for Eric Firestone Gallery, East Hampton, NY.

(2016). youtube from Guild Hall Museum, East Hampton, NY.

(2016). Edward Hopper Webinar for the National Humanities Center.

(2014). CUNY TV Eldridge & Company.

(2014). Youtube from Norman Rockwell Museum, Great Barrrington, MA.

(2014). Youtube by the Brooklyn Museum of Art on Judy Chicago.

(2012). Vimeo.

(2012). Vimeo.

(2011). Writer's Voice with Francesca Rheannon.

(2011). 21st Century Radio with Dr. Bob Hieronimus, Ph.D..

(2011). Brookyn Museum Sackler Center for Feminist Art lecture on Youtube.

(2011). (NEH) Picturing America, WNET, New York Public Media.

(2010). www.nonsite.es.

(2000). NPR-WPBX.

(1995). Japanese public NKV-TV program .

(1994). Youtube video of a panel with Phyllis Braff, Ibram Lassaw & Others.

(1988). Youtube of a panel that I moderated and organized at Baruch with superstar Jeff Koons.

(1981). Studs Terkel Show Chicago .

(1981). Movie on Edward Hopper by Ron Peck with Gail Levin.

(1978). Movie on Lee Krasner by Barbara Rose; filmed interviewing Krasner.

(1977). youtube .

Presentations

Levin, G. (2020, February 15). The Genesis of Abstract Expressionism. Sarasota, Florida: Ringling Museum of Art.

Levin, G. (2020, February 14). Syd Solomon, World War II, and Its Impact. Syd Solomon: Concealed and Revealed Symposium. Sarasota, Florida: Ringling Museum of Art.

Levin, G. (2020, January 23). Lee Krasner: Art as Autobiography. Mexico City, Mexico: Casa del Tiempo, Universidad Nacional Autónoma de México (UNAM).

Levin, G. (2020, February 6). Edward Hopper and the American Hotel: The Traveling Man and his Artist Wife. Richmond, Virginia: Virginia Museum of Fine Arts.

Levin, G. (2019, April 7). “Beyond the Pale: Jewish-American Feminists and the Pall of Eastern–Europe". New Perspectives on Jewish Feminist Art in the United States,” one-day conference examining the field of feminist art created by Jewish women and Jewish themed feminist art,. Yale University, New Haven, Connecticut: Yale University.

Levin, G. (2019, March 29). Edward Hopper’s City Roofs. German Art Historians Annual Meeting. Göttingen, Germany

Levin, G. (2019, June 18). Lee Krasner: Making Art, Making Trouble, and Making Do in the 1930s. London: Courtauld Institute.

Levin, G. (2019, June 20). Lee Krasner’s Painting and Autobiography. London: Barbican Arts Center.

Levin, G. (2019, January 10). Call for Peace: American Anti-war Art of the 1960s and 1970s. Hanoi, Vietnam: Vietnam National Institute of Culture and Arts Studies (VICAS).

Levin, G. (2019, August 26). Stolen Art and History: A Curator Uncovers Theft from the Edward Hopper Estate. Panel on Artists Estates: The Problems Therein, American Society Appraisers. Marriott Hotel, New York City

Levin, G. (2019, June 25). Lee Krasner and Abstract Expressionism. Ulaanbaatar, Mongolia; lecture introduced by U.S. Ambassador Michael S. Klecheski: The Fine Arts Zanabazar Museum.

Levin, G. (2018, October 3). Edward Hopper as Metaphor. Beijing, China: Beijing Normal University.

Levin, G. (2018, October 23). Artists Talk on Art about “#MeToo in the Art World. New York, NY; participant and moderator: National Arts Club.

Levin, G. (2018, August 11). Eric Firestone Gallery, Postwar Abstraction in the Hamptons (panel discussion with Barbara Rose and Lana Jokel). East Hampton, NY

Levin, G. (2018, February 21). Frida Kahlo’s Crafted Jewish Identity, on panel, Circulating Crafts: Art, Agency, and the Making of Identities. College Art Association Annual Meeting. Los Angeles, CA

Levin, G. (2017, September 9). Edward & Josephine Hopper, An Artist Couple and a Couple of Artists. Provincetown, MA: Provincetown Art Association and Museum.

Levin, G. (2017, August 20). Syd Solomon, Abstract Expressionism, and World War II. East Hampton, NY: Pollock-Krasner House.

Levin, G. (2017, May 13). The Portrait Project: Artists Portraying Artists. WestBeth Gallery: Panel Discussion.

Levin, G. (2017, March 31). Sajitha Shankhar: A Contemporary Feminist Artist in India. Panel, The Anti-Modern Art of Asia. Penn State University, State College, PA: Global Asias 4 Conferences.

Levin, G. (2017, March 18). Edward Hopper, Landscape, and Literature. Conference on Landscape and Literature. Kyoto, Japan: Ritsumeikan University.

Levin, G. (2017, March 10). Artists and 9-11. Featuring Roz Dimon's Digital Art, Conference on 9-11 in the US and 3-11 in Japan. Waseda University Tokyo: Institute on the City.

Levin, G. (2017, February 23). Panel discussion and presenter on Visual Art (Goya and John Singer Sargent) adn Music; with Composer Ted Wiprud, pianist Yoonie Han, and Ted Altschuler. 55 Lexington Avenue New York, NY 10010: Baruch Performing Arts Center.

Levin, G. (2017, January 12). Women's Rights, Feminist Art, and Censorship. Conference on Art and Human Rights. Evanston, Illinois: Northwestern University.

Levin, G. (2017, February 18). Sajitha Shankhar: Aesthetics of Decolonization in a South Indian Woman Artist. Panel, Is There an Aesthetics of Decolonization? New Perspectives from South Asia at the College Art Association Annual Meeting. New York

Levin, G. (2016, December 31). Connie Fox and William King: An Artist Couple. East Hampton, NY October 23-December 31, 2016: Guild Hall Museum.

Levin, G. (2016, January 20). “An Overview of The Influence of Indian Art and Culture on American Artists from the World's Columbian Exposition to Contemporary Art". Conference on American & Indian Art. Bangalore, India: National Gallery of Modern Art, Bangalore, India.

Levin, G. (2015, November 6). “Abstract Painting in the U.S.”. “Abstract Painting”. Ahmedabad, India,: Kanoria Cultural Center, Ahmedabad, India,.

Levin, G. (2015, October 31). Multiple topics on American Art. Jnanapravaha Cultural Center, Mumbai. multiple other lectures in Mumbai, Chennai, Trivandrum, Dehli, Bangalore: Fulbright Association; Distinguished Chair lectures..

Levin, G. (2014, July 4). An Enduring Passion for Art: The Case of Lee Krasner and Jackson Pollock. The Seventh Joint International Conference on Passion. Florence, Italy: Instituto di Psicoanalisi and H.S. Sullivan.

Levin, G. (2014, June 23). Immigrants and Jewish Identity in the Art of Theresa Bernstein. The 2nd Congress of Jewish Art in Poland. Warsaw, Poland

Levin, G. (2014, May 9). Theresa Bernstein: A Curator's View. Theresa Bernstein Symposium. Beverley, MA: Endicott College.

Levin, G. (2013, December 31). Theresa Bernstein: A Century in Art. and touring to the Phillips Museum of Art, Lancaster, PA; the Walter Manninen Center for the Arts, Endicott College, Beverly, MA; the Woodmere Art Museum, Philadelphia, PA; and the Boca Raton Art Museum, Boca Raton, FL November 12, 2013-January 18, 2014: James Gallery, The Graduate Center, The City University of New York.

Levin, G. (2013, December 3). The Changing Status of Women in New York City, 1913-1950: The Case of Theresa Bernstein. Panel, Gotham Center. CUNY: Graduate Center.

Levin, G. (2013, November 13). Theresa Bernstein: Forgotten Fame. Theresa Bernstein: A Century in Art. : Baruch College.

Levin, G. (2013, January 11). Edward Hopper's Couples and Lee Krasner and Jackson Pollock. American Painting: Hopper, Pollock and their legacy. : I'Institut de'Etudes Superieures des Arts (IESA).

Levin, G. (2012, July 12). American Artists and Environmental Activism. Conference on Eco-Criticism. Jennan, China: Jennan University.

Levin, G. (2011, June 13). Anti-Heroic Images in Contemporary American Art. The Anti-Heroic in Art and Literature. Udine, Italy: University of Udine.

Levin, G. (2011, May 3). Women, Art and Power. Boston: Simmons College.

Levin, G. (2011, February 10). Japanese Cultural Influence in America: The Boston-New York Exchange. New York: College Art Association annual meeting.

Levin, G. (2011, April 8). Lee Krasner in the 1930s. 1935: The Reality and the Promise. : Hofstra University.

Levin, G. (2010, November 4). How Feminist Video and Film Helped Change Lee Krasner's Ambivalence Toward Feminism into a Wary Embrace. Congresso Internacional Mujer Arte y Technologia (International Congress on Woman, Art and Technology in the Public Sphere), CIMUAT 2010. Valencia, Spain

Levin, G. (2010, July 2). Alfred Stieglitz, Contemporary Composers, and Modernism. The Sign of Alfred Stieglitz/Carrefour Alfred Stieglitz, Cerisy-la-Salle (Normandy). France

Levin, G. (2009, October 15). Secular Jewish Artists: Defining Jewish Identity in Cosmopolitan Terms. Jewish Identities and Avant-garde Movement in Poland. Lodzi, Poland: Muzeum Sztuki w Lodzi.

Levin, G. (2009, February 26). Valencia's Fallas in Historical Perspective. Annual Meeting of the College Art Association of North America. Los Angeles, CA

Levin, G. (2008, October 27). Lee Krasner's Jewish Identity and Eastern Europe. Jewish Artists in Central adn Eastern Europe from the 19th Century to WW2. Kazimierz on Vistula, Poland: The First Congress of Jewish Art.

Levin, G. (2008, May 24). Lee Krasner's Ambivalence towards Feminism and Feminist. Cultural Studies Association conference. New York City

Levin, G. (2007, December 31). Judy Chicago: Jewish Identity. (co-curator with Laura Kruger); touring to the the Jewish Museum of Maryland in Baltimore, September- December 30, 2007; the Jewish Museum of Florida, Miami, September 8, 2009-February 7, 2010.: Hebrew Union College Institute of Religion Museum February 8-July, 2007.

Levin, G. (2007, May 12). Judy Chicago: an Artist Who Challenged The Establishment. The Dinner Party by Judy Chicago: Its Historical Significance. Sante Fe, NM: Santa Fe Art Institute.

Levin, G. (2007, April 13). Lee Krasner and Jewish Identity. The Art and Life of Lee Krasner: Recollections, Cultural Context, an dNew Perspectives. : Stony Brook/Manhattan Center, SUNY.

Levin, G. (2006, October 27). Yasuo Kuniyoshi's Metaphoric Images of Death and Peril. Constructions of Death, Mourning, and Memory Conference. Woodcliff Lake, NJ: Aurora The Journal of the History of Art.

Levin, G. (2006, July 7). Marsden Hartley and Photography. American Painting and Photography. Santa Fe, NM: Georgis O'Keefe Museum.

Levin, G. (2006, February 24). Judy Chicago's Art and Politics before Feminism. Los Angeles Art of the 1960s: A Critical Reevaluation. Boston, MA: College Art Association.

Levin, G. (2005, May 15). Edward Hopper's Landscape as Metaphor. Encounters with the Land: A Seminar in Ne wyork. : New York University.

Levin, G. (2004, April 17). Problems in Dating:Puitting the Catalogue Raisonne in Order. Catalogue Raisonne: A Seminar in New York. : New York University.

Levin, G. (2004, February 19). How Realism Can be Modern. Redefining American Modernism. Seattle, WA: College Art Association.

Levin, G. (2003, January 27). Kandinsky an dAmerican Avant-garde. Voldemars Matjevs conference at the State Museum of Art. : Riga, Latvia.

Levin, G. (2001, December 14). The Catalogue Raisonne Post-publication Dealing with the Field. International Foundation for Art Research in "The Catalogue Raisonne". New York, NY

Levin, G. (2001, November 23). From Kaunas to ChicagoL The Legacy of Immigrant Jews for Feminist Art. Beginnings and Ends of Emigration: Life Without Borders in the Contemporary World. Kaunas, Lithuania: Vytautas Magnus University.

Levin, G. (2001, March 2). The Typology of Scholarly Erasure. Writing Art History and the Issue of Erasure. Chicago, IL: College Art Association.

Levin, G. (2000, May 6). Hopper's Places an dthe Relativity of Realism. American Watercolor Symposium. Utica, NY: Munson-Williams-Proctor Institute.

Levin, G. (2000, February 26). Aaron Copland's Music and Aesthetic Parallels in the Visual Arts. Aaron Copland Symposuium. New York, NY: Carnegie Hall.

Levin, G. (2000, December 31). Aaron Copland's America. Huntington, NY November 4- 2000-January 21, 2001: Heckscher Museum.

Levin, G. (2000, December 8). Jo navison Hopper: Preserving Professional Identity Eclipsed by Marraige. Women Writing Women's Lives Tenth Anniversary Conference. New York, NY

Levin, G. (2000, November 20). Aaron Copland and Folk Traditions. Aaron Copland's America: A Cultural Perspective. Huntington, NY: The Heckscher Museum of Art.

Levin, G. (2000, October 26). Looking at Aaron Copland through the Visual Arts. Aaron Copland's America: A Cultural Perspective. Boston, MA: Northeastern University.

Levin, G. (2000, October 21). Aaron Copland's America: A Cultural Perspective. Multiple Pathways to American Modernism. Seattle, WA: Seattle Art Museum.

Levin, G. (1999, March 1). Abstract Expressionism and the Plight of Women. Betty Parson's Symposium. Huntington, NY: Heckscher Museum.

Levin, G. (1999, December 31). Angel Mateo Charris. Valencia, Spain October-December 1999: IVAM (Instituto Valenciano de Arte Moderno) Centre Julio Gonzalez.

Levin, G. (1998, April 3). Nivison Hopper and the Construction of Gender Identity. Association of Art Historians 24th Annual Conference. Exeter, England: University of Plymouth at Exeter.

Levin, G. (1997, May 14). The Art Market: Current Legal Issues. Association of the Bar of the City of New York. New York, NY

Levin, G. (1997, October 3). Hopper and the Cinema. 12th Mannheimer filmsymposium. Mannheim, Germany

Levin, G. (1997, February 15). Feminist Monographs and the Rediscovery of Jo Hopper. College Art Association Annual Meeting. New York

Levin, G. (1996, April 13). Architechture as Metaphor in the Art of Edward Hopper. Symposium at Williams College. Williamstown, MA

Levin, G. (1996, February 22). The First Catalogue Raisonne on CD-ROM. College Art Association Annual Meeting. Boston, MA

Levin, G. (1995, December 31). The Poetry of Solitude: Edward Hopper's Drawings. Chattanooga, Tennessee, September 9-October 15, 1995: Hunter Museum of Art.

Levin, G. (1995, August 13). Lee Krasner: A Memoir. Lee Krasner: formation and Re-formation. Boston, MA: Pollock-Krasner House and Study Center.

Levin, G. (1995, January 31). Analyzing Edward Hopper's Pigments to Determine Authenticity. Catalogue Raisonne Scholars' Association Annual Meeting. San Antonio, TX

Levin, G. (1993, June 27). What is American in American Art?. Berlin, Germany: John F Kennedy institut fur Nordamerikastudien.

Levin, G. (1993, February 26). Edward Hopper: American Modernist. Edward Hopper Retrospective. Brussels, Belgium: Palais des Beaux-Arts.

Levin, G. (1993, March 22). Kandinsky and American Avant-garde, 1912-1950. Amerika Haus. Munich, Germany

Levin, G. (1993, June 3). Edward Hopper and the Democratic Experience. Deutsche Gesellschaft fur Amerikastudien. E.V. Mainz, Germany

Levin, G. (1992, December 31). Edward Hopper. Musée Cantini, Marseille, France, and Fundacion Juan March, Madrid, Spain, June 24-NovSeptember 19-November 29, 1992; The Dayton Art Institute, Dayton, Ohio, December 12, 1992-February 2, 1992; Terra Art Museum, Chicago, Illinois, February 13-April 25, 1993; Amon Carter Museum, Fort Worth, Texas, May 15-August 1, 1993

Levin, G. (1992, December 31). Theme and Improvisation: Kandinsky and the American Avant-Garde, 1912-1950. The Phillips Collection, Washington, D.C., September 19-November 29, 1992; The Dayton Art Institute, Dayton, Ohio, December 12, 1992-February 2, 1992; Terra Art Museum, Chicago, Illinois, February 13-April 25, 1993; Amon Carter Museum, Fort Worth, Texas, May 15-August 1, 1993

Levin, G. (1992, August 15). Classical Revisions in American Art: From the Great Depression to the Post-War Years. International Society for the Classical Tradition annual meeting. Germany: University of Tubigen.

Levin, G. (1992, June 4). Changing Cultures: The Immigration of Chinese Artists to the USA. XXVI General Assembly of the Internatinal Association of Critics. Vienna, Austria

Levin, G. (1992, February 26). Issues of Authenticity and the Work of Edward and Jo Hopper. Problems of Connisseurship in American Art. Chicago, IL: College Art Association.

Levin, G. (1991, February 22). Edward Hopper and the Question of the Silent Collaborator. College Art Association Annual Meeting. Washington, DC

Levin, G. (1991, November 29). Riprese classiche nel modernismo americano. : University of Siena.

Levin, G. (1991, December 31). Changing Cultures: Recent Artist Immigrants from China. Baruch College Gallery, New York, April-May 1991; Fred L. Emerson Gallery, Hamilton College, Clinton, New York, November 21, 1991-January 8, 1992

Levin, G. (1990, November 22). The Impact of Catalan Art and Politics on Abstract Expressionism in North America. Barcelona, Spain: Fundacio Antoni Tapies.

Levin, G. (1989, October 20). Marsden Hartley in Bavaria. Hartley Symposium. Clinton, NY (circulating to the Milwaukee Art Museum, Bowdoin College Art Museum, and Baruch College Gallery. NEA sponsored): Hamilton College.

Levin, G. (1989, April 7). Les Ballets Suedois: The American Connection. The Association of Art historians conference. London, England

Levin, G. (1989, December 31). Artists of the South Fork: Selections from the Guild Hall Museum. New York, NY, September 22 to November 3, 1989: Baruch College Gallery.

Levin, G. (1989, December 31). Edward Hopper. Marseille, France: Musée Cantini.

Levin, G. (1988, December 31). Homage to Edward Hopper: Quoting the American Realist (exhibition on contemporary artists' responses to the artist's work). New York, NY, November 3-December 23, 1988: Baruch College Gallery.

Levin, G. (1988, December 31). Forecasts: Visions of Technology in Contemporary Painting and Sculpture. New York City, September 24-October 25, 1988: Nerlino Gallery.

Levin, G. (1988, December 31). Visions of Tomorrow: New York and American Industrialization in the 1920s-1930s. Isetan Museum of Art, Tokyo, Japan, April 21-May 10, 1988; Daimaru Museum, Osaka, May 18-June 6, 1988; Fukuoka Prefectural Museum of Art, Fukuoka, July 15-August 14, 1988; Tochigi Prefectural Museum of Fine Arts, Utsunomiya, August 28-October 2, 1988

Levin, G. (1988, November 5). The Role of the Visual Arts in the Films of John Huston. John Huston Symposium. Raleigh, NC: North Carolina Museum of Art.

Levin, G. (1987, October 9). Edward Hopper: The Man Behing the Mask. Edward Hopper Symposium. Iowa City, IA: University of Iowa.

Levin, G. (1987, October 30). Exhibition Catalogues: Content, Scholarship, and Life after the Exhibition. International Association of Art Critics Conference. New York, NY

Levin, G. (1987, June 10). Edward Hopper: A Psychohistorical Look at the Artists Biography. 10th Annual convention, International Psychohistorical Association. New York, NY

Levin, G. (1987, February 12). Appropriating Edward Hopper. Seventh Annual Symposium of Contemporary Art. New York, NY: Rutgers-Fashion Institute of Technology.

Levin, G. (1987, February 12). The Role of the Visual Arts in the Films of John Huston. College Art Association Annual Meeting. Houston, TX

Levin, G. (1986, December 31). Futurismo & Futurismi. Palazzo Grassi, Venice, Italy, May-August 1986

Levin, G. (1986, October 25). The Arrival of Modern Art in America. Symposium on American Art. Oklahoma City, OK: Oklahoma Art Center.

Levin, G. (1985, January 19). Tradition Versus Modernism. Early Modernists Symposium. Philadelphia, PA: Pennsylvania Academy of Fine Arts.

Levin, G. (1985, November 16). Hart Crane and Visual Arts. Conference on avant-garde Art and Literature: toward a Reappraisal of the Heritage of Modernism. Hempstead, NY: Hofstra University.

Levin, G. (1983, December 31). Edward Hopper: Development of an American Artist. Arizona, November 5, 1982-January 9, 1983. Aspen Center for Visual Arts, Colorado, January 21-March 6, 1983. Art Museum of South Texas, Corpus Christi, March 18-May 1, 1983: Phoenix Art Museum.

Levin, G. (1982, December 31). The World of Edward Hopper. Art Gallery of South Australia, Adelaide, March 5-April 4, 1982. National Gallery of Victoria, Melbourne, April 20-May 23, 1982. Queensland Art Gallery, Brisbane, June 11-July 11, 1982. Art Gallery of New South Wales, Sydney, July 30-August 29, 1982

Levin, G. (1982, May 9). Matta and Surrealism in New York. Panel at the Rose Art Museum. Waltham, MA: Brandeis University.

Levin, G. (1981, December 5). Lee Krasner: The Making of an Abstract Exprssionist. Symposium at Grey Art Gallery. New York, NY: New York University.

Levin, G. (1981, December 31). Edward Hopper: The Formative Years. San Jose Museum of Art, California, October 16-November 30, 1980; Newport Museum and Art Gallery, Wales, January 10-February 14, 1981; The Fruit Market Gallery, Edinburgh, February 28-April 5, 1981; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, West Germany, April 19-May 31, 1981; Mostyn Gallery, Llandudno, Wales, August 14-October 3, 1981; Padiglione D'Arte Contemporanea, Milan, October 18-November 19, 1982

Levin, G. (1981, December 31). Edward Hopper: The Art and the Artist (NEA SPONSORED). Whitney Museum of American Art, New York, September 9, 1980-January 23, 1981; Hayward Art Gallery, London, Arts Council of Great Britain, February 11-March 29, 1981; Stedelijk Museum, Amsterdam, April 22-June 17, 1981; Städtische Kunsthalle, Düsseldorf, July 10-September 6, 1981; The Art Institute of Chicago, October 3-November 29, 1981; San Francisco Museum of Modern Art, December 16, 1981-February 14, 1982

Levin, G. (1981, May 9). Edward Hopper's Railroad Imagery. Symposium at Wellesley College. Wellesley, MA

Levin, G. (1980, March 27). Morgan Russell and Synchronism. Tate Gallery Colloquium on the Origins of Abstraction. London, England

Levin, G. (1980, December 31). Edward Hopper: Prints and Illustrations (NEA SPONSORED). Whitney Museum of American Art, New York, September 17-December 9, 1979; Museum of Fine Arts, Boston, February 5-March 16, 1980; Georgia Museum of Art, Athens, March 30-May 11, 1980; Fort Worth Art Museum, Texas, June 10-July 20, 1980; Milwaukee Art Center, Wisconsin, August 7-September 21, 1980; San Jose Museum of Art, California, October 16-November 30, 1980

Levin, G. (1980, December 31). Abstraction:Towards a New Art. London, February 6-April 13, 1980 (organizer of the American art section): The Tate Gallery.

Levin, G. (1980, February 1). Edward Hopper: The Influence of Theater and Film. College Art Association Annual Meeting. New Orleans, LA

Levin, G. (1979, December 31). Synchromism and American Color Abstraction, 1910-1925 (NEA). Whitney Museum of American Art, January 24-March 26, 1978; Museum of Fine Arts, Houston, April 20-June 18, 1978; Des Moines Art Center, Iowa, July 6-September 3, 1978; San Francisco Museum of Modern Art, September 22-November 19, 1978; Everson Musuem of Art, Syracuse, December 15, 1978-January 28, 1979; Columbus Museum of Art, Ohio, February 15-March 24, 1979

Levin, G. (1979, October 13). Richard Pousette-Dart's Painting and Sculpture: Form, Poetry, and Significance. Abstract Expressionsim: Idea and Symbol, Symposium. Charlottesville, VA: University of Virginia.

Levin, G. (1978, December 31). Abstract Expressionism: The Formative Years (NEA SPONSORED). Herbert F. Johnson Museum of Art, Cornell University, March 30-May 14, 1978; Seibu Museum of Art, Tokyo, Japan, June 17-July 12, 1978; Whitney Museum of American Art, New York, October 3-December 3, 1978

Levin, G. (1977, February 4). The Tradition of the Heroic Figure in Synchronist Abstractions. College Art Association Annual Meeting. Los Angeles, CA

Levin, G. (1977, February 4). Marsden Hartley and the European Avant-Garde. Marsden Hartley Symposium. Brookville, NY: Long Island University.

Levin, G. (1976, December 31). Morgan Russell: Synchromist Studies, 1910-1922. New York, March 16-May 25, 1976: he Museum of Modern Art.

Levin, G. (1976, February 2). Marsden Hartley, Kandinski, an dDer Blaue Reiter. College Art Association Annual Meeting. Chicago, IL

Levin, G. (1975, December 31). Japanese Prints and Their Impact in the West. Connecticut College, New London, October 1-December 15, 1975: Cummings Art Center.

Other Scholarly Works

Reviews

Levin, G. (2019,March 16). “Art Review: College Art Association 2019 New York,” Art Times, March 16, 2019. Art Times.

Levin, G. (2018,May 11). Annual College Art Association Conference in Los Angeles, Art Times, May 11, 2018. Art Times.

Levin, G. (2017,April 6). Decades of Attending College Art Association's Annual Meeting. Art Times.

Levin, G. (2016,January 1). The International Film Festival of Kerala. ArtTimes and at http://arttimesjournal.com/film/spring16gaillevin/filmfestivalofkerala.html.

Levin, G. (2016,September 22). Pousette-Dart's Light. essay and exhibition review, in East Hampton Star, C1, http://easthmaptonstart.com/Arts/2016922/Pousette-Dart%E2%80%99s-Light-Recollections-100th-Anniversary-His-Birth.

Levin, G. (2016,August 18). Gadfly of the Art World. book review of Robert Hughes, The Skeptical of Skill, in East Hampton Star, http://easthamptonstar.com/Books/2016818/Gadfly-Art-World.

Levin, G. (2015,April 24). Fire Was Not Consumed: As a boy, Rothko learned that visual representation of God is not allowed. New York, NY,USA: Wall Street Journal review essay of Annie-Cohen Solal, Marck Rothko: Toward the Light in the Chapel, Wall Street journal. http://www.wsj.com/articles/book-review-mark-rothko-by-annie-cohen-solal-1429905100.

Levin, G. (2014,October 1). The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970-2007. By Jane F. Gerhard, The American Historical Review, Vol 119, No. 4 (OCTOBER 2014), pp. 1309-1310, Academic Journal Article.

Levin, G. (2011,March 10). Shepard Fairey Obey: Supply and Demand, The Art of Shepard Fairey. 1989-2009 Exh. cat. Berkeley and Los Angeles: Gingko Press in association with Obey Giant, 2009, 446 pp.; 780 color ills. Cloth $59.95 (9781584233497) CAA Reviews .

Levin, G. (2005,August 7). Marsden Hartley: Race, Region and Nation. New York, NY: The New York Times Book Review.

Levin, G. (2003,March 2). The Unknown Night: The Madness and Genius of R.A. Blacklock, and American Painter. New York, NY: The New York Times Book Review.

Levin, G. (2001,April 1). Paris No Paradise for Pissaro: New Epic Poem. Art Journal.

Levin, G. (1991,January 1). Joan Miro: Theatre of Dreams, Paul Cezanne: The Man and the Mountain, The Architechture of Frank Lloyd Wright, and Thomas Eakins: A Motion Portrait. New York, NY: Cineaste.

Levin, G. (1991,October 1). Arlene Slavin. Art Times.

Levin, G. (1989,March 1). Man Ray at the National Museum of American Art. Mt. Marion, NY: Art Times.

Levin, G. (1988,September 1). Edward Hopper. Boston, MA: The New England Quarterly.

Levin, G. (1985,May 1). Matisse. Washington, DC: Smithsonian Magazine.

Levin, G. (1984,October 1). Current Museum Exhibitions: Old Options and New Approaches; The Cubist Rivera, The Late Bonnard, The Folding Image, and the Orientalists. New York, NY: Arts Magazine.

Levin, G. (1980,September 1). Edward Hopper and the Whitney. New York, NY: Horizon.

Research Currently in Progess

Levin, G.(n.d.). Edward Hopper and Loneliness. In Progress.

Levin, G.(n.d.). Edward Hopper: The Complete Paintings. In Progress.

Levin, G.(n.d.). Marsden Hartley: A Catalogue Raisonne. In Progress.

Levin, G.(n.d.). Sonia Delaunay. In Progress.

Levin, G.(n.d.). Three Asian Artists: Profiles in Courage. In Progress.

Levin, G.(n.d.). Yasuo Kunoyoshi monograph. In Progress.

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