Karen Shelby

Assc Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: karen.shelby@baruch.cuny.edu

> View CV

Dr. Shelby's publications focus on the visual culture of the Great War with an emphasis on the memory of the conflict in Belgium, specifically Flemish nationalism, the cultural politics of exhibition narratives of the war in museums along the Western Front; memorials and cemetery design; and the role of pilgrimage in First World War mourning practice. Her publications include Flemish Nationalism and the Great War: The Politics of Memory, Visual Culture and Commemoration (Palgrave Macmillan, 2014) and Belgian Museums of the Great War: Politics, Memory, and Commerce (Routledge, 2016).

Her current research addresses the innovative exhibition practices of Flemish curator Jan Hoet. 

Dr. Shelby is co-founder of Art History Teaching Resources (AHTR), a peer-populated platform for art history teachers. AHTR is home to a collectively authored online repository of art history teaching content including, but not limited to, lesson plans, video introductions to museums, book reviews, image clusters, and classroom and museum activities. The site promotes discussion and reflection around new ways of teaching and learning in the art history classroom through a peer-populated blog, and fosters a collaborative virtual community for art history instructors at all career stages.

She is also co-founder of Art History Pedagogy and Practice (AHPP), a peer-reviewed open access e-journal devoted to scholarship of teaching and learning in art history.  

Education

Ph.D., Art History, CUNY Graduate Center

M.A., Art History, Ohio State University

B.A., Art History, The College of Wooster

SemesterCourse PrefixCourse NumberCourse Name
Fall 2023ART3282Museums and Gallery Studies
Fall 2023IDC1001HHonors-The Arts in New York
Fall 2023ART1011Art History Survey I
Spring 2023ART1012Art History Survey II
Spring 2023ART3260Asian Art
Spring 2023ART5000Independent Study Art I
Fall 2022ART1012Art History Survey II
Fall 2022ART3262History of Photography
Fall 2022IDC1001HHonors-The Arts in New York
Summer 2022FPA9198Selected Topics in Arts Admin
Spring 2022IDC4010HHon: Intdis Caps in Env Sust &
Spring 2022IDC4010Susan Locke Intd Caps ENV Sust
Spring 2022ART5000Independent Study Art I
Fall 2021ART1011Art History Survey I
Fall 2021IDC1001HHonors-The Arts in New York
Fall 2021ART3282Museums and Gallery Studies
Spring 2020ART5000Independent Study Art I
Spring 2020ART3260Asian Art
Spring 2020ART5000Independent Study Art I
Fall 2019ART1012Art History Survey II
Fall 2019ART3240Art Of The 19th Cent
Fall 2019FPA9180Prof Consultancy/Thesis in AA
Fall 2019IDC1001HHonors-The Arts in New York
Spring 2019FPA9180Prof Consultancy/Thesis in AA
Spring 2019FPA4900Capstone: Arts In NYC
Fall 2018FPA9101Independent Study in AA
Fall 2018FPA9101Independent Study in AA
Fall 2018ART3282Museums and Gallery Studies
Fall 2018ART5000Independent Study Art I
Fall 2018FPA9180Prof Consultancy/Thesis in AA
Fall 2018IDC1001HHonors-The Arts in New York
Fall 2018ART1012Art History Survey II
Summer 2018FPA9180Prof Consultancy/Thesis in AA
Spring 2018FPA9180Prof Consultancy/Thesis in AA
Spring 2018FPA9198Selected Topics in Arts Admin
Spring 2018FPA9198Selected Topics in Arts Admin
Spring 2018FPA9101Independent Study in AA
Spring 2018FPA9101Independent Study in AA
Spring 2018FPA5001Independent Study FPA II
Fall 2017ART5001Independent Study Art II
Fall 2017ART1012Art History Survey II
Fall 2017ART3240Art Of The 19th Cent
Fall 2017FPA9170Prof Internship in Arts Admin
Fall 2017FPA9170Prof Internship in Arts Admin
Fall 2017PSY9801Internship Project Experience
Fall 2017FPA9101Independent Study in AA
Fall 2017IDC1001HHonors-The Arts in New York
Fall 2017FPA9100Arts, Culture, & the Civic Env
Fall 2017FPA9180Prof Consultancy/Thesis in AA
Fall 2017FPA9101Independent Study in AA
Spring 2017ART1011Art History Survey I
Spring 2017ART5000Independent Study Art I
Spring 2017FPA9197Spec Topics in Mus & Glry Mgt
Spring 2017FPA9197Spec Topics in Mus & Glry Mgt
Spring 2017FPA9197Spec Topics in Mus & Glry Mgt
Fall 2016ART5000Independent Study Art I
Fall 2016ART1012Art History Survey II
Spring 2016ART3260Asian Art
Spring 2016ART3282Museums and Gallery Studies
Spring 2016ART1012Art History Survey II
Spring 2015ART1011Art History Survey I
Spring 2015ART3241Twentieth-Century Art
Spring 2015ART5000Independent Study Art I
Spring 2015ART5000Independent Study Art I
Spring 2015ART5000Independent Study Art I
Spring 2015FPA5070Arts Administration Internship
Fall 2014FPA5071Arts Administration Internship
Fall 2014FPA5070Arts Administration Internship
Fall 2014ART3240Art Of The 19th Cent
Fall 2014ART1012Art History Survey II
Spring 2014ART3040Spec Tops In Art His
Fall 2013ART3262History of Photography
Fall 2013ART1012Art History Survey II
Spring 2013ART3260Asian Art
Fall 2012IDC4050HHon Feit Hum Sem I
Fall 2012ART1011Art History Survey I
Summer 2011FPA5070Arts Administration Internship
Summer 2011FPA5071Arts Administration Internship
Summer 2011ART5000Independent Study Art I
Summer 2011ART5000Independent Study Art I
Spring 2011FPA5070Arts Administration Internship
Spring 2011ART3282Museums and Gallery Studies
Spring 2011ART5000Independent Study Art I
Spring 2011ART1012Art History Survey II
Fall 2010ART1011Art History Survey I
Fall 2010ART3280The Art Market
Fall 2010ART3240Art Of The 19th Cent
Fall 2010FPA5070Arts Administration Internship
Spring 2010ART3040Spec Tops In Art His
Spring 2010ART5000Independent Study Art I
Spring 2010FPA5070Arts Administration Internship
Fall 2009FPA5070Arts Administration Internship
Fall 2009ART6002HHonors Art II
Fall 2009ART3262History of Photography
Fall 2009ART3262History of Photography
Fall 2009ART1011Art History Survey I
Spring 2009FPA5071Arts Administration Internship
Spring 2009FPA5070Arts Administration Internship
Spring 2009ART1012HHonors Art History Survey II
Spring 2009ART6002Honors
Spring 2009ART6001Honors
Spring 2009ART5000Independent Study Art I
Spring 2009ART3282Museums and Gallery Studies
Spring 2009ART3241Twentieth-Century Art
Fall 2008ART5000Independent Study Art I
Fall 2008ART6001Honors
Fall 2008FPA5070Arts Administration Internship
Fall 2008FPA5000Independent Study FPA I
Fall 2008ART1012Art History Survey II
Fall 2008ART3280The Art Market
Fall 2008ART3240Art Of The 19th Cent
Spring 2008ART1011Art History Survey I
Spring 2008ART1012Art History Survey II
Spring 2008ART1012Art History Survey II
Fall 2007ART3040Spec Tops In Art His
Fall 2007ART1012Art History Survey II
Fall 2007ART1011Art History Survey I
Summer 2007ART5000Independent Study Art I
Spring 2007ART3260Asian Art
Spring 2007ART3241Twentieth-Century Art
Spring 2007ART1012Art History Survey II
Spring 2007ART1011Art History Survey I
Spring 2007FPA5000Independent Study FPA I
Fall 2006ART1011Art History Survey I
Fall 2006ART1012Art History Survey II
Fall 2006ART1012Art History Survey II
Fall 2006ART1012Art History Survey II
Fall 2006ART3240Art Of The 19th Cent
Fall 2006ART3280The Art Market
Summer 2006ART1012Art History Survey II
Spring 2006ART1012Art History Survey II
Spring 2006ART1011Art History Survey I
Fall 2005ART1012Art History Survey II
Fall 2005ART1012Art History Survey II
Spring 2005ART1011Art History Survey I
Spring 2005ART1011Art History Survey I
Fall 2004ART1011Art History Survey I
Fall 2004ART1011Art History Survey I

Books

Shelby, K., & Stokes-Rees, E. (2022). History Dis-placed: Transitioning Historic Houses to a Virtual Experience. Routledge. In Progress.

Shelby, K. (2017). Belgian Museums of the Great War: Politics, Memory, and Commerce. London, UK, Routledge.

Shelby, K. (2014). Flemish Nationalism and the Great War: The Politics of Memory, Visual Culture and Commemoration. London, UK, Palgrave Macmillan.

Journal Articles

Shelby, K. (2022). Absence and Presence: Nona Faustine and the Back Body in the National History of the United States. Studies on National Movements (SNM), Vol. 9. 42-74. In Progress.

Shelby, K. (2021). Identities Lost and Found: the Commemorative Landscapes of the Great War. Journal of Belgian History, LI(1-2). 100-118.

Shelby, K. (2021). The Pedagogy of Monuments and Twenty-First Century Iconoclasm. Sculpture, 31(1). 105-112.

Shelby, K. (2021). Altar. In Progress.

Shelby, K. (2021). Authenticity and the Boundaries of Representation: On-line Engagement for the War Museum. Giornale di stori,

Shelby, K. (2021). The Living History of War. First World War Studies, 12(2). 131-152.

Shelby, K. (2016). National Identity in First World War Belgian Military Cemeteries. First World War Studies , 6(3). 257-276.

Shelby, K. (2016). A Lion for Flanders: Literature, Propaganda and Flemish Nationalism. Journal of War and Culture, 9(1). 42-59.

Book Chapters

Shelby, K. (2018). Westfront Nieuwpoort: The (Collected) Memory of the Belgian Front. The Great War in Belgium and the Netherlands: Beyond Flanders Fields (pp. 199-220). London, England. Palgrave Macmillan.

Shelby, K. (2016). Here is our Blood. When are our Rights?: Graffiti as Relic of the Great War. Languages and the First World War: Representation and Memory (pp. 181-198). Londong, England. Palgrave Macmillan.

Shelby, K. (2014). "Little Flemish Heroes Tombstones: The Great War and 21st Century Belgian Politics". Remembering the First World War (pp. 186-206). London,UK. Routledge.

Shelby, K. (2013). “Emil Krieger, “Trauernde Soldaten” and Käthe Kollwitz, “Die Eltern”: Personal Mourning and National Grief”. In Stauder, T., & Seybert, G. (Eds.), Heroisches Elend. Der Erste Weltkrieg im intellektuellen, literarischen und bildlichen Bewusstsein der europäischen Kulturen (pp. 1451-1478). Berlin,Germany. Peter Lang.

Shelby, K. (2013). "History, Memory or Propaganda: The Great War, the Martyred Soldier and 21st Century Flemish Politics". In Niznik, J. (Ed.), Twentieth Century Wars in European Memory (pp. 179-201). Berlin,Germany. Peter Lang.

Shelby, K. (2010). "The Nationalization of Flanders: The IJzertoren Memorial Museum". In Knell, S., Amundsen, A. B., & Aronsson, P. (Eds.), National Museums (NaMu) (pp. 429-443). London,Great Britain. Routledge.

Presentations

Shelby, K. (2024, May 30).  Domestic Interiors and Exhibition Installation: Jan Hoet's 'Chambre d'amis'. The Exhibition as Interior. Kingston University, London: Modern Interiors Research Centre.

Shelby, K. (2021, March 11). “A Knee on the Neck: Problematic Commemorative Practices in the United States”. National Forgetting and Memory: The Destruction of "National" Monuments from a Comparative Perspective. Diksmuide, Belgium (virtual): NISE vzw - National Movements and Intermediary Structures in Europe and CegeSoma vzw - The Study and Documentation Centre of War and Contemporary Society.

Shelby, K., Kletenik, D., & Sturm, D. (2020, February 28). An Interdisciplinary Collaboration to Inspire Publicly Oriented Technology. PIT OER (Public Interest Technology Open Educational Resources). : CUNY.

Shelby, K. (2019, October 30). Museums as OER - Digital Reflections. CUNY DHI: Building a Digital Humanities Community at the City University of New York. Graduate Center, CUNY: CUNY Digital Humanities Initiative.

Shelby, K. (2019, September 18). Public Space, Art, and Identity. Macaulay Honors College Faculty Workshop. Brooklyn Museum

Lehr Samuels, A., Thielman, P., Sindhi, H., Albracht, L., Alkon, G., Jojima, T., Shelby, K., Tsan, K., & Zhu, J. (2019, March 22). When you don't use a Textbook: Teaching Approaches to OER/ZTC. CUNY&SUNY OER Showcase. Baruch College, CUNY, New York, NY: CUNY and SUNY.

Shelby, K. (2019, March 22). Museum as OER. CUNY/SUNY Open Educational Resource Showcase. Baruch College

Lehr Samuels, A., Thielman, P., Sindhi, H., Albracht, L., Alkon, G., Jojima, , Shelby, K., Tsan, K., & Zhu, J. (2019, March 22). When you don't use a Textbook: Teaching Approaches to OER/ZTC. CUNY&SUNY OER Showcase. Baruch College, CUNY, New York, NY: CUNY and SUNY.

Shelby, K. (2018, November 13). Art History Teaching Resources. CUNY DHI: Building a Digital Humanities Community at the City University of New York. The Graduate Center: CUNY DHI and GC Digital Initiatives.

Shelby, K. (2018, May 7). Shaping Opinion: Media Innovations of the First World War. Public Lecture Series. Greenwich, CT: The Bruce Museum.

Shelby, K. (2018, October 20). Altar. Southeastern College Art Association (SECAC). Birmingham, AL: SECAC.

Shelby, K., & Giuntini, P. (2018, November 30). History, Memory, and Monuments: Teaching the South, In and Out of the South. Southeastern College Art Association (SECAC). Birmingham, AL: SECAC.

Shelby, K. (2017, March 31). Visibility and Viability in Museums of the Great War. Ghent, Belgium: Research Group ‘Experiences and Memories of the Great War in Belgium (Memex WWI), Belspo (Federal Public Planning Service Science Policy Office).

Shelby, K., & Spivey, V. (2017, February 28). Art History Pedagogy and Practice. College Art Association (CAA). New York: College Art Association (CAA).

Shelby, K., Spivey, V., & McGarry, R. (2017, February 28). Collaboration in Action: The Founding of Art History Pedagogy and Practice. College Art Association (CAA). New York: College Art Association (CAA).

Shelby, K. (2017, December 31). Belgian Art and the Great War. Public Lecture Series. Metropolitan Museum of Art: Metropolitan Museum of Art.

Shelby, K. (2017, October 31). Pedagogically Sound Approaches for Hybrid and Online Learning. Southeastern College Art Association (SECAC). Columbus, OH: SECAC.

Lehr-Samuels, A., Smith, C., Shelby, K., Thielman, P., Hurson, L., McKinney, A., & N/A, H. S. (2017, November 30). Pedagogy and OER Development: A Faculty Driven Approach. CUNY 16th IT Conference. John Jay College, CUNY, New York, NY: CUNY.

Shelby, K., & Fisher, M. M. (2017, April 24). Art History Teaching Resources (AHTR). CUNY OER's. Hunter College, CUNY: Hunter College, Center of Teaching and Learning (ACERT).

Lehr-Samuels, A., Smith, C., Shelby, K., Thielman, P., Hurson, L., McKinney, A., & N/A, H. S. (2017, November 30). Pedagogy and OER Development: A Faculty Driven Approach. CUNY 16th IT Conference. John Jay College, CUNY, New York, NY: CUNY.

Shelby, K., & Giuntini, P. (2016, August 31). AHTR: An OER Community for Pedagogical Practice in Art History. Arts in Society. Los Angeles, CA

Shelby, K. (2016, June 30). The Guard on the IJzer: Museum Memory of the Belgian Front. Beyond Flanders Fields. London, England: Queen Mary, University of London and University College London.

Shelby, K. (2016, May 31). Refining Pedagogies of Engagement in Experiential Education. Breaking Boundaries: Experiential Learning Opportunities Symposium. New York, NY: Guttman Community College, CUNY.

Shelby, K. (2016, April 30). Fulbright Alumni Event: The Belgian World War I Experience.. West Flanders, Belgium: Fulbright.

Shelby, K. (2016, February 28). Closing the Loop with AHTR,” Forum Discussion: New Online Pedagogies for Art History. College Art Association (CAA). Washington, D.C.: College Art Association (CAA).

Shelby, K. (2016, February 28). Crowdsourcing the Art History Survey: How Communities and Conversations Might Help Shape the Global Survey 3.0,” Re-examining the Art History Survey: What Do We Retain? What Do We Transform?. College Art Association (CAA). Washington, D.C.: College Art Association (CAA).

Shelby, K., Wentrack, K., & Fisher, M. M. (2016, November 30). Art History Teaching Resources. CUNY DHI: Building a Digital Humanities Community at CUNY. : CUNY.

Shelby, K. (2016, October 31). Sint-Jan: Saint, Artist, Curator. Southeastern College Art Association (SECAC). Roanoke, VA

Shelby, K. (2015, April 30). The Geography of Place: Exhibition Practice at the Centennial of The Great War. Geography and War. Graduate and University Center: CUNY.

Shelby, K. (2015, September 30). Social Media and Academia: Balancing Multiple Platforms. Pratt Institute

Shelby, K. (2015, October 31). Augmenting Janson: Ditching the Required Text and Embracing a Free Multimedia Textbook for the Art History Survey. Southeastern College Association (SECAC). Pittsburgh, PA: Southeastern College Association (SECAC).

Shelby, K. (2015, October 31). Cultural Heritage: Destruction and Appropriation. Columbia High School; Maplewood, NJ

Shelby, K. (2015, November 30). The Great War and Flemish Museums: Programming for Politics and the Public. Brussels, Belgium: Research Group ‘Experiences and Memories of the Great War in Belgium (Memex WWI), Belspo (Federal Public Planning Service Science Policy Office).

Shelby, K. (2015, November 30). Interview on the Museum aan de IJzer. Ghent, Belgium: The Flemish Peace Institute (on behalf of the Flemish Parliament).

Shelby, K. (2015, December 31). From Blog Posts to a Peer-Reviewed Journal: Art History Pedagogy and Practice. 13th Annual CUNY IT Conference, John Jay College. New York, NY: 13th Annual CUNY IT Conference.

Shelby, K., & Fisher, M. M. (2015, February 28). Building Community/Valuing Academic Labor: Art History Teaching Resources (AHTR). College Art Association (CAA). New York, NY

Shelby, K., & Fisher, M. M. (2014, March 31). Art History Teaching Resources. Information Interventions @ CUNY: Open Books, Not Open Wallets: How Open Educational Resources Help Students Spend Less and Learn More. Graduate Center: Open Access @ CUNY.

Shelby, K. (2014, November 30). The Legacy of the Signs and Symbols of Flemish Nationalism. Legacy of the World War I. Philadelphia, PA: The History and Political Science Department, Chestnut Hill College.

Shelby, K. (2014, June 30). Graffiti and the Visual Culture of a Flemish War Experience: The Stone of Merkem. Languages and the First World War. Antwerp, Belgium: University of Antwerp.

Shelby, K. (2014, February 28). Belgian or Flemish: National Identity in the World War I Belgian Military Cemeteries. War Graves, War Cemeteries, and Memorial Shrines as a Building Task (1914 to 1989). Berlin, Germany: Institut fur Kunst- und Bildgeschichte, Humboldt-Universitaet Berlin.

Shelby, K., & Fisher, M. M. (2013, February 28). Art History Teaching Resources. College Art Association (CAA). New York, NY

Shelby, K. (2013, April 30). Survey Art History & the NYC Museum. Teaching and Technology Conference. : Baruch College.

Shelby, K. (2013, May 31). The Body in War and The Manipulated Dead. Cultural Studies Association (CSA). Chicago, ILL: Cultural Studies Association (CSA).

Shelby, K. (2013, April 30). The Reluctant Learner: The Survey and the Museum. Museums and Higher Education in the 21st Century. Baruch College: Rubin Museum of Art and Baruch College.

Shelby, K., & Fisher, M. M. (2013, December 31). Open Educational Resources @ CUNY. 12th Annual CUNY IT Conference. John Jay College: CUNY.

Shelby, K. (2012, February 28). In Flanders Fields: Collection Cemeteries for the German Dead. College Art Association (CAA). Los Angeles, CA

Shelby, K. (2012, March 31). A Virtual Presence and a Haunting Absence: The Place of the Body in War, Legacies, Memory and Identity of the Great War, and Propaganda, Trauma, and Identity: Artists Respond to War. Cultural Studies Association (CSA). San Diego, CA: Cultural Studies Association (CSA).

Shelby, K. (2012, September 30). History, Memory or Propaganda: The Great War, the Martyred Soldier and 21st Century Flemish Politics. War and Memory: Artistic and Cultural Representations of Individual, Collective and National Memories in Twentieth-Century Europe at War. Warsaw: Polish Academy of Sciences.

Shelby, K. (2012, October 31). Making the Museum Relevant: Strategies for the Semester. Southeastern College Art Conference (SECAC). Durham, NC

Shelby, K., & Fisher, M. M. (2012, October 31). The Museum and the Art History Survey Requirement. Southeastern College Art Conference (SECAC. Durham, NC: Southeastern College Art Conference (SECAC).

Shelby, K. (2012, March 31). Survey Art History & the NYC Museum. Teaching and Technology Conference. : Baruch College.

Shelby, K. (2011, June 30). The Soldier-Martyr: Catholicism and Politics Along the Belgian Front. Warrior Faith: Soldiers, Religion and Modern War. Hampshire, United Kingdom: Armed Forces Chaplaincy Centre.

Shelby, K. (2011, April 30). Memory and the Great War: The 21st C. Politics of Flemish Nationalism. Memory and Memorialization. New York City: New York University.

Shelby, K. (2011, March 31). Manufactured Memory: Postwar Politics and the War Memorial and Clandestine Consumption and the War Machine. Cultural Studies Association (CSA). Chicago, IL: Cultural Studies Association (CSA).

Shelby, K. (2011, March 31). The IJzertoren: A Memorial to Flemish Emancipation. Manufactured Memory: Postwar Politics and the War Memorial. Chicago, IL: Cultural Studies Association (CSA).

Shelby, K. (2011, November 30). ACT Out: Performance, Politics, and Public Art. Southeastern College Art Conference (SECAC). Savannah, GA: Southeastern College Art Conference (SECAC).

Shelby, K. (2011, November 30). From the Ephemeral to the Concrete: Moving in from the Margins. Southeastern College Art Conference (SECAC). Savannah, GA: Southeastern College Art Conference (SECAC).

Shelby, K. (2010, March 31). Too Many Cooks in the Kitchen: Stirring the Controversy of Flemish Nationalism. Cultural Studies Association (CSA). Berkeley, CA

Shelby, K. (2010, June 30). The Revolutionary Tactics of Feminist Artists. The Mid-Atlantic Region Women’s Studies Association. Silverspring, MD

Shelby, K. (2009, October 31). The Secular and the Spiritual: The Stained Glass of Flemish Nationalism. Southeastern College Art Conference (SECAC). Mobile, AL

Shelby, K. (2009, June 30). From Nieuwpoort to Ieper: The Quiet Front that Made Enough Noise to Shake the Foundations of Federalist Belgium. Sound and Silence in the Space Between (1914-1945). South Bend, IN: The Space Between Society.

Shelby, K. (2009, March 31). Museum Narratives: Citizenship in Twenty-First Century Belgium. Presenting Citizenship. Detroit, MI: The Center for the Study of Citizenship at Wayne State University.

Shelby, K. (2008, November 30). Is a Flemish National Museum Possible?. Making National Museums. Oslo, Norway: NaMu.

Shelby, K. (2008, June 30). Site-Specificity and the National WWI Museum. Making National Museums. Leicester, UK: NaMu.

Shelby, K. (2007, July 31). The IJzertoren: Nationalism or Fascism?. 5th International Conference on New Directions in the Humanities. Paris, France: New Directions in the Humanities.

Shelby, K. (2007, April 30). The IJzertoren: Appropriation, Destruction and Redemption. Memorials No More: Desecration, Destruction, Iconoclasm, Neglect. Pittsburgh, PA: Society of Architectural Historians.

Shelby, K. (2007, June 30). Flemish Nationalism or Commemoration: The Problem of the WWI Memorial. The Space Between Society, "The Experience of War". Annapolis, MD: The Space Between.

Shelby, K. (2007, June 30). The IJzertoren: A National Museum?. Making National Museums. Leicester, UK: NaMu.

Shelby, K. (2005, March 31). The Memorial to Peter: German Memory and The Great War. Florida State University, Department of Art and Art History. Tallahassee, FL: Florida State University.

Shelby, K. (2005, February 28). Shimon Attie and the Ghosts of Scheuenenviertel. The Photograph as Mnemonic Device. Durham, NC: Duke University.

Shelby, K. (2003, October 31). German Memory in Belgium: The Vladso Military Cemetery. History and Memory. Boulder, CO: University of Colorado.

Other Scholarly Works

Shelby, K., & Cesteleyn, A. (2022). Flemish Art: Past and Present. Arts.

Shelby, K., Fisher, M. M., Spivey, V. B., & McGarry, R. (2016). Art History Pedagogy and Practice (AHPP).

Shelby, K., & Spivey, V. (2015). White Paper on the Need for a Journal of Scholarship of Teaching and Learning. Art History Teaching Resources (AHTR).

Shelby, K. (2014). “Bringing the Museum into the Art History Classroom",. Art History Teaching Resources (AHTR).

Shelby, K., Harris, B., & Zucker, S. (2013). "Buddhist Monasteries". Smarthistory.

Shelby, K., Harris, B., & Zucker, S. (2013). "Lion Capital of Sarnath",. Smarthistory.

Shelby, K., Harris, B., & Zucker, S. (2013). "The Pillars of Ashoka". Smarthistory.

Shelby, K., Harris, B., & Zucker, S. (2013). "The Stupa". Smarthistory.

Shelby, K. (2013). "Collaborations: Museums and Higher Education". Art History Teaching Resources (AHTR).

Shelby, K. (2013). "Why Share?". Art History Teaching Resources (AHTR).

Shelby, K., & Fisher, M. M. (2013). "Museums in the Classroom". Art History Teaching Resources (AHTR).

Shelby, K., & Fisher, M. M. (2013). Art History Teaching Resources (AHTR).

Shelby, K. (2013). Beta Testing the Art History Resources Site.

Shelby, K. (2011). Stained Glass of Flemish Nationalism.

Reviews

Shelby, K. (2012,December 1). Masterworks: Jewels of the Collection. Southeast College Conference Review. Southeast College Conference Review.

Research Currently in Progess

Shelby, K.(n.d.). Sint Jan/Jan Hoet. In Progress.

Preparations for a book addressing the innovative curator Jan Hoet. One chapter drafted (very rough draft).

Shelby, K.(n.d.). “Kris Martin – Flemish Catholicism and Twenty-First Century Conceptual Art” . In Progress.

Journal article addressing Martin's mining of medieval art and architecture in his contemporary practice. 

Shelby, K.(n.d.). Domestic Interiors and Exhibition Installation: Jan Hoet’s Chambres d’amis. In Progress.

Throughout his career, Flemish curator Jan Hoet’s goal was to open up new ways of engaging with both objects and space. This paper examines Hoet’s iconic “Chambres d’amis,” which blurred the boundary between interior and exterior/home and street, indoors and outdoors/interior rooms and patios, private and public/home and public life. For “Chambres d’amis,” over fifty artists were asked to re-create and adapt pieces in their signature style for the site-specificity of fifty private houses in Ghent. As a result, the artworks were removed from any sense of a framing device that defines objects as “art” and, perhaps, created a shift in the very definition and function of art. In this paper, I explore the ways the removal of any sense of a traditional frame served to de-fetishize the artwork while, simultaneously and perhaps unconsciously, creating an installation and creating the impression of a museum period-room. Rather than function as an object of contemplation, the art becomes wholly integrated into the private life of a family.

Shelby, K., Sing, D., & Archino, S.(n.d.). Art: A Global History. In Progress.

Shelby, K., Gaspar-Hulvat, M., & McCutcheon, E.(n.d.). Guerilla Girls in the Midst: 1984-87. In Progress.

Guerilla Girls in Our Midst: 1984–87 is a successfully tested Reacting to the Past (RTTP) game developed in close conversation with the RTTP Consortium out of Barnard College. RTTP is an active, learner-centered pedagogy series of historical role-playing games designed for use in higher education and published by UNC Press. Thesegames place students inside moments of historical controversy in ways that engage them with big ideas and further develop their intellectual and creative skills. Students embody roles of particular persons from the period under study, conduct research, write papers, participate in debates, and work together in the classroom to “win” the game.[1]

Guerilla Girls in Our Midst: 1984–87 centers on the artworld in the 1980s, during which a group of young women artists created an activist collective, known as the Guerrilla Girls, that exposed sexism and racism in the contemporary artworld. Major questions engaged by the game are: in what ways is the art world sexist and racist historically and in our world today? Should the artworld embrace calls for affirmative action? What is artistic quality in the contemporary world and who is able to identify it? Who has the power in the artworld and how might it be disrupted?

[1] Barnard College, Reacting to the Past. https://reacting.barnard.edu/

TitleFunding Agency SponsorStart DateEnd DateAwarded DateTotal FundingStatus
Belgian Museums of the Great War: Politics, Memory, and CommercePSC-CUNY 4707/01/201606/30/201704/15/20164470Completed
History, Memory, or Commerce? Museums of the Great WarPSC-CUNY 4607/01/201506/30/201604/17/20153500Completed
Flemish Nationalism and the Great War: The Politics of Memory, Visual Culture and CommemorationPSC-CUNY 4507/01/201406/30/201504/15/20145975Completed
Flemish Nationalism and the Great War: The Politics of Memory and CommemorationPSC-CUNY 4407/01/201306/30/201404/15/20133500Completed
Flemish Nationalism and the Memory of the Great WarPSC-CUNY 4207/01/201106/30/201204/15/20113990Completed
FLEMISH NATIONALISM AND THE GREAT WARPSC-CUNY 4007/01/200906/30/20104835Completed
Where is the Memorial? The City of Ypres as Memorial SitePSC-CUNY 3807/01/200706/30/20083346Completed
“One Painting, Five Museums”PSC CUNY 5307/01/202212/31/202304/15/20222700Funded - In Progress
Honor / AwardOrganization SponsorDate ReceivedDescription
Hybrid Best Practices Baruch Center for Teaching and Learning2019Creation of a teaching artifact that resulted from participation in the Baruch Center for Teaching and Learning Hybrid Seminar.
Baruch OER Course Development AwardCUNY through the Baruch Center for Teaching and Learning2018A participating member in the Interdisciplinary Cohort funded by the CUNY initiative in the creation and sponsorship of existing Open Access Resources (OERs). Project Title: "Creating the Artifact: Successful Models for Using Open Educational Resources in the Classroom" ($5000)
Baruch OER Course Development AwardCUNY through the Baruch Center for Teaching and Learning2017A participating member in the Interdisciplinary Cohort funded by the CUNY initiative in the creation and sponsorship of existing Open Access Resources (OERs) for the development of a zero-textbook art history survey course. ($2000)
Fulbright Specialist RosterFulbright2016-04-07Houdt u fier, houdt u rein!: Art in Service for the Great War; a course in the M.A. Program for KASK ((The Royal Academy of Fine Arts), Ghent, Belgium. Fulbright Specialist Scholars engage in short-term collaborative projects with universities.
Center for Teaching and Learning Faculty FellowBaruch Center for Teaching and Learning2016Participation in the Hybridization Seminar for the preparation in offering a hybrid course (Survey 1012, which was offered Fall 2017). (course release)
Fulbright-Terra Foundation for American ArtFulbright and the Terra Foundation for American Art2015Fall 2015 Visiting Professor at University of Ghent. Conducted research on the collecting practices of American Art in Belgian museums and research for an article on Kris Martin: Ghent Altarpiece and Gansevoort
Whiting Teaching Award2011Fellowship from the Mrs. Giles Whiting Foundation. Full-year release from teaching to complete a draft of her manuscript Flemish Emancipation and the Memory of the Great War.
Baruch - Rubin Museum Project Faculty FellowRubin Foundation2011Collaboration between Baruch College and the Rubin Museum of Art with a $1 million grant. The grant financed the development of art-enriched programming at Baruch College. Through this partnership, the College and the Rubin Museum of Art (co-founded by Shelly and Donald Rubin), educated Baruch students on the important role art plays in the development of civil societies and their cultural and spiritual values.
Faculty Fellowship Publication ProgramCUNY2011

College

Committee NamePosition RoleStart DateEnd Date
Guest LecturerGuest lecture for CIS 4170- Data VisualizationPresent
Baruch US Student Fulbright Candidate Review CommitteeCommittee MemberPresent
Honor's Admission CommitteeCommittee MemberPresent
Nagelberg Fellowship CommitteeCommittee MemberPresent
Baruch Art ClubFaculty AdvisorPresent
WSAS-GAAN (Graduate Arts Admin Network) Student Club for the Graduate Program in Arts AdministrationFaculty AdvisorPresent
Marlow PrizeCommittee MemberPresent
Mishkin Gallery Exhibition CommitteeCommittee MemberPresent
Susan Locke PrizeCommittee MemberPresent
Walking Tour of West Village for LGBTQ Heritage MonthlecturerPresent
n/aguest lecture3/6/2024
VR Environmentalism and ArtCommittee Member12/31/2020
Globus Talk: Barbara Hammond; playwright, Terra Firma11/30/2019
Baruch Art-A-Thonpresenter "Art and Social Engagement"4/30/2019
Lecture for Honor's Program: Andy Warhol at the Whitney Museum3/31/2019
Globus Talk: Rafe Shaffer, Director Lefferts House10/31/2018
General Faculty Committee on Educational Technology Committee Chair6/30/2018
WSAS Assessment Committee Committee Member5/31/2018
Baruch Art-A-Thonpresenter "Art and Social Engagement"4/30/2018
LGBTQ History Month CommitteeCommittee Member10/31/2017
Faculty-Student Disciplinary Committee Committee Member6/30/2017
Walking Tour of Chelsea and the Highline for Honor's Programlecturer9/16/2016
Guest Lecture. Chi Nguyen, Baruch alum. "Art Making and Life Post-Baruch"5/31/2016
Globus Talk: Buscada Art Collective, "The Popup Exhibition" 3/31/2016
Globus Talk: Allison Moore, “A Brief History of Photographies in Africa” 3/31/2014
Baruch - Rubin Museum Project Faculty Liaison12/31/2013
M.A. in Arts AdministrationFaculty Liaison12/31/2012
College for a Daylecturer10/31/2012
WSAS Undergraduate Curriculum CommitteeCommittee Member12/31/2011
Freshman Text Selection CommitteeCommittee Member5/31/2011
Globus Talk: Marcos Stafne, Director of Education, The Rubin Museum of Art. “Education, Communication and Interpretation: Towards a Critical Pedagogy in Museums” 4/30/2011
Secured an alliance with MoMA for no-fee gallery visits and lectures12/31/2010
Search Committee, Lecturer, Arts Administration M.A. ProgramCommittee Chair12/31/2010
High School Camplecturer7/31/2010
Globus Talk: Michelle Millar Fisher, “Participation in Contemporary Art: The Role of the Viewer” 4/30/2010
Globus Talk: Alan Moore, “Art Gangs: Groups and Collectives in Post-modern New York”4/30/2010
Wrote the Learning Objectives for the ad-hoc VAA major and minor12/31/2009
Wrote guidelines for new Art History Faculty, GTFs and adjuncts12/31/2009
Guest Lecturers: Nat Trotman, Curator Guggenheim Museum; Dr. Hyewon Yi, Director, Amelia A Wallace Gallery, SUNY College at Old Westbury; Dr. Stephanie Jeanjean, Independent Curator; Dr. Anna Mecugni, Exhibition Assistant, Philadelphia Museum of Art. "Curatorial Practice" 10/31/2009
Globus Talk: Vik Muniz, "Marketing a Global Art in the 21st Century"10/31/2008
Women's History Month, "The Dinner Party" The Brooklyn MuseumLecturer3/31/2008
Educational Technology Committee12/31/2007
Philosophy Club, "The Ethics of the Body in Art"Facilitator11/30/2006

University

Committee NamePosition RoleStart DateEnd Date
CUNY Arts Cultural CorpCommittee Member1/1/2021Present
CUNY Cultural Corps Advisory BoardCommittee Member3/1/2020Present
Baruch/Leslie Lohman Museum CollaborationProgram Coordinator2/1/2019Present
Baruch/MoMA CollaborationProgram Coordinator7/1/2018Present
Curriculum Committee, Macaulay Honor's CollegeCommittee Member9/30/2022Present
Macaulay College Council Committee Member1/1/2019Present
Macaulay Honor's College Honorary Degree nominations Committee Member2/20/20243/1/2024
CUNY ArtsProgram Coordinator5/1/201712/31/2021
CUNY Arts Faculty Advisory BoardCommittee Member1/1/201512/31/2017
Faculty Mentor1/1/201312/31/2017
Mentor for Graduate Teaching FellowsFaculty Mentor2/1/20175/31/2017
PSC CUNY Research Foundation Award Grant Proposal Reviewer, Internal1/1/201112/31/2016
Mentor for Graduate Teaching Fellows Faculty Mentor2/1/20165/31/2016
Mentor for Graduate Teaching Fellows Faculty Mentor2/1/20155/31/2015
PSC CUNY Research Foundation Award Grant Proposal Reviewer, Internal1/1/200812/31/2009

Professional

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
Public Art DialogueChairpersonNew York10/1/2023PresentInternational
Pennsylvania University PressReviewer, Book6/14/2023PresentInternational
Council of Readers for the College Art Association (CAA)Reviewer, Ad Hoc ReviewerNew York5/1/20195/31/2022International
“For Ever England”: Great Britain’s Figurative Colonization of Flanders" for Media, War and ConflictReviewer, Journal Article9/30/2019
Arts Students League of New YorkJudge for the grant competitions at The Art Students League of New York5/22/2019
Museums, Collecting and War, 1800-2018Reviewer, Book11/30/2018
SUNY-mandated External Program Review and Site Visit of the Art Studies Associate Degree Program, Nassau Community CollegeReviewer, Ad Hoc ReviewerNew YorkUnited States5/2/20185/21/2018
Reviewer for Tenure and PromotionReviewer, Ad Hoc Reviewer8/31/2017
A Global Art History Reviewer, Book8/31/2017
Raoul De Keyser: Paintings, Photographs, Exhibition PracticesReviewer, Grant Proposal6/30/2016
Beyond Flanders FieldsReviewer, Book4/30/2016
Museum aan de IJzerPanel ParticipantBelgium2/28/2014
Sint-MartinusinstituutInvited Talk: “Duitse kunstenaars en de Grote Oorlog” (“German Artists and the Great War”)Belgium11/30/2013
Museums and Higher Education in the 21st Century, Rubin Museum of Art and Baruch CollegeProgram CoordinatorNew York4/30/2013
Rubin Museum of ArtInvited Talk: "Object-based Learning"New York3/31/2012
Christie's Auction HouseInvited Lecture: “Post-War American Art”New York12/31/2010
Hartwick CollegeInvited Talk: “A Memorial to Peter: German Memory and the Great War”New York10/31/2009
Pearson PublishingReviewer, Textbook8/28/200910/15/2009Local

Public

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
Grand Rapids Community CollegeGuest Speaker5/1/20165/31/2016