Katherine Behar

Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: katherine.behar@baruch.cuny.edu

> View CV

Biography
Teaching
Research and Creative Activity
Grants
Honors and Awards
Service

Education

M.F.A., Combined Media, Hunter College, CUNY New York City USA

M.A., Media Ecology, Steinhardt School of Education, NY Univ. New York City USA

BFA, Fine Art, School of the Art Institute of Chicago Chicago USA

Semester	Course Prefix	Course Number	Course Name
Spring 2019	ART	5000	Independent Study Art I
Spring 2019	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5010	Graphic Communic Int
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5010	Graphic Communic Int
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Fall 2016	ART	5010	Graphic Communic Int
Fall 2014	ART	5001	Independent Study Art II
Fall 2014	ART	5000	Independent Study Art I
Fall 2014	ART	5010	Graphic Communic Int
Spring 2014	ART	5011	Graphic Comm Int II
Spring 2014	ART	5000	Independent Study Art I
Spring 2014	ART	5000	Independent Study Art I
Spring 2014	ART	5010	Graphic Communic Int
Fall 2013	ART	5010	Graphic Communic Int
Fall 2013	ART	5000	Independent Study Art I
Fall 2013	ART	3057	Principles of Internet Design
Spring 2013	ART	3061	Digital Photography
Spring 2013	ART	5010	Graphic Communic Int
Spring 2013	ART	5000	Independent Study Art I
Spring 2013	ART	5000	Independent Study Art I
Spring 2013	ART	5000	Independent Study Art I
Fall 2012	ART	5000	Independent Study Art I
Fall 2012	ART	5010	Graphic Communic Int
Fall 2012	ART	3057	Principles of Internet Design
Summer 2012	ART	5010	Graphic Communic Int
Spring 2012	ART	3041	Special Topics in Art (Studio)
Spring 2012	ART	3061	Digital Photography
Spring 2012	ART	5000	Independent Study Art I
Spring 2012	ART	5010	Graphic Communic Int
Fall 2011	ART	5000	Independent Study Art I
Fall 2011	ART	3057	Principles of Internet Design
Fall 2011	ART	3041	Special Topics in Art (Studio)
Fall 2011	ART	3057	Principles of Internet Design
Fall 2011	ART	5000	Independent Study Art I
Fall 2011	ART	5001	Independent Study Art II
Fall 2011	ART	5010	Graphic Communic Int
Spring 2011	ART	5010	Graphic Communic Int
Spring 2011	ART	3041	Special Topics in Art (Studio)
Spring 2011	ART	3061	Digital Photography
Spring 2011	ART	5000	Independent Study Art I
Spring 2011	ART	5001	Independent Study Art II
Fall 2010	ART	2050	Basic Graphic Commun
Fall 2010	ART	3057	Principles of Internet Design

Artistic and Creative Activities

Behar, K., & Downey, K. (2023). Kerry Downey: This is a reenactment but this time will be different.

Behar, K., & Vainsencher, G. (2023). Gabriela Vainsencher: Inheritance.

Behar, K. (2022). Katherine Behar: Shelf Life.

Behar, K., & Rauch, S. (2022). Sarada Rauch: If All Things Were Equal, You’d Only Be the Sequel.

Behar, K., & Yolaçan, P. (2022). Pinar Yolaçan: Body-Image.

Behar, K., & hers-RHEE, k. (2021). kate-hers RHEE: Inventing Genealogies.

Behar, K., & Potnis, P. (2021). Prajakta Potnis: The Slow Burn.

Behar, K. (2021). Recto & Verso. Zero1.

Behar, K., & Murrell, J. (2020). Archiving HOWDOYOUSAYYAMINAFRICAN?: Process over Product..

Behar, K. (2020). ON|OFF.

Behar, K., & Rothenberg, S. (2020). Stephanie Rothenberg: Aphrodisiac in the Machine.

Behar, K. (2020). Measure of Human.

Behar, K. (2019). Red Hook Open Studios. Produced by PortSide New York.

Behar, K. (2019). Anonymous Autonomous Work in Progress Community Demo.

Behar, K. (2019). Katherine Behar: Backups.

Behar, K. (2019). Arts Culture and Digital Transformation Summit Exhibition.

Behar, K., & Ahwesh, P. (2019). Peggy Ahwesh: Unsettled States.

Behar, K., & Benson, L. (2019). Lily Benson: Future Mechanism Replacement.

Behar, K. (2018). Katherine Behar: Anonymous Autonomous.

Behar, K., & Demirjian, A. (2018). Andrew Demirjian: pause+rewind+connect+combine+sequence+delay+repeat.

Behar, K., & Kim, M. M. (2018). Disorientalism: A New Face.

Behar, K. (2018). Digital Trash.

Behar, K. (2017). Projects for the Page.

Behar, K., & Gannis, C. (2017). Carla Gannis: Augmented Gardens and Other Emoji Delights.

Behar, K. (2017). To Spread a Table Fuller.

Behar, K. (2017). Out of Time. SLSA.

Behar, K. (2017). THEM.

Behar, K. (2017). Homecoming.

Behar, K. (2017). Maritime Messaging: Red Hook.

Behar, K., & Rasmussen, E. (2016). Elise Rasmussen: Unbecoming.

Behar, K. (2016). Katherine Behar: Data’s Entry | Veri Girisi.

Behar, K. (2016). Fwd: no-reply@TheAlice.

Behar, K. (2016). I Wasn’t Just Saying What You Wanted To Hear.

Behar, K., & O'Brien, N. (2016). Nicholas O'Brien: The Four Tools.

Behar, K. (2016). Immersive Worlds Art Exhibitions.

Behar, K., & Perlin, J. (2015). Jenny Perlin: Open Sentence.

Behar, K., & Kim, M. M. (2015). Disorientalism: Maiden Voyage & Ready Mix. Arizona State University Galleries.

Behar, K., Kim, M. M., Franceschini, A., & Dudley, R. (2015). iSpy/Embodied Place: Observations & Notations. Garage Door and Tahoe Gallery.

Behar, K., Kim, M. K., Oransky, H., & Lunning, F. (2015). Maiden Voyage/WonderWomen. Katherine E. Nash Gallery.

Behar, K., & Fabri, Z. (2015). Zachary Fabri: X Black Y.

Behar, K., Weingrod, J., & Gokturk, B. (2014). Modeling Big Data/Iceberg’s Tongue. YoungArts Foundation Studio.

Behar, K., & Zurkow, M. (2014). Marina Zurkow: NeoGeo / Landfill Club.

Behar, K., & Strakovsky, D. (2014). Katherine Behar: E-Waste. Tuska Center for Contemporary Art.

Behar, K., & Sayre, R. (2014). Katherine Behar: High Hopes. The Brunswick Window.

Behar, K., & Kim, M. M. (2014). Maiden Voyage/MANIFEST! Choreographing Social Movements in the Americas. FOFA Gallery, Concordia University.

Behar, K., & Kim, M. M. (2014). Rapid Pulse [curated by Joseph Ravens and Steven Bridge]. DEFIBRILLATOR.

Behar, K. (2014). Trash, Toxicity, Transmission [curated by Jamie Skye Bianco]. Cultural Studies Association.

Behar, K., Kim, M. M., & Rothenberg, S. (2014). Brown Bagging: Quality is Our Recipe/Performing Economies. Techne Institute for Arts and Emerging Technologies, University at Buffalo.

Behar, K., & Mikelson, E. (2014). What to increase? What to reduce?/Oblique Strategies. Peter Fingesten Gallery, Pace University.

Behar, K., & Manos, M. (2014). Modeling Big Data/Re:Collect. Re:View Contemporary Gallery.

Behar, K., & Sullivan, L. (2014). Lynn Sullivan: Super Impose.

Behar, K., & McDonald, J. (2014). Jillian McDonald: Something Wicked (This Way Comes).

Behar, K., & Higgins, R. (2013). Study for Dead Air/DIY Plinth. “do it (outside),” curated by Hans Ulrich Obrist. Socrates Sculpture Park..

Behar, K. (2013). There's an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design.

Behar, K., & Trusewych, R. (2013). Subjectivity is an Irreducible Element of Objectivity/Decisiveness. Helper Gallery.

Behar, K., Kim, M. M., & Hernandez, J. (2013). Brown Bagging: Quality is Our Recipe. Museum of Contemporary Art, North Miami.

Behar, K., Kim, M. M., & Hernandez, J. (2013). Ready Mix. The Girls’ Club Collection.

Behar, K. (2013). Gauntlet/King Arthur Green Room. NADA Art Fair.

Behar, K., Chang, B., & Ruzanka, S. (2013). There’s An App For That Shirt!. ART NOW: Performance, Art & Technology Visiting Artist Series at Monmouth University.

Behar, K., & Rivera, S. (2013). Study for Dead Air 2/Novella Gallery Inaugural Benefit. Novella Gallery.

Behar, K., Kim, M. M., & Paggett, T. (2013). Recent Videos/NATUREHOODFULLESSNESS. Pieter Performance Space.

Behar, K. (2013). Street.s/wall.ing/in [curated by Ombretta Agró]. Art Assets.

Behar, K., & Eduardovna, I. (2013). Ira Eduardovna: Terminus.

Behar, K. (2012). Compositions for Bit. Greenwich Music House.

Behar, K. (2012). Abendland.

Behar, K. (2012). Publishing NOW, digitally.

Behar, K. (2012). Quality is Our Recipe. Disorientalism (collaboration with Marianne Kim). Performance Lecture. "The Affect Factory: Percarity, Labor, Gender, and Performance." Curated by "Women and Performance.".

Behar, K. (2012). Ready Mix. Artistic talk at The Wassaic Project Summer Festival.

Behar, K. (2012). Real-time and Interactive Video. presentation for BCTC Teaching and Technology Conference.

Behar, K. (2012). Maiden Voyage.

Behar, K. (2012). Ready-Mix. Lenticular Installation. (Disorientalism) "Till," curated Lynn Sullivan.

Behar, K. (2012). Ready-Mix. Lenticular installation. (Disorientalism) 'The Wassaic Project Summer Festival," curated by Eve Biddle, Bowie Zunino, and Jeff Barnett-Winsby, Wassaic.

Behar, K. (2012). Participation May Vary. Kinect video game. (Disorientalism) "Collider 4: Spectacle," curated by Markus Vogl, Rod Bengston, Tony Samangy, and Margarita Benitez. Emily Davis Gallery, University of Ohio.

Behar, K. (2012). Quality is Our Recipe. Performance. (Disorientalism) "The Affect Factory," curated by Women & Performance. New York University.

Behar, K. (2012). Brown Bagging. Arizona State University Galleries.

Behar, K. (2012). Blogs@Baruch in New Media Arts Classes. Baruch College.

Behar, K. (2012). Bigger Than You: Big Data and Obesity.

Behar, K. (2012). Art Journal and the Digital Humanities. College Art Association.

Behar, K. (2012). Disorientalism. Invited guest artist presentation for AAFAA's Asian Pacific American Heritage Month. US Department of State.

Behar, K. (2011). TV Maintenance and Plugging Away. Video. (Disorientalism) "Everyday Charms," curated by Jillian Hernandez for the Feminist Art Project. O Cinema.

Behar, K. (2011). Art Materiality and Time. Co-organizer and co-sponsor for lecture by Bernard Stiegler (Ecole de Philosophie d'Epineuil-le Fleuriel, IRI, Georges Pompidou Center), in conjunction with "And Another Thing" exhibition,The CUNY Graduate Center.

Behar, K. (2011). Contemporary Art and Neuroscience. Co-organizer and co-sponsor for lecture by Suzanne Anker (School of Visual Arts), in conjunction with "And Another Thing" exhibition, the CUNY Graduate Center.

Behar, K. (2011). Convocation Speaker (with Disorientalism). Pacific Northwest College of Art.

Behar, K. (2011). Disorientalism: Consuming Identity. Paper Presentation for "Consuming Asian America: International Network for Diasporic Asian Art Research." Association for Asian American Studies Annual Conference.

Behar, K. (2011). Metabolic Objects. Co-organizer and co-sponsor for lectue by Hannah Landecker (UCLA) in conjunction with "And Another Thing " exhibition, the CUNY Graduate Center.

Behar, K. (2011). No Thing Unto Itself: Object-Oriented Politics. Moderator and organizer for panel discussion with Noortje Marres (Goldsmiths), Shannon Mattern (The New School), and David Turnbull (Cooper Union) in conjunction with "And Another Thing" exhibition, the CUNY Graduate Center.

Behar, K. (2011). Pipecleaner. Screensaver. "Green Screen Dreams," curated by Nat Trotman, in association with the 2011 Armory Show. The Big Screen Project.

Behar, K. (2011). So Happy to be Here in the 21st Century. Disorientalism (collaboration with Marianne Kim). Performance Lecture. Convocation Address. Pacific Northwest College of Art.

Behar, K. (2011). Speculative Realism. Co-organizer and co-sponsor for panel discussion with Graham Harman (The American University of Cairo), Jane Bennett (John Hopkins), and Levi Bryant (Collins College), in conjunction with "And Another Thing" exhibitio, the CUNY Graduate Center.

Behar, K. (2011). TV Maintenance. Video. (Disorientalism) "FIRE/SKY/WATER... REPRODUCTION," curared by Carlos Rigau. de la Cruz Collection.

Behar, K. (2011). The Space Between. "Meet the Composer." Multimedia performance with composer Rob Mazurek, choreaographer and video artist Marianne Kim, and media artist Katherine Behar. Chicago Cultural Center.

Behar, K. (2011). ON/OFF. Co-curator with Marianne Kim. Defibrillator Gallery.

Behar, K. (2011). And Another Thing. Guest Curator (with Emmy Mikelson). The James Gallery at the CUNY Graduate Center.

Behar, K. (2011). Ready Mix. Disorientalism (collaboration with Marianne Kim) for the Food Groups Series. Feldman Gallery+Project Space. Pacific Northwest College of Art.

Behar, K. (2011). Pipecleaner. Screensaver. Group exhibition. "Don't Fence Me In ... Or Out," curated by Lisa Corinne Davis. Lesley Heller Workspace.

Behar, K. (2011). Pipecleaner. Screensaver. Group exhibition. "Interior-ity," curated by Dmitry Strakovsky and Zaytseva Lana. Moscow Biennial Special Projects. Proekt_Fabrika.

Behar, K., & Mikelson, E. (2011). And Another Thing. CUNY Graduate Center, Center for the Humanities.

Behar, K. (2010). Compositions for Bit. Judson Memorial Church.

Behar, K. (2010). Ambient Clumsiness in Virtual Environments. Paper Presentation with (Silvia Ruzanka) for "The Engineering Reality of Virtual Reality" Conference, Virtual Reality Section, Human Vision and Electronic Imaging (HVEI) at Symposium on Electronic Imaging Science and Technology.

Behar, K. (2010). Losing Yourself in the 21st Century. Maryland Art Place.

Behar, K., & Kim, M. (2010). Dis-Robed. The Wassaic Project.

Behar, K. (2010). Response to Programmed Visions. Respondent on Bood Panel for Programmed Visions: Software and Memory by Wendy Hui kyong Chun. Society for Literature, Science and the Arts, Twenty-fourth Annual Conference.

Behar, K. (2010). Lunch Break. Video. "pArty in Your Mouth," curated by Ania Greiner and Jessica Hannah. 2643 Troy.

Behar, K. (2010). Facing Necrophilia, or 'Botox Ethics'. Paper Presentation for "Object-Oriented Feminism: Programs" Panel at Society for Literature, Science and the Arts, Twenty-fourth Annual Conference.

Behar, K. (2010). Avatar Impotence: On User Will, Avatar agency and System Control in Second Life. Paper Presentation (with Silvia Ruzanka and Ben Chang) for "Avatars and Humans" Ecrea European Communication Preconference 2010.

Behar, K. (2009). Stick To It! Video. "As Such As Well As An Assumption," curated by Ruslan Trusewych. T.B.D. Art Space.

Behar, K. (2009). Pipecleaner. Screensaver. "Losing Yourself in the 21st Century," curated by Susan Richmond, Cathy Byrd, and Jillian Hernandez. Georgia State University Welch School of Art and Design Gallery.

Behar, K. (2009). Hexxed. Technology Performance. "Incidents and Accidents," curated by Gerelyn Blackstone Bridges. The Hogar Collection.

Behar, K. (2009). Command and Control: Cybernetics and BDSM. Paper Presentation for "Sex and Sexuality" Panel at Digital Arts and Culture.

Behar, K. (2009). Command and Control: Cybernetics and BDSM. Paper Presentation for "Decoding, a Method of Performance/Performance, a Method of Decoding" Panel at SLSA 09:Decoding. Society for Literature, Science and the Arts, Twenty-third Annual Conference.

Behar, K. (2009). 3G56k. Interactive Installation and Performance. "Hunter College MFA Thesis Exhibition.

Behar, K. (2009). Sympathy. Lecture for "New Media Art & Affect" Panel at Bridge Art Fair.

Behar, K. (2008). INimaging. Public Performance and Technology Installation. "IN>TIME," curated by Sara Schnadt and Mark Jeffrey.. Chicago Cultural Center.

Behar, K. (2008). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Performance Lecture/Paper Presentation at SLSA 08: Reiterations. Society for Literature, Science adn the Arts, Twenty-second Annual Conference.

Behar, K. (2008). Primaries. Video Installation. "Prescience," curated by Tyler Emerson-Dorsch. The Dorsch Gallery.

Behar, K. (2008). Technology as Architecture/Architecture as Technology. Lecture. 7.stock.

Behar, K. (2008). TV Maintenance and Plugging Away. Videos. DISORIENTALISM (Collaboration with Marianne Kim). Mediations Biennale.

Behar, K. (2008). Building Blocks. Public Performance and Installation with Video and Performance Documentation. "Camouflash:Disappearing in Art," curated by Anja Rudolph. UNOACTU.

Behar, K. (2008). Buildings Blocks. Installation with Video and Performance Documentation. Mediations Biennale.

Behar, K. (2008). DISORIENTALISM. (Collaboration with Marianne Kim). Arizona State University Galleries.

Behar, K. (2007). de(bugging) Loop(de) Loop. Video Installation. "Turnstile: Single Use." Internal 07.

Behar, K. (2007). Astral Travel for Beginners or Hypno-cracy: Visualizing Change for Community Empowerment. Performance. Collaboration with Stephanie Rothenberg. "Siebren Versteeg Vs. Chicago Ex-pats," curated by Nato Thompson. Creative Time at 205 Club.

Behar, K. (2007). An Archaeology of the Mistaken Present. Site-Specific Performances. DISORIENTALISM (Collaboration with Marianne Kim). Performance Studies International Conference (PSi 13).

Behar, K. (2007). Urban Camouflage: Taking Shelter. Street Installations. Conflux Festival.

Behar, K. (2007). Two by Two, View by View. Public Performance. DISORIENTALISM (Collaboration with Marianne Kim). 11th Annual D.U.M.B.O. Art Under the Bridge Festival.

Behar, K. (2007). Plugging Away. Video. DISORIENTALLISM (Collaboration with Marianne Kim). "video_dumbo," curated by Gabriela Moray & Casper Stracke.

Behar, K. (2007). R/W/X: (read/write/execute): Materiality of Code and Questions of Representation in New Media Art. Paper Presentation for "The Problems of New Media Art" Panel at SLSA 07:CODE. Society for Literature, Science and the Arts, Twenty-first Annual Conference.

Behar, K. (2007). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Artist Performance Presentation at (re) Actor: 2nd International Conference on Digital Live Art. Leeds Metropolitan University.

Behar, K. (2007). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Remote Text Chat Performance/Paper Presentation. (re) Actor: 2nd International Conference on Digital Live Art. Leeds Metropolitan University.

Behar, K. (2007). Pipecleaner. Screensaver. "Glitches, Bits, and Switches," curated by Ben Chang. Alogon Gallery.

Behar, K. (2007). The Problems of New Media Art.

Behar, K. (2006). Sweet Release. Universitatea Babes-Bolyai, Faculty of Theatre and Television & National Museum of Art.

Behar, K. (2006). Turkish Delight: d/evolution of flight. Performance. (Collaboration with Joseph Ravens). Galata Perform.

Behar, K. (2006). Sweet Release. City of Chicago Storefront Theater.

Behar, K. (2006). Stick To It! Performance. "Triple Layer Cake," curated by Elyce Semenec. CANADA Gallery.

Behar, K. (2006). Smoggy Slushy Sludge Balls in Smutty Slut Cones. Performance. Collaboration with Tyra Bombetto. "Get Presents and Get Involved, A Pageant of Christmas and Politics," curated by Meg Duguid.

Behar, K. (2006). INFORMATION FARM. Interactive community mapping performance and online game. Collaboration with Ben Chang, Silvia Ruzanka, and Joseph Ravens. "Virtual Reality Performance SubFest" at Buffalo Infringement Festival.

Behar, K. (2006). INFORMATION FARM. Interactive community mapping performance and online game. Collaboration with Ben Chang, Silvia Ruzanka, and Joseph Ravens. "Human Zoo" at MoKs PostsovkhoZ.

Behar, K. (2006). de(bugging)Loop(de)Loop. Videos. Curated by Birgit Rathsmann. Monkey Town.

Behar, K. (2006). BUG-BYTES. Site-specific mobile phone installation. "Mobotag." curated by Marta Lwin..

Behar, K. (2005). Let it Snow! Video. DISORIENTALISM (Collaboration with Marianne Kim). "Office of All Sorts of Backwards Productions' Holiday Pageant," curated by Meg Duguid.

Behar, K. (2005). Turns. Video Installation. "Media Masquerade: The Inner Dialogue of Women in Masquerade" The Centre for Art Tapes.

Behar, K. (2005). talk to the machine!. Lecture for Interzone 02. De Balie Centre for Culture and Politics.

Behar, K. (2005). Table Talk: Intimate Architectures, 1. Walem Cafe.

Behar, K. (2005). Searching for the G/Local. Paper Presentation for "The Googlization of Everything" Panel at the NYU Department of Culture and Communication Graduate Student Conference.

Behar, K. (2005). Let it snow! Video. DISORIENTALISM (Collaboration with Marianne Kim). "Office of All Sorts of Backwards Productions' Holiday Pageant," curated by Meg Duguid.

Behar, K. (2005). Connecting: Intimate Architectures, 3. Instant Messaging and Wireless Communication Public Performance. What?Works (Collaboration with Joseph Ravens and Marianne Kim), De Balie Center for Culture and Politics.

Behar, K. (2005). Roaming: Intimate Architectures, 2.

Behar, K. (2004). Configurations. Video. "Ocurrences: the performative space of video," curated by Trevor Martin. Galleries Soliel.

Behar, K. (2004). Picnic Series: Lunch Break. Melon Brawl. Mead Heads.

Behar, K. (2003). Get Back to Happy. Performance Installation. "Welcome to the Avant-Garde" (Featured Performance). Performances Art Festival+Archives.

Behar, K. (2003). Distance Learning. Performance Installation. "Time Share: Spare Time" Urban Institute for Contemporary Arts.

Behar, K. (2003). Configurations. Video. "Ocurrences: the performative space of video, "curated by Trevor Martin. Betty Rymer Gallery.

Behar, K. (2002). Attachments. Video. "Performing On The Edge," curated by Kym olsen. First Annual New Haven Fringe Festival, (untitled) space.

Behar, K. (2002). Flash [dot] Flatness. Paper Presentation for "Naked Apprehensions of Technology" Panel at Version>02. Museum of Comtemporary Art Chicago.

Behar, K. (2002). Specific Difficulty. Video Installation. "Pictorial Seams," curated by Jennifer Talbot. Betty Rymer Gallery.

Behar, K. (2002). Recreation. The Spareroom.

Behar, K. (2002). Turns. Video Installation. "Slant: Bold Asian American Images" Diverse Works.

Behar, K. (2002). Get Back to Happy. Performance Installation. "Anatomies: Contemporary Performance in Chicago," curated by Cory Gearhardt and Matthew Wilson. Columbia College.

Behar, K. (2002). Turns. Video Installation. "Interrogating Diversity". Betty Rymer Gallery.

Behar, K. (2001). I Wish I'd Thought of That! Peformance Art History Repeats Itself. The Spareroom.

Behar, K. (2001). Attachments. Performance and Video. "I Wish I'd Thought of That! Performance Art History Repeats Itself," curated by Katherine Behar, Jennifer Dowlin-Kelly, Thea Miklowski, and Kevin Newhall. The Spareroom.

Behar, K. (2001). opt/up 2000 1/2. The Spareroom.

Behar, K. (2000). Dance Lesson. The Spareroom.

Behar, K. (2000). A Shear Miss. Durational performance and installation with video. "BFA Thesis Exhibition." The School of the Art Institute of Chicago.

Behar, K. (2000). ...(dot, dot, dot,). Performance Installation and Video. "An Evening of Performance Art" Gallery 2.

Behar, K., & Kim, M. M. (2000). ON|OFF.

Behar, K., & Newhall, K. (2000). Kevin Newhall: Recreation..

Behar, K., & Miklowski, T. (2000). Dance Lesson.

Behar, K. (2000). One if by land, two if by see. Performance. "It's About Time: A Durational Performance Event," curated by Thea Miklowski and Jennifer Dowlin-Kelly. The Spareroom.

Behar, K. (2000). Untitled (sketch for difference and re PETE ition). Durational movement performance and installation. "Five Times Faster," curated by Thea Miklowski and Jennifer Dowlin-Kelly. The Spareroom.

Behar, K. (1999). Nesting Piece and Wind. Photographs and text (Wind); Video (Nesting Piece). "New York/Chicago/Los Angeles Exchange," curated by Victorine Muller. Instituto Svizzero.

Behar, K. (1999). No title, 1999. Durational performance and installation with video. Gallery 2.

Behar, K. (1998). No title (Back). Site-specific Performance and Installation.

Behar, K. (1998). No Title. Performance. "Tough Nights," curated by Melinda Moran. Tough Gallery.

Behar, K. (1997). reflex. Performance. Gallery 2.

Books

Behar, K., Colakoglu, F., & Soley, U. (2016). Katherine Behar: Data's Entry | Veri Girisi. Istanbul, Turkey, Pera Museum.

Behar, K. (2016). Object-Oriented Feminism. (p. 280). Minneapolis, USA, University of Minnesota Press.

Behar, K., & Mikelson, E. (2016). And Another Thing: Nonanthropocentrism and Art. (p. 86). Earth, Milky Way, punctum books.

Behar, K. (2016). Bigger than You: Big Data and Obesity: An Inquiry toward Decelerationist Aesthetics. (p. 70). Earth, Milky Way, punctum books.

Behar, K. (2014). E-Waste. (p. 32). Lexington, Kentucky, USA, Tuska Center for Contemporary Art.

Journal Articles

Behar, K., & Mirzayan, A. (2019). Objects That Matter: Bodies, Art, and Big Data: Katherine Behar, interviewed by Anna Mirzayan. Chiasma: A Site For Thought, (Issue 5).

Behar, K. (2018). Uma introdução ao OOF. Revista ECO-Pós, 21(n. 2).

Behar, K. (2014). E-Waste. Lateral: The Journal of the Cultural Studies Association, 3.

Behar, K. (2013). The Problem with Platforms. The Journal of Visual Culture,

Behar, K., & Ruzanka, S. (Eds.). (2013). In Search of Digital Feminisms. Lateral: The Journal of the Cultural Studies Association. Volume 2 (May, 2013). Guest Thread Editor for Lateral (with Silvia Ruzanka). (Winter, 2013).

Behar, K., & Ruzanka, S. (2013). Ungoogleable: In Search of Digital Feminisms. Lateral: The Journal of the Cultural Studies Association, 2.

Behar, K., & Ruzanka, S. (2011). Open Dialogue, Feminism and New Media Art: Hot or Not?. Media-N, 7(2).

(2009). “Capturing Glocality–Online Mapping Circa 2005: Mapping Glocalities”. Parsons Journal for Information Mapping I, 4.

(2009). INimaging. Visual Communication Quarterly, 16(3). 134-139.

(2009). “Capturing Glocality–Online Mapping Circa 2005: Mapping Territories”. Parsons Journal for Information Mapping I, 1.

(2004). “Flash[dot]Flatness: Spatial Metaphors in Dot Syntax ActionScript in Macromedia Flash 5”. Extensions: The Online Journal for Embodied Technology I, 1.

Gregory, K. Karen Gregory, “Quality is Our Recipe: Gaming the Lost Affect of Care,” Women & Performance: a journal of feminist theory, 23:1, 152-155, DOI: 10.1080/0740770X.2013.827375.

Book Chapters

Behar, K. (2022). “What’s hard…”. Encyclopedia of Things Leipzig. Spector Books OHG.

Behar, K. (2022). “Artificial Ignorance!”. Chimeras: Inventory of Synthetic Cognition Athens, Greece. Onassis Publications.

Behar, K. (2022). Bigger than You: Big Data and Obesity. In Sarram, P., Ratta, D. D., Lovink, G., & Numerico, T. (Eds.), The Aesthetics and Politics of the Online Self: A Savage Journey into the Heart of Digital Cultures Rome, Italy. Palgrave Macmillan.

Behar, K. (2018). Wasting Away: Thoughts on 'Digital Trash'. Digital Trash Camden, NJ. Stedman Gallery at Rutgers University.

Behar, K., Colakoglu, F., & Soley, U. (2018). Greenbots Where the Grass Is Greener: An Interview with Katherine Behar. In Aloi, G. (Ed.), Why Look at Plants? Boston, MA. Brill Publishers.

Behar, K., & Kirksey, E. (2016). “Nonhuman Solidarities: An Interview with Katherine Behar”. Imperceptibly Slowly Opening Chicago. Green Lantern Press.

Behar, K. (2016). The Other Woman. In Kolozova, K., & Joy, E. A. (Eds.), After the “Speculative Turn”: Realism, Philosophy, and Feminism (p. 200). Earth,Milky Way. punctum books.

(2016). “‘Seeing Things’ in Data Visualization”. Katherine Behar: Data’s Entry | Veri Girisi Istanbul. Pera Museum.

Behar, K. Objektai ir prieštaros / Objects and Objections (excerpt from ‘An Introduction to OOF’). In Michelkevicius, V. (Ed.), Nida Art Colony. On Lines and Rituals Vilnius, Lithuania. Log No. 9, Nida Art Colony of Vilnius Academy of Arts.

Conference Proceedings

Behar, K., Ruzanka, S., & Chang, B. (2013). “There’s an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design”. The Engineering Reality of Virtual Reality Proceedings.

Chang, B., Ruzanka, S., & Behar, K. (2011). “Avatar Impotence: On ‘User Will,’ ‘Avatar Agency,’ and ‘System Control,’ in Second Life”. CyberWorlds 2011 Proceedings.

Ruzanka, S., & Behar, K. (2010). “Ambient Clumsiness”. Symposium on Electronic Imaging Science and Technology Proceedings.

Behar, K. (2009). “Command and Control: Cybernetics and BDSM”. Digital Arts and Cultures 2009 Proceedings.

Media Contributions

Behar, K. (2021). Katherine Behar ‘On the Spot’ Part 2.

https://www.instagram.com/tv/CQBavP7BPfK

Virtual studio visit

Behar, K. (2021). Katherine Behar ‘On the Spot’ Part 1.

https://www.instagram.com/tv/CPf9De3Bn6b/

Virtual studio visit

(2014). UK College of Arts & Sciences .

(2014). "Office Hours" on 88.1 WRFL.

(2007). News12.

Presentations

Behar, K., & Cecchetto, D. (2026, February 13). During Dopamine. Center for Philosophical Technologies. Tempe, Arizona: Arizona State University.

Behar, K. (2026, February 25). Artisanal Intelligences. Digital Aesthetics - a Stanford Humanities Center Workshop. Palo Alto, CA, USA: Stanford University. In Progress.

Behar, K., & McCarthy, L. L. (2026, April 2). Lauren Lee McCarthy in conversation with Katherine Behar. Columbus, OH, USA: Wexner Museum. In Progress.

Behar, K. (2026, April 16). TBD. Centre for Culture and Technology Symposium. Toronto, Ontario: University of Toronto. In Progress.

Behar, K. (2026, January 28). (K)NOT AI: Open Studio with Katherine Behar. Nida, Neringa, Lithuania: Nida Art Colony of the Vilnius Academy of Art.

Behar, K., & Cecchetto, D. (2026, November 7). During Dopamine. Media Theory conference. : University of Toronto.

Behar, K., & Cecchetto, D. (2026, December 4). During Dopamine. Culture | and | Technics Conference. Ljubljana, Slovenia: University of Ljubljana.

Behar, K., & Gaied, M. (2026, July 29). We Go Over, We Go Under: A Conversation on Artisanal Intelligences with Katherine Behar and Meriam Gaied. Invited Artist Lecture. Tunis, Tunisia: Mouhit Space.

Behar, K., & Cecchetto, D. (2026, June 25). After Alerts. Beyond Humanism Congress (BHC15) conference. Paris, France / online: University of Paris 8.

Behar, K. (2026, June 3). Artificial Ignorance: From Divisiveness to Dexterity. Palermo, Sicily, Italy: Accademia di Belle Arti.

Behar, K. (2026, May 30). Weaving Baskets, Weaving Futures. Petralia, Sicily, Italy: Fondazione Studio Rizoma.

Behar, K. (2026, February 23). Katherine Behar: Machinic Parsimony. Nida, Neringa, Lithuania: Nida Art Colony of the Vilnius Academy of Art.

Behar, K. (2026, November 13). /we go over/\we go under\ (Or, how we seek and don’t speak ‘Artisanal Intelligences’). Global Arts and Humanities Invited Artist Lecture. Columbus, OH, USA: Ohio State University.

Behar, K., & Cecchetto, D. (2026, November 9). After Alerts. Society for Literature, Science, and the Arts, “Climate Diasporas” conference. Dallas, TX, USA: SLSA.

Behar, K., & Rhee, J. (2026, November 21). Katherine Behar in conversation with Jennifer Rhee. Invited Conversation. Columbus, Ohio: Wexner Museum.

Behar, K. (2026, April 13). What’s Automation Between Friends?. VALS Invited Artist Lecture. Irvine, CA: University of California Irvine.

Behar, K. (2026, February 9). What’s Automation Between Friends?. Beall Center Artist Talk and Conversation with Simon Penny. Irvine, CA, USA: University of California Irvine.

Behar, K. (2026, October 18). What's Automation Between Friends?. : New Media Program, Purchase College, SUNY.

Behar, K. (2026, October 28). The Macaronic Medium. Society for Literature, Science and the Arts “Reading Minds” conference. Arizona State University, Tempe, AZ, USA: SLSA.

Behar, K. (2026, May 18). Parsons School of Design BFA Graduation Speaker. New York, NY, USA: Parsons School of Design, The New School.

Behar, K. (2026, January 19). What’s Automation Between Friends?. Alexandria, Egypt: Shelter Art Space.

Behar, K. (2026, January 9). What’s Automation Between Friends?. INTERFERENCE. Tunis, Tunisia

Behar, K. (2026, January 5). Digitally Divided: On Data and Divisiveness. Cairo, Egypt: Medrar for Contemporary Art.

Behar, K. (2026, January 28). Anonymous Autonomous Pop-Up. Ann Arbor, MI, USA: Robotics Institute, University of Michigan.

Behar, K. (2026, March 4). Writing Art/Making Theory. Seattle, WA, USA [online]: DXARTS, University of Washington at Seattle.

Behar, K. (2026, March 15). Comments on gender and careers in the arts. "Women in the Arts Panel". New York, NY, USA [online]: Baruch Undergraduate Student Government.

Behar, K. (2026, April 22). What’s Automation Between Friends?. Hartford, CT, USA: Fine Arts Department, Trinity College.

Behar, K. (2026, June 2). What’s Automation Between Friends?. Vienna, Austria [online]: Digital Arts Department, Universität für angewandte Kunst Wien/ University of Applied Arts Vienna.

Behar, K. (2026, July 8). Non-Expertise in Artistic Research. Artistic and Academic Research at Institutions of Higher Education at “Artistic Research: Method, Strategy, and Outreach” Symposium. Dresden, Germany: Landesverband Bildende Kunst Sachsen e. V. & EU4ART.

Behar, K. (2026, October 7). What Sense Makes. Society for Literature, Science and the Arts “Reading Minds” conference. West Lafayette, IN, USA: SLSA.

Behar, K. (2026, January 20). What’s Automation Between Friends?. Detroit, MI, USA: College for Creative Studies.

Behar, K. (2026, January 28). E-Waste and OOF. : Tasawar Studio Program.

Behar, K. (2026, November 18). Comments on Maritime Messaging: Red Hook. “Climate Change: Artists Respond.”. New York, NY, USA [online]: We Are Climate Change (WACA) at Weissman School of Arts and Sciences, Baruch College.

Behar, K. (2026, October 8). Artificial Ignorance: A Retronymic Countergenealogy of AI. “Good Relations: Practices and Methods in Unequal and Uncertain Worlds,” conference. Toronto, Canada / Online: Society for the Social Studies of Science (4S).

Behar, K. (2026, October 2). Artificial Ignorance Roundtable. Society for Literature, Science, and the Arts “Energy” conference. Ann Arbor, MI / online: SLSA.

Behar, K. (2026, June 16). Backups & Backchannels: From Saving to Secrets in Art, Technology, and Women’s Empowerment. Cairo, Egypt / online: Creative Impact Lab Cairo. Zero1 International Exchange hosted by Medrar for Contemporary Art.

Behar, K. (2026, February 11). Extending Feminist Solidarities to the Object World. : People for Womxn in Philosophy, Oxford University.

Behar, K. (2026, February 4). Tzu Nyen Ho’s Critical Dictionary of Southeast Asia. : Mishkin Gallery, Baruch College.

Behar, K. (2026, October 29). Objects Object! Things That Talk Back. From the Convergence Zone Speaker Series, MFA in Creative Writing and Poetics. Bothell, WA, USA [online]: University of Washington, Bothell.

Behar, K. (2026, March 21). A Speculative Lecture on ‘Artificial Ignorance’. Mind the Deep - Artificial Intelligence & Artistic Creation. Shanghai, China [online]: Ming Contemporary Art Museum (McaM).

Behar, K. (2015, May 2). E-Waste: ‘Modeling’ post-species. After Extinction. Milwaukee, IL, USA: Center for 21st Century Thought.

Other Scholarly Works

Althoff, S. (2024). Fat Data: Production without Subject in Katherine Behar’s Clicks. Body in Algorithms, edited by Ashley Middleton and Georgia Perkins.

Whitehead, J. (2023). We Need to Talk About AI.

Kronberger, A. (2022). Diffraktionsereognisse der Gegenwart. Feministische Medienkunst trifft Neuen Materialismus.

https://www.transcript-verlag.de/978-3-8376-6131-6

Hu, T. (2022). Digital Lethargy: Dispatches from an Age of Disconnection.

Behar, K., & Giordano, F. F. (2021). Comando y Control: Cibernética y BDSM. Holobionte Ediciones.

https://edicionesholobionte.com/comando-y-control-cibernetica-y-bdsm-por- katherine-behar

Fang, Y., & Behar, K. (2021). Technology, Labor, and Race: A Conversation with Katherine Behar.

https://vaaam.tome.press/chapter/spotlight-katherine-behar/

Behar, K. (2021). Looking Forward and ‘Backing Up’.

https://zero1.org/looking-forward-and-backing-up/

Behar, K. (2021). From ‘Back’ to Forth: Finding Other Sides to Our Stories.

https://zero1.org/from-back-to-forth

Suorsa, T. (2021). Becomings of Digital Poetry: the carrier of memory in slow media practice.

Behar, K. (2021). “Do Baskets Contain Computation’s Counterhistory?”. Hoosac Institute Journal. 9

https://hoosacinstitute.com/Katherine-Behar

Hansen, M. (2020). On bearable heaviness: A new film series by Pera Museum. Daily Sabah.

https://www.dailysabah.com/arts/reviews/on-bearable-heaviness-a-new-film-series-by-pera-museum

Behar, K., Inopina, A., Mitrofanova, A., Preobrazhensky, G., Rymbu, G., & Zakharkiv, E. (2019). ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿-¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, ¿¿¿¿¿ 2. ¿¿¿¿¿.

https://syg.ma/@galina-1/katrin-bikhar-vviedieniie-v-obiektno-oriientirovannyi-fieminizm-chast-2

Behar, K., Inopina, A., Mitrofanova, A., Preobrazhensky, G., & Rymbu, G. (2018). ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿-¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, ¿¿¿¿¿ 1. ¿¿¿¿¿.

https://syg.ma/@galina-1/katrin-bikhar-vviedieniie-v-obiektno-oriientirovannyi-fieminizm-chast-1

Mattern, S. (2018). Maintenance and Care. Places Journal.

Hu, T. (2018). Wait, then Give Up: Lethargy and the Reticence of Digital Art. Journal of Visual Culture. 16(3), 337-354.

Genc, K., & Soley, U. (2017). Waste Not, Want Not: The Future of Contemporary Art. The Believer—Logger.

Behar, K., & Kirksey, E. (2016). Nonhuman Solidarities: Katherine Behar and Eben Kirksey Discuss High Hopes (Deux).

http://badatsports.com/2016/nonhuman-solidarities-katherine-behar-and-eben-kirksey-discuss-high-hopes-deux/

Tosum, A. (2016). Dünyanin bize hizmet etmek için var oldugun düsünüyoruz. Istanbul Art News.

Behar, K., & Ruzanka, S. (2013). In Search of Digital Feminisms. 2

http://lateral.culturalstudiesassociation.org/issue2/ theory/index.html

Behar, K. (2013). Ready Mix. (Disorientalism) Solo exhibition curated by Jillian Hernandez. Girls Club Collection.

Behar, K. (2008). DISORIENTALISM, Vol. I: The ABCs. Artist Book (Limited Edition of 26).

Hiebert, T. Photographing Ambiguity.

Kronenberger, A., & Krall, L. Agential realism meets feminist art. A diffractive dialogue between writers, theories and art. Matter: Journal of New Materialist Research. 2(2 (2021)), 25-49.

Behar, K. The Problem with Platforms. Approx 2000 words.

Behar, K., Ruzanka, S., & Chang, B. There's an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design.

Title	Funding Agency Sponsor	Start Date	End Date	Awarded Date	Total Funding	Status
Indispensable	PSC CUNY 52	07/01/2021	06/30/2023	04/15/2021	3500	Completed
Anonymous Autonomous	PSC-CUNY 49	07/01/2018	12/31/2019	04/15/2018	6000	Completed
The Food Groups: A New Face	PSC-CUNY 47	07/01/2016	06/30/2017	04/15/2016	6000	Completed
Cloud Profile	PSC-CUNY 46	07/01/2015	06/30/2016	04/17/2015	6000	Completed
E-waste	PSC-CUNY 45	07/01/2014	06/30/2015	04/15/2014	5999.05	Completed
The Food Groups	PSC-CUNY 43	07/01/2012	06/30/2013	04/17/2012	3500	Completed
There's An App For That Shirt!	PSC-CUNY 42	07/01/2011	06/30/2012	04/15/2011	3500	Completed
The Food Groups: Slipped Up	PSC CUNY 53	07/01/2022	12/31/2023	04/15/2022	3500	Funded - In Progress
We Grasp at Straws	PSC-CUNY 54	07/01/2023	06/30/2024		3500	Submitted for Review

Honor / Award	Organization Sponsor	Date Received	Description
Residency	Nida Art Colony. Nida, Lithuania.	2026	Residency
Visiting Artist	Accademia di Belle Arti. Palermo, Sicily, Italy.	2025-05-20	Guest Artist
Faculty Fellow, “Creativity \| Intelligence \| Automation”	Society of Fellows, Global Arts + Humanities Discovery Theme.	2025	Fellowship
Faculty Fellow	Centre for Technology and Culture. University of Toronto. Toronto, Canada.	2025	Fellowship
Residency	Mouhit Artspace. Tunis, Tunisia.	2025	Residency
Residency	Nida Art Colony. Nida, Lithuania.	2025	Residency
Residency	Fondazione Studio Rizoma. Palermo, Sicily, Italy.	2025	Residency
Art, Technology, and Social Change Microresidency	Wexner Museum and Ohio State University.	2024	Residency
Visiting Artist	Arizona State University, Interdisciplinary Arts and Performance. Phoenix, AZ, USA.	2024	Guest Artist
Black Box Projects Production Residency	University of California. Irvine, USA	2023	Residency
Residency	Out of the Circle. Cairo, Egypt.	2023	Residency
New Works Residency	Harvestworks. New York, NY, USA.	2023	Residency
Creative Capital 2023 Awardee in Technology	Creative Capital	2023	Award
Visiting Artist	New Media B.A. Program. SUNY Purchase. Purchase, NY, USA.	2023	Guest Artist
Visiting Artist	Art Department. University of California Irvine. Irvine, CA, USA.	2023	Guest Artist
Visiting Artist	DXArts. University of Washington. Seattle, WA, USA.	2022	Guest Artist
Visiting Artist	Johns Hopkins University. Baltimore, MD, USA.	2022	Guest Artist
Visiting Artist	Stamps School of Art and Design, University of Michigan. Ann Arbor, MI, USA.	2022	Guest Artist
Visiting Artist	College for Creative Studies. Detroit, MI, USA.	2022	Guest Artist
Visiting Artist	Digital Studies Institute, University of Michigan. Ann Arbor, MI, USA.	2021	Guest Artist
Lead Artist	Creative Impact Lab Cairo. Zero1 International Exchange. Hosted by Medrar for Contemporary Art. Sponsored by U.S. Embassy Cairo. Cairo, Egypt [online]	2021	Guest Artist
Visiting Artist	Reed College. Portland, OR, USA.	2021	Guest Artist
Visiting Artist/Consultant	Digital Studies Institute Junior Faculty Incubator, University of Michigan. Ann Arbor, MI, USA.	2021	Guest Artist
Visiting Artist	University of Victoria. Cultural, Social, and Political Theory Program. Victoria, British Columbia, Canada.	2020	Guest Artist
Workspace Residency	Harvestworks. New York, NY, USA.	2020	Artist Residency
Labor 2020 Residency	Santa Fe Art Institute. Santa Fe, NM, USA.	2020	Artist Residency
Visiting Artist	Alberta University of the Arts. Calgary, Alberta, Canada.	2019	Guest Artist
Visiting Artist	Stamps School of Art and Design, University of Michigan. Ann Arbor, MI, USA.	2019	Guest Artist
Visiting Artist	Pace University, Department of Art. New York, NY, USA.	2019	Guest Artist
Visiting Artist	Framingham State University. Framingham, MA, USA.	2019	Guest Artist
Visiting Critic	Hunter College, Department of Art, New York, NY, USA.	2018	Guest Artist
Visiting Critic	University of Massachusetts, Amherst, Department of Art. New York, NY, USA.	2018	Guest Artist
Visiting Artist/Scholar-in-Residence	Robert Morris University, Media Arts. Pittsburgh, PA, USA.	2018	Guest Artist
Visiting Artist	Carnegie Mellon, Department of Art. Pittsburgh, PA, USA.	2018	Guest Artist
Residency	Nida Art Colony. Nida, Lithuania.	2018	Residency
Visiting Scholar/Artist-in-Residence	Robert Morris University. Pittsburgh, PA, USA	2018	Residency
Visiting Artist	School of Humanities, Arts, and Social Sciences, Rensselaer Polytechnic Institute. Troy, NY, USA.	2017	Guest Artist
Visiting Artist	University of New Mexico. Albuquerque, NM, USA.	2017	Guest Artist
Residency	MacDowell. Peterborough, NH, USA.	2017	Residency
Pioneer Works Tech Residency	Pioneer Works. Brooklyn, NY, USA.	2017	Residency
Visiting Artist	New Art Center, William Paterson University, Wayne, NJ, USA.	2017	Guest Artist
Visiting Artist	Center for Arts and Entertainment Technologies, University of Texas at Austin, Austin, TX, USA.	2017	Guest Artist
Visiting Artist	University of Massachusetts, Amherst. New York, NY, USA.	2017	Guest Artist
Visiting Artist	Stamps School of Art and Design, University of Michigan. Ann Arbor, MI, USA.	2017	Guest Artist
Visiting Artist	Columbia University, Graduate School of Architecture. New York, NY, USA.	2016	Guest Artist
Visiting Artist	MA in Ecology and Contemporary Performance, Helsinki University of the Arts. Helsinki, Finland.	2016	Guest Artist
Visiting Artist	Pace University, Department of Art. New York, NY, USA	2015	Guest Artist
Visiting Artist	Stamps School of Art and Design, University of Michigan. Ann Arbor, MI, USA	2015	Guest Artist
Visiting Artist	College of Fine Arts and College of Arts & Sciences, University of Kentucky. Lexington, KY, USA.	2014	Guest Artist
Johannesburg Workshop in Theory and Criticism	Mobile workshop in South Africa.	2014	Residency
Residency	Cannonball. Miami, FL, USA.	2013	Residency
Invited Participant, "Inventive Methods: Data, Calculation and Bodies" CUNY Graduate Center		2013
Residency	The MacDowell Colony. Petersborough, NH, USA.	2013	Residency
Residency	Launch Pad. Brooklyn, NY, USA.	2013	Residency
Guest Artists-in-Residence (Disorientalism)	Museum of Contemporary Art. North Miami, FL, USA.	2013	Artist Residency
Visiting Artist	Pace University, Department of Art. New York, NY, USA.	2012	Guest Artist
Artist-in-Residence	Arizona State University, Interdisciplinary Arts and Performance. Phoenix, AZ.	2012	Artist Residency
Visiting Artist	University of Massachusetts at Amherst, Department of Art. New York, NY, USA.	2012	Guest Artist
Baruch Faculty Fellow	The Rubin Museum of Art. New York City, NY, USA.	2011-08-06	Guest Artist
Residency	The Wassaic Project. Wassaic, NY, USA.	2011	Residency
Visiting Artist (with Ben Chang and Silvia Ruzanka). Interactive Media. Virtual Environments Lab. University of Hamburg. Hamburg, Germany		2010
Fellowship. Editorial Assistant for Art Journal, College Art Association. New York City, NY		2010
Visiting Artist	Rutgers University, Program in Women's and Gender Studies. Newark, NJ, USA.	2010	Guest Artist
Fellowship. Editorial Assistant for Art Journal, College Art Association. New York City, NY		2009
Visiting Artist	Georgia Institute of Technology, School of Literature, Communication and Culture. Atlanta, GA	2009	Guest Artist
Visiting Artist	School of Visual Arts, Department of Visual and Critical Studies. New York City, NY, USA.	2009	Artist Residency
Residency	7.stock. Dresden, Germany.	2008	Residency
Artist-in-Residence	Arizona State University, Interdisciplinary Arts and Performance. Phoenix, AZ, USA.	2008	Artist Residency
Artist-in-Residence	The School of the Art Institute of Chicago, Performance Department. Chicago, IL, USA.	2008	Artist Residency
Guest Artist	Universitatea Babes-Bolyai, Faculty of Theatre and Television. Cluj-Napoca, Romania.	2006	Guest Artist
Residency	MoKS. Mooste, Estonia.	2006	Residency
Visiting Artist Lecturer	School of the Art Institute of Chicago, Department of Fiber and Material Studies. Chicago, IL, USA.	2002	Guest Artist
Visiting Artist Lecturer	School of the Art Institute of Chicago, Department of Art History, Theory and Criticism. Chicago, IL, USA.	2002	Guest Artist
Visiting Artist Lecturer	School of the Art Institute of Chicago, Department of Film, Video and New Media. Chicago, IL, USA.	2001	Guest Artist
Guest Artist-in-Residence	Chicago Waldorf High School. Performance Art teacher for special semester elective. Chicago, IL, USA.	2000	Artist Residency
Visiting Artist Lecturer	School of the Art Institute of Chicago, Department of Fiber and Material Studies. Chicago, IL, USA.	2000	Guest Artist
Merit Scholarship	School of the Art Institute of Chicago. Chicago, IL, USA.	2000	Award
Merit Scholarship	School of the Art Institute of Chicago. Chicago, IL, USA.	1999	Award
Merit Scholarship	School of the Art Institute of Chicago. Chicago, IL, USA.	1998	Award
Merit Scholarship	School of the Art Institute of Chicago. Chicago, IL, USA.	1997	Award
Merit Scholarship	School of the Art Institute of Chicago. Chicago, IL, USA.	1996	Award

College

Committee Name	Position Role	End Date
WSAS Committee on Academic Standing	Committee Member	Present
WSAS Curriculum Committee	Committee Member	Present
Fine and Performing Arts Department Executive Committee	Committee Member	Present
New Media Artspace Curatorial Committee	Committee Chair	Present
Faculty Senate	Senator	Present
Fine & Performing Arts Department	New Media Arts Program Coordinator	Present
New Media Committee	Committee Chair	Present
Mishkin Gallery Committee	Committee Member	Present
Fine and Performing Arts Curriculum Committee	Committee Member	Present
Provost’s Task Force on Service	Committee Member	Present
Provost’s Task Force on Research/Creative Activity	Committee Chair	8/24/2017

University

Committee Name	Position Role	Start Date	End Date
M.S. Program in Data Analysis and Visualization	Deputy Director	8/25/2018	Present
Executive Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Curriculum Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Admissions Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Faculty Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Awards Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2023	4/1/2023
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2016	4/1/2016
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2015	4/1/2015
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2014	4/1/2014
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2013	4/1/2013
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2012	4/1/2012
Guest Curator. "And Another Thing". Exhibition at the James Gallery. Co-curated with Emmy Mikelson		9/14/2011	10/29/2011

Professional

Organization	Position Role	Organization State	Organization Country	Start Date	End Date	Audience
Editorial Advisory Board. Punctum Books	Editorial Review Board Member			8/25/2020	Present	International
Editorial Board. Media-N: Journal of the New Media Caucus	Editorial Review Board Member			8/25/2020	Present	International
International Advisory Board. Photomediations Machine (affiliate journal Culture Machine)	Editorial Review Board Member			8/25/2013	Present	International
Advisory Board (Performance Studies specialist). punctum records (affiliate imprint of punctum books)	Editorial Review Board Member			8/25/2013	Present	International
Advisory Board. McLuhan Centre for Culture and Technology, University of Toronto	Board of Advisors of a Company		Canada	8/25/2022	Present	International
Review Board. The Journal of Interactive Technology and Pedagogy.	Editorial Review Board Member			8/25/2012	8/24/2020	International
Siggraph Art Papers Reviewer.	Reviewer, Conference Paper			8/25/2013	12/31/2013	International
Digital Fellow. Art Journal	Editorial Fellow			8/25/2010	8/24/2013	International
Advisory Editor. O-Zone: A Journal of Object Oriented Studies	Editorial Review Board Member			8/25/2011	8/24/2013	International
"OOF2: CLOSER," Chair and Organizer of Two Panel Stream ("Object-Oriented Feminism: Getting Closer" and "Object-Oriented Feminism: Even Closer") for the Society for Literature, Science and the Arts, Twenty-sixth Annual Conference		Wisconsin	United States		12/31/2012
Task Force Member, Task Force to Review Annual Conference Technologies. College Art Association				2/1/2012	10/31/2012
"New Media Art and Feminism: Hot or Not?" Co-Chair of Open Dialogue Session for the New Media Caucus Annual Meeting		New York	United States		12/31/2011
Grant Review Panelist, Franklin Furnace Fund		New York			12/31/2011
"Object-Oriented Feminism," Chair and Organizer of Two Panel Stream ("Object-Oriented Feminism: Programs" and "Object-Oriented Feminism: Parts") for the Society for Literature, Science and the Arts, Twenty-fourth Annual Conference		Indiana	United States		12/31/2010
Chair and Co-organizer (with Frenchy Lunning). "Decoding, a Method of Performance / Performance, a Method of Decoding," Panel at SLSA 09: Decoding. Society for Literature, Science and the Arts, Twenty-third Annual Conference. Atlanta, GA					12/31/2009
Co-Organizer (with Michael Zimmer), "The Googlization of Everything" Panel at NYU Department of Culture and Communication Graduate Student Conference. Brooklyn, NY					12/31/2005
Co-Moderator and Co-Organizer (with Stephanie Rothenberg), "The Integrated Circuit? Embodiment, Difference, Resistance" Artists' Panel Discussion and Workshops for Version>03. Museum of Contemporary Art Chicago. Chicago, IL					12/31/2003
Panels and Curatorial Grant Review Panelist, Community Arts Assistance Program (CAAP), Multi Arts Category. Chicago Department of Cultural Affairs. Chicago, IL					12/31/2002
Curatorial Advisor to Kevin Newhall, "Recreation." The Spareroom. Chicago, IL					12/31/2002
Guest Artist (Film). Tracing a Vein. Hairless Films. Daniéle Wilmouth, director					12/31/2001
Juror. "Im?Mortal." Gallery 2, Chicago, IL					12/31/2001
Curator (with Thea Miklowski, Kevin Newhall, and Jennifer Dowlin-Kelly), "I Wish I'd Thought of That! Performance Art History Repeats Itself." The Spareroom. Chicago, IL					12/31/2001
Curator (with Thea Miklowski), "Dance Lesson." The Spareroom. Chicago, IL					12/31/2000
Guest Artist (Dance). "Vanishing Point." Marianne Kim, choreographer; Josh Abrams, composer. Links Hall, Chicago, IL					12/31/1999
Guest Artist (Dance). "SMaK Attack." Marianne Kim and Sarah Kraft, choreographers. Museum of Contemporary Art, Chicago, IL					12/31/1999
Guest Artist (Dance). "Jet-Propelled." Joseph Ravens and Poul Bachmeier, directors. Museum of Contemporary Art, Chicago, IL					12/31/1999
"Mad / am I / da." Marianne Kim, choreographer. Breaking Bounds, Dance Chicago 98, The Atheneum.	Guest Artist (Dance)			12/31/1998	12/31/1998	Local