Katherine Behar

Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: katherine.behar@baruch.cuny.edu

> View CV

Biography
Teaching
Research and Creative Activity
Grants
Honors and Awards
Service

Education

M.F.A., Combined Media, Hunter College, CUNY New York City USA

M.A., Media Ecology, Steinhardt School of Education, NY Univ. New York City USA

BFA, Fine Art, School of the Art Institute of Chicago Chicago USA

Semester	Course Prefix	Course Number	Course Name
Fall 2023	IDC	4050H	Hon Feit Hum Sem I
Fall 2022	NMA	4900	NMA In Theory and Practice
Fall 2022	DATA	74000	Data, Culture and Society
Fall 2021	DATA	74000	Data, Culture and Society
Fall 2020	NMA	4900	NMA In Theory and Practice
Fall 2020	FPA	5000	Independent Study FPA I
Spring 2020	DATA	74000	Data, Culture and Society
Spring 2020	NMA	4900	NMA In Theory and Practice
Spring 2019	NMA	4900	NMA In Theory and Practice
Spring 2019	ART	5000	Independent Study Art I
Spring 2019	ART	5000	Independent Study Art I
Fall 2018	NMA	4900	NMA In Theory and Practice
Fall 2018	ART	5010	Graphic Communic Int
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Fall 2018	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5000	Independent Study Art I
Spring 2017	ART	5010	Graphic Communic Int
Spring 2017	NMA	3010	Video I
Spring 2017	NMA	4900	NMA In Theory and Practice
Fall 2016	ART	5010	Graphic Communic Int
Fall 2016	NMA	4900	NMA In Theory and Practice
Spring 2016	NMA	4900	NMA In Theory and Practice
Fall 2015	NMA	4900	NMA In Theory and Practice
Fall 2015	IDC	4050H	Hon Feit Hum Sem I
Fall 2014	ART	5001	Independent Study Art II
Fall 2014	ART	5000	Independent Study Art I
Fall 2014	ART	5010	Graphic Communic Int
Fall 2014	NMA	4900	NMA In Theory and Practice
Spring 2014	ART	5000	Independent Study Art I
Spring 2014	ART	5000	Independent Study Art I
Spring 2014	ART	5011	Graphic Comm Int II
Spring 2014	NMA	3010	Video I
Spring 2014	ART	5010	Graphic Communic Int
Fall 2013	NMA	2050	Introduction to New Media Arts
Fall 2013	NMA	2050	Introduction to New Media Arts
Fall 2013	ART	5010	Graphic Communic Int
Fall 2013	ART	5000	Independent Study Art I
Fall 2013	ART	3057	Principles of Internet Design
Spring 2013	ART	3061	Digital Photography
Spring 2013	NMA	4900	NMA In Theory and Practice
Spring 2013	NMA	3010	Video I
Spring 2013	ART	5010	Graphic Communic Int
Spring 2013	ART	5000	Independent Study Art I
Spring 2013	ART	5000	Independent Study Art I
Spring 2013	ART	5000	Independent Study Art I
Fall 2012	ART	5000	Independent Study Art I
Fall 2012	IDC	4050H	Hon Feit Hum Sem I
Fall 2012	ART	3057	Principles of Internet Design
Fall 2012	ART	5010	Graphic Communic Int
Fall 2012	NMA	2050	Introduction to New Media Arts
Summer 2012	ART	5010	Graphic Communic Int
Spring 2012	ART	3041	Special Topics in Art (Studio)
Spring 2012	ART	5000	Independent Study Art I
Spring 2012	ART	3061	Digital Photography
Spring 2012	ART	5010	Graphic Communic Int
Fall 2011	ART	5000	Independent Study Art I
Fall 2011	FPA	5070	Arts Administration Internship
Fall 2011	ART	5001	Independent Study Art II
Fall 2011	ART	5010	Graphic Communic Int
Fall 2011	ART	3041	Special Topics in Art (Studio)
Fall 2011	ART	3057	Principles of Internet Design
Fall 2011	FPA	3041	Spc Top In Med & Art
Fall 2011	ART	3057	Principles of Internet Design
Fall 2011	ART	5000	Independent Study Art I
Spring 2011	ART	3061	Digital Photography
Spring 2011	ART	5000	Independent Study Art I
Spring 2011	ART	5001	Independent Study Art II
Spring 2011	ART	5010	Graphic Communic Int
Spring 2011	ART	3041	Special Topics in Art (Studio)
Fall 2010	ART	3057	Principles of Internet Design
Fall 2010	ART	2050	Basic Graphic Commun

Artistic and Creative Activities

Behar, K., & Vainsencher, G. (2023). Gabriela Vainsencher: Inheritance.

Behar, K., & Downey, K. (2023). Kerry Downey: This is a reenactment but this time will be different.

Behar, K., & Yolaçan, P. (2022). Pinar Yolaçan: Body-Image.

Behar, K., & Rauch, S. (2022). Sarada Rauch: If All Things Were Equal, You’d Only Be the Sequel.

Behar, K. (2022). Katherine Behar: Shelf Life.

Behar, K., & Potnis, P. (2021). Prajakta Potnis: The Slow Burn.

Behar, K. (2021). Recto & Verso. Zero1.

Behar, K., & hers-RHEE, k. (2021). kate-hers RHEE: Inventing Genealogies.

Behar, K. (2020). Measure of Human.

Behar, K. (2020). ON|OFF.

Behar, K., & Rothenberg, S. (2020). Stephanie Rothenberg: Aphrodisiac in the Machine.

Behar, K., & Murrell, J. (2020). Archiving HOWDOYOUSAYYAMINAFRICAN?: Process over Product..

Behar, K. (2019). Anonymous Autonomous Work in Progress Community Demo.

Behar, K. (2019). Red Hook Open Studios. Produced by PortSide New York.

Behar, K. (2019). Arts Culture and Digital Transformation Summit Exhibition.

Behar, K., & Ahwesh, P. (2019). Peggy Ahwesh: Unsettled States.

Behar, K. (2019). Katherine Behar: Backups.

Behar, K., & Benson, L. (2019). Lily Benson: Future Mechanism Replacement.

Behar, K. (2018). Digital Trash.

Behar, K. (2018). Katherine Behar: Anonymous Autonomous.

Behar, K., & Kim, M. M. (2018). Disorientalism: A New Face.

Behar, K., & Demirjian, A. (2018). Andrew Demirjian: pause+rewind+connect+combine+sequence+delay+repeat.

Behar, K. (2017). To Spread a Table Fuller.

Behar, K. (2017). Out of Time. SLSA.

Behar, K. (2017). Projects for the Page.

Behar, K. (2017). Maritime Messaging: Red Hook.

Behar, K., & Gannis, C. (2017). Carla Gannis: Augmented Gardens and Other Emoji Delights.

Behar, K. (2017). Homecoming.

Behar, K. (2017). THEM.

Behar, K. (2016). Immersive Worlds Art Exhibitions.

Behar, K., & O'Brien, N. (2016). Nicholas O'Brien: The Four Tools.

Behar, K. (2016). I Wasn’t Just Saying What You Wanted To Hear.

Behar, K., & Rasmussen, E. (2016). Elise Rasmussen: Unbecoming.

Behar, K. (2016). Fwd: no-reply@TheAlice.

Behar, K. (2016). Katherine Behar: Data’s Entry | Veri Girisi.

Behar, K., & Kim, M. M. (2015). Disorientalism: Maiden Voyage & Ready Mix. Arizona State University Galleries.

Behar, K., Kim, M. M., Franceschini, A., & Dudley, R. (2015). iSpy/Embodied Place: Observations & Notations. Garage Door and Tahoe Gallery.

Behar, K., Kim, M. K., Oransky, H., & Lunning, F. (2015). Maiden Voyage/WonderWomen. Katherine E. Nash Gallery.

Behar, K., & Fabri, Z. (2015). Zachary Fabri: X Black Y.

Behar, K., & Perlin, J. (2015). Jenny Perlin: Open Sentence.

Behar, K., & Strakovsky, D. (2014). Katherine Behar: E-Waste. Tuska Center for Contemporary Art.

Behar, K., & Manos, M. (2014). Modeling Big Data/Re:Collect. Re:View Contemporary Gallery.

Behar, K., Weingrod, J., & Gokturk, B. (2014). Modeling Big Data/Iceberg’s Tongue. YoungArts Foundation Studio.

Behar, K., & McDonald, J. (2014). Jillian McDonald: Something Wicked (This Way Comes).

Behar, K., & Zurkow, M. (2014). Marina Zurkow: NeoGeo / Landfill Club.

Behar, K., Kim, M. M., & Rothenberg, S. (2014). Brown Bagging: Quality is Our Recipe/Performing Economies. Techne Institute for Arts and Emerging Technologies, University at Buffalo.

Behar, K., & Mikelson, E. (2014). What to increase? What to reduce?/Oblique Strategies. Peter Fingesten Gallery, Pace University.

Behar, K., & Sayre, R. (2014). Katherine Behar: High Hopes. The Brunswick Window.

Behar, K., & Kim, M. M. (2014). Maiden Voyage/MANIFEST! Choreographing Social Movements in the Americas. FOFA Gallery, Concordia University.

Behar, K., Kim, M. M., Ravens, J., & Bridges, S. L. (2014). Brown Bagging: Quality is Our Recipe/Rapid Pulse Performance Festival. Defibrillator Gallery/Rapid Pulse Performance Festival.

Behar, K. (2014). E-Waste WIPs and Clicks/Trash, Toxicity, Transmission. Cultural Studies Association at Lassonde House, University of Utah.

Behar, K., & Sullivan, L. (2014). Lynn Sullivan: Super Impose.

Behar, K., & Trusewych, R. (2013). Subjectivity is an Irreducible Element of Objectivity/Decisiveness. Helper Gallery.

Behar, K., & Rivera, S. (2013). Study for Dead Air 2/Novella Gallery Inaugural Benefit. Novella Gallery.

Behar, K., & Higgins, R. (2013). Study for Dead Air/DIY Plinth. “do it (outside),” curated by Hans Ulrich Obrist. Socrates Sculpture Park..

Behar, K., & Agro', O. (2013). Street.s/Wall.ing/in. / Water Street POPS. Art Assets for 32 Old Slip and the New York Department of Transportation.

Behar, K., Kim, M. M., & Paggett, T. (2013). Recent Videos/NATUREHOODFULLESSNESS. Pieter Performance Space.

Behar, K. (2013). There's an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design.

Behar, K., & Eduardovna, I. (2013). Ira Eduardovna: Terminus.

Behar, K., Kim, M. M., & Hernandez, J. (2013). Brown Bagging: Quality is Our Recipe. Museum of Contemporary Art, North Miami.

Behar, K., Chang, B., & Ruzanka, S. (2013). There’s An App For That Shirt!. ART NOW: Performance, Art & Technology Visiting Artist Series at Monmouth University.

Behar, K. (2013). Gauntlet/King Arthur Green Room. NADA Art Fair.

Behar, K., Kim, M. M., & Hernandez, J. (2013). Ready Mix. The Girls’ Club Collection.

Behar, K. (2012). Abendland.

Behar, K. (2012). Brown Bagging. Arizona State University Galleries.

Behar, K. (2012). Bigger Than You: Big Data and Obesity.

Behar, K. (2012). Blogs@Baruch in New Media Arts Classes. Baruch College.

Behar, K. (2012). Compositions for Bit. Greenwich Music House.

Behar, K. (2012). Disorientalism. Invited guest artist presentation for AAFAA's Asian Pacific American Heritage Month. US Department of State.

Behar, K. (2012). Publishing NOW, digitally.

Behar, K. (2012). Quality is Our Recipe. Disorientalism (collaboration with Marianne Kim). Performance Lecture. "The Affect Factory: Percarity, Labor, Gender, and Performance." Curated by "Women and Performance.".

Behar, K. (2012). Ready Mix. Artistic talk at The Wassaic Project Summer Festival.

Behar, K. (2012). Real-time and Interactive Video. presentation for BCTC Teaching and Technology Conference.

Behar, K. (2012). Maiden Voyage.

Behar, K. (2012). Ready-Mix. Lenticular Installation. (Disorientalism) "Till," curated Lynn Sullivan.

Behar, K. (2012). Quality is Our Recipe. Performance. (Disorientalism) "The Affect Factory," curated by Women & Performance. New York University.

Behar, K. (2012). Participation May Vary. Kinect video game. (Disorientalism) "Collider 4: Spectacle," curated by Markus Vogl, Rod Bengston, Tony Samangy, and Margarita Benitez. Emily Davis Gallery, University of Ohio.

Behar, K. (2012). Ready-Mix. Lenticular installation. (Disorientalism) 'The Wassaic Project Summer Festival," curated by Eve Biddle, Bowie Zunino, and Jeff Barnett-Winsby, Wassaic.

Behar, K. (2012). Art Journal and the Digital Humanities. College Art Association.

Behar, K., & Mikelson, E. (2011). And Another Thing. CUNY Graduate Center, Center for the Humanities.

Behar, K. (2011). TV Maintenance and Plugging Away. Video. (Disorientalism) "Everyday Charms," curated by Jillian Hernandez for the Feminist Art Project. O Cinema.

Behar, K. (2011). Art Materiality and Time. Co-organizer and co-sponsor for lecture by Bernard Stiegler (Ecole de Philosophie d'Epineuil-le Fleuriel, IRI, Georges Pompidou Center), in conjunction with "And Another Thing" exhibition,The CUNY Graduate Center.

Behar, K. (2011). Contemporary Art and Neuroscience. Co-organizer and co-sponsor for lecture by Suzanne Anker (School of Visual Arts), in conjunction with "And Another Thing" exhibition, the CUNY Graduate Center.

Behar, K. (2011). Convocation Speaker (with Disorientalism). Pacific Northwest College of Art.

Behar, K. (2011). Disorientalism: Consuming Identity. Paper Presentation for "Consuming Asian America: International Network for Diasporic Asian Art Research." Association for Asian American Studies Annual Conference.

Behar, K. (2011). Metabolic Objects. Co-organizer and co-sponsor for lectue by Hannah Landecker (UCLA) in conjunction with "And Another Thing " exhibition, the CUNY Graduate Center.

Behar, K. (2011). No Thing Unto Itself: Object-Oriented Politics. Moderator and organizer for panel discussion with Noortje Marres (Goldsmiths), Shannon Mattern (The New School), and David Turnbull (Cooper Union) in conjunction with "And Another Thing" exhibition, the CUNY Graduate Center.

Behar, K. (2011). Pipecleaner. Screensaver. "Green Screen Dreams," curated by Nat Trotman, in association with the 2011 Armory Show. The Big Screen Project.

Behar, K. (2011). So Happy to be Here in the 21st Century. Disorientalism (collaboration with Marianne Kim). Performance Lecture. Convocation Address. Pacific Northwest College of Art.

Behar, K. (2011). Speculative Realism. Co-organizer and co-sponsor for panel discussion with Graham Harman (The American University of Cairo), Jane Bennett (John Hopkins), and Levi Bryant (Collins College), in conjunction with "And Another Thing" exhibitio, the CUNY Graduate Center.

Behar, K. (2011). TV Maintenance. Video. (Disorientalism) "FIRE/SKY/WATER... REPRODUCTION," curared by Carlos Rigau. de la Cruz Collection.

Behar, K. (2011). The Space Between. "Meet the Composer." Multimedia performance with composer Rob Mazurek, choreaographer and video artist Marianne Kim, and media artist Katherine Behar. Chicago Cultural Center.

Behar, K. (2011). ON/OFF. Co-curator with Marianne Kim. Defibrillator Gallery.

Behar, K. (2011). And Another Thing. Guest Curator (with Emmy Mikelson). The James Gallery at the CUNY Graduate Center.

Behar, K. (2011). Ready Mix. Disorientalism (collaboration with Marianne Kim) for the Food Groups Series. Feldman Gallery+Project Space. Pacific Northwest College of Art.

Behar, K. (2011). Pipecleaner. Screensaver. Group exhibition. "Don't Fence Me In ... Or Out," curated by Lisa Corinne Davis. Lesley Heller Workspace.

Behar, K. (2011). Pipecleaner. Screensaver. Group exhibition. "Interior-ity," curated by Dmitry Strakovsky and Zaytseva Lana. Moscow Biennial Special Projects. Proekt_Fabrika.

Behar, K. (2010). Compositions for Bit. Judson Memorial Church.

Behar, K. (2010). Ambient Clumsiness in Virtual Environments. Paper Presentation with (Silvia Ruzanka) for "The Engineering Reality of Virtual Reality" Conference, Virtual Reality Section, Human Vision and Electronic Imaging (HVEI) at Symposium on Electronic Imaging Science and Technology.

Behar, K. (2010). Avatar Impotence: On User Will, Avatar agency and System Control in Second Life. Paper Presentation (with Silvia Ruzanka and Ben Chang) for "Avatars and Humans" Ecrea European Communication Preconference 2010.

Behar, K. (2010). Losing Yourself in the 21st Century. Maryland Art Place.

Behar, K. (2010). Lunch Break. Video. "pArty in Your Mouth," curated by Ania Greiner and Jessica Hannah. 2643 Troy.

Behar, K. (2010). Response to Programmed Visions. Respondent on Bood Panel for Programmed Visions: Software and Memory by Wendy Hui kyong Chun. Society for Literature, Science and the Arts, Twenty-fourth Annual Conference.

Behar, K., & Kim, M. (2010). Dis-Robed. The Wassaic Project.

Behar, K. (2010). Facing Necrophilia, or 'Botox Ethics'. Paper Presentation for "Object-Oriented Feminism: Programs" Panel at Society for Literature, Science and the Arts, Twenty-fourth Annual Conference.

Behar, K. (2009). Command and Control: Cybernetics and BDSM. Paper Presentation for "Sex and Sexuality" Panel at Digital Arts and Culture.

Behar, K. (2009). Hexxed. Technology Performance. "Incidents and Accidents," curated by Gerelyn Blackstone Bridges. The Hogar Collection.

Behar, K. (2009). Pipecleaner. Screensaver. "Losing Yourself in the 21st Century," curated by Susan Richmond, Cathy Byrd, and Jillian Hernandez. Georgia State University Welch School of Art and Design Gallery.

Behar, K. (2009). Stick To It! Video. "As Such As Well As An Assumption," curated by Ruslan Trusewych. T.B.D. Art Space.

Behar, K. (2009). Sympathy. Lecture for "New Media Art & Affect" Panel at Bridge Art Fair.

Behar, K. (2009). 3G56k. Interactive Installation and Performance. "Hunter College MFA Thesis Exhibition.

Behar, K. (2009). Command and Control: Cybernetics and BDSM. Paper Presentation for "Decoding, a Method of Performance/Performance, a Method of Decoding" Panel at SLSA 09:Decoding. Society for Literature, Science and the Arts, Twenty-third Annual Conference.

Behar, K. (2008). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Performance Lecture/Paper Presentation at SLSA 08: Reiterations. Society for Literature, Science adn the Arts, Twenty-second Annual Conference.

Behar, K. (2008). INimaging. Public Performance and Technology Installation. "IN>TIME," curated by Sara Schnadt and Mark Jeffrey.. Chicago Cultural Center.

Behar, K. (2008). DISORIENTALISM. (Collaboration with Marianne Kim). Arizona State University Galleries.

Behar, K. (2008). Buildings Blocks. Installation with Video and Performance Documentation. Mediations Biennale.

Behar, K. (2008). Building Blocks. Public Performance and Installation with Video and Performance Documentation. "Camouflash:Disappearing in Art," curated by Anja Rudolph. UNOACTU.

Behar, K. (2008). Primaries. Video Installation. "Prescience," curated by Tyler Emerson-Dorsch. The Dorsch Gallery.

Behar, K. (2008). Technology as Architecture/Architecture as Technology. Lecture. 7.stock.

Behar, K. (2008). TV Maintenance and Plugging Away. Videos. DISORIENTALISM (Collaboration with Marianne Kim). Mediations Biennale.

Behar, K. (2007). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Remote Text Chat Performance/Paper Presentation. (re) Actor: 2nd International Conference on Digital Live Art. Leeds Metropolitan University.

Behar, K. (2007). Live Chatter: Impersonal Impersonation of a Chatterbot Persona. Artist Performance Presentation at (re) Actor: 2nd International Conference on Digital Live Art. Leeds Metropolitan University.

Behar, K. (2007). de(bugging) Loop(de) Loop. Video Installation. "Turnstile: Single Use." Internal 07.

Behar, K. (2007). Astral Travel for Beginners or Hypno-cracy: Visualizing Change for Community Empowerment. Performance. Collaboration with Stephanie Rothenberg. "Siebren Versteeg Vs. Chicago Ex-pats," curated by Nato Thompson. Creative Time at 205 Club.

Behar, K. (2007). An Archaeology of the Mistaken Present. Site-Specific Performances. DISORIENTALISM (Collaboration with Marianne Kim). Performance Studies International Conference (PSi 13).

Behar, K. (2007). Pipecleaner. Screensaver. "Glitches, Bits, and Switches," curated by Ben Chang. Alogon Gallery.

Behar, K. (2007). Urban Camouflage: Taking Shelter. Street Installations. Conflux Festival.

Behar, K. (2007). Two by Two, View by View. Public Performance. DISORIENTALISM (Collaboration with Marianne Kim). 11th Annual D.U.M.B.O. Art Under the Bridge Festival.

Behar, K. (2007). The Problems of New Media Art.

Behar, K. (2007). R/W/X: (read/write/execute): Materiality of Code and Questions of Representation in New Media Art. Paper Presentation for "The Problems of New Media Art" Panel at SLSA 07:CODE. Society for Literature, Science and the Arts, Twenty-first Annual Conference.

Behar, K. (2007). Plugging Away. Video. DISORIENTALLISM (Collaboration with Marianne Kim). "video_dumbo," curated by Gabriela Moray & Casper Stracke.

Behar, K. (2006). BUG-BYTES. Site-specific mobile phone installation. "Mobotag." curated by Marta Lwin..

Behar, K. (2006). de(bugging)Loop(de)Loop. Videos. Curated by Birgit Rathsmann. Monkey Town.

Behar, K. (2006). INFORMATION FARM. Interactive community mapping performance and online game. Collaboration with Ben Chang, Silvia Ruzanka, and Joseph Ravens. "Human Zoo" at MoKs PostsovkhoZ.

Behar, K. (2006). Sweet Release. City of Chicago Storefront Theater.

Behar, K. (2006). Turkish Delight: d/evolution of flight. Performance. (Collaboration with Joseph Ravens). Galata Perform.

Behar, K. (2006). Stick To It! Performance. "Triple Layer Cake," curated by Elyce Semenec. CANADA Gallery.

Behar, K. (2006). Smoggy Slushy Sludge Balls in Smutty Slut Cones. Performance. Collaboration with Tyra Bombetto. "Get Presents and Get Involved, A Pageant of Christmas and Politics," curated by Meg Duguid.

Behar, K. (2006). INFORMATION FARM. Interactive community mapping performance and online game. Collaboration with Ben Chang, Silvia Ruzanka, and Joseph Ravens. "Virtual Reality Performance SubFest" at Buffalo Infringement Festival.

Behar, K. (2006). Sweet Release. Universitatea Babes-Bolyai, Faculty of Theatre and Television & National Museum of Art.

Behar, K. (2005). Connecting: Intimate Architectures, 3. Instant Messaging and Wireless Communication Public Performance. What?Works (Collaboration with Joseph Ravens and Marianne Kim), De Balie Center for Culture and Politics.

Behar, K. (2005). Let it snow! Video. DISORIENTALISM (Collaboration with Marianne Kim). "Office of All Sorts of Backwards Productions' Holiday Pageant," curated by Meg Duguid.

Behar, K. (2005). Turns. Video Installation. "Media Masquerade: The Inner Dialogue of Women in Masquerade" The Centre for Art Tapes.

Behar, K. (2005). talk to the machine!. Lecture for Interzone 02. De Balie Centre for Culture and Politics.

Behar, K. (2005). Table Talk: Intimate Architectures, 1. Walem Cafe.

Behar, K. (2005). Searching for the G/Local. Paper Presentation for "The Googlization of Everything" Panel at the NYU Department of Culture and Communication Graduate Student Conference.

Behar, K. (2005). Roaming: Intimate Architectures, 2.

Behar, K. (2005). Let it Snow! Video. DISORIENTALISM (Collaboration with Marianne Kim). "Office of All Sorts of Backwards Productions' Holiday Pageant," curated by Meg Duguid.

Behar, K. (2004). Configurations. Video. "Ocurrences: the performative space of video," curated by Trevor Martin. Galleries Soliel.

Behar, K. (2004). Picnic Series: Lunch Break. Melon Brawl. Mead Heads.

Behar, K. (2003). Get Back to Happy. Performance Installation. "Welcome to the Avant-Garde" (Featured Performance). Performances Art Festival+Archives.

Behar, K. (2003). Distance Learning. Performance Installation. "Time Share: Spare Time" Urban Institute for Contemporary Arts.

Behar, K. (2003). Configurations. Video. "Ocurrences: the performative space of video, "curated by Trevor Martin. Betty Rymer Gallery.

Behar, K. (2002). Turns. Video Installation. "Interrogating Diversity". Betty Rymer Gallery.

Behar, K. (2002). Specific Difficulty. Video Installation. "Pictorial Seams," curated by Jennifer Talbot. Betty Rymer Gallery.

Behar, K. (2002). Recreation. The Spareroom.

Behar, K. (2002). Get Back to Happy. Performance Installation. "Anatomies: Contemporary Performance in Chicago," curated by Cory Gearhardt and Matthew Wilson. Columbia College.

Behar, K. (2002). Flash [dot] Flatness. Paper Presentation for "Naked Apprehensions of Technology" Panel at Version>02. Museum of Comtemporary Art Chicago.

Behar, K. (2002). Attachments. Video. "Performing On The Edge," curated by Kym olsen. First Annual New Haven Fringe Festival, (untitled) space.

Behar, K. (2002). Turns. Video Installation. "Slant: Bold Asian American Images" Diverse Works.

Behar, K. (2001). Attachments. Performance and Video. "I Wish I'd Thought of That! Performance Art History Repeats Itself," curated by Katherine Behar, Jennifer Dowlin-Kelly, Thea Miklowski, and Kevin Newhall. The Spareroom.

Behar, K. (2001). opt/up 2000 1/2. The Spareroom.

Behar, K. (2001). I Wish I'd Thought of That! Peformance Art History Repeats Itself. The Spareroom.

Behar, K. (2000). Untitled (sketch for difference and re PETE ition). Durational movement performance and installation. "Five Times Faster," curated by Thea Miklowski and Jennifer Dowlin-Kelly. The Spareroom.

Behar, K. (2000). One if by land, two if by see. Performance. "It's About Time: A Durational Performance Event," curated by Thea Miklowski and Jennifer Dowlin-Kelly. The Spareroom.

Behar, K. (2000). Dance Lesson. The Spareroom.

Behar, K. (2000). A Shear Miss. Durational performance and installation with video. "BFA Thesis Exhibition." The School of the Art Institute of Chicago.

Behar, K., & Kim, M. M. (2000). ON|OFF.

Behar, K., & Newhall, K. (2000). Kevin Newhall: Recreation..

Behar, K. (2000). ...(dot, dot, dot,). Performance Installation and Video. "An Evening of Performance Art" Gallery 2.

Behar, K., & Miklowski, T. (2000). Dance Lesson.

Behar, K. (1999). Nesting Piece and Wind. Photographs and text (Wind); Video (Nesting Piece). "New York/Chicago/Los Angeles Exchange," curated by Victorine Muller. Instituto Svizzero.

Behar, K. (1999). No title, 1999. Durational performance and installation with video. Gallery 2.

Behar, K. (1998). No title (Back). Site-specific Performance and Installation.

Behar, K. (1998). No Title. Performance. "Tough Nights," curated by Melinda Moran. Tough Gallery.

Behar, K. (1997). reflex. Performance. Gallery 2.

Books

Behar, K., Colakoglu, F., & Soley, U. (2016). Katherine Behar: Data's Entry | Veri Girisi. Istanbul, Turkey, Pera Museum.

Behar, K. (2016). Object-Oriented Feminism. (p. 280). Minneapolis, USA, University of Minnesota Press.

Behar, K., & Mikelson, E. (2016). And Another Thing: Nonanthropocentrism and Art. (p. 86). Earth, Milky Way, punctum books.

Behar, K. (2016). Bigger than You: Big Data and Obesity: An Inquiry toward Decelerationist Aesthetics. (p. 70). Earth, Milky Way, punctum books.

Behar, K. (2014). E-Waste. (p. 32). Lexington, Kentucky, USA, Tuska Center for Contemporary Art.

Journal Articles

Behar, K., & Mirzayan, A. (2019). Objects That Matter: Bodies, Art, and Big Data: Katherine Behar, interviewed by Anna Mirzayan. Chiasma: A Site For Thought, (Issue 5).

Behar, K. (2018). Uma introdução ao OOF. Revista ECO-Pós, 21(n. 2).

Behar, K. (2014). E-Waste. Lateral: The Journal of the Cultural Studies Association, 3.

Behar, K. (2013). The Problem with Platforms. The Journal of Visual Culture,

Behar, K., & Ruzanka, S. (Eds.). (2013). In Search of Digital Feminisms. Lateral: The Journal of the Cultural Studies Association. Volume 2 (May, 2013). Guest Thread Editor for Lateral (with Silvia Ruzanka). (Winter, 2013).

Behar, K., & Ruzanka, S. (2013). Ungoogleable: In Search of Digital Feminisms. Lateral: The Journal of the Cultural Studies Association, 2.

Behar, K., & Ruzanka, S. (2011). Open Dialogue, Feminism and New Media Art: Hot or Not?. Media-N, 7(2).

(2009). “Capturing Glocality–Online Mapping Circa 2005: Mapping Glocalities”. Parsons Journal for Information Mapping I, 4.

(2009). INimaging. Visual Communication Quarterly, 16(3). 134-139.

(2009). “Capturing Glocality–Online Mapping Circa 2005: Mapping Territories”. Parsons Journal for Information Mapping I, 1.

(2004). “Flash[dot]Flatness: Spatial Metaphors in Dot Syntax ActionScript in Macromedia Flash 5”. Extensions: The Online Journal for Embodied Technology I, 1.

Gregory, K. Karen Gregory, “Quality is Our Recipe: Gaming the Lost Affect of Care,” Women & Performance: a journal of feminist theory, 23:1, 152-155, DOI: 10.1080/0740770X.2013.827375.

Book Chapters

Behar, K. (2022). “What’s hard…”. Encyclopedia of Things Leipzig. Spector Books OHG.

Behar, K. (2022). “Artificial Ignorance!”. Chimeras: Inventory of Synthetic Cognition Athens, Greece. Onassis Publications.

Behar, K. (2022). Bigger than You: Big Data and Obesity. In Sarram, P., Ratta, D. D., Lovink, G., & Numerico, T. (Eds.), The Aesthetics and Politics of the Online Self: A Savage Journey into the Heart of Digital Cultures Rome, Italy. Palgrave Macmillan.

Behar, K. (2018). Wasting Away: Thoughts on 'Digital Trash'. Digital Trash Camden, NJ. Stedman Gallery at Rutgers University.

Behar, K., Colakoglu, F., & Soley, U. (2018). Greenbots Where the Grass Is Greener: An Interview with Katherine Behar. In Aloi, G. (Ed.), Why Look at Plants? Boston, MA. Brill Publishers.

Behar, K., & Kirksey, E. (2016). “Nonhuman Solidarities: An Interview with Katherine Behar”. Imperceptibly Slowly Opening Chicago. Green Lantern Press.

Behar, K. (2016). The Other Woman. In Kolozova, K., & Joy, E. A. (Eds.), After the “Speculative Turn”: Realism, Philosophy, and Feminism (p. 200). Earth,Milky Way. punctum books.

(2016). “‘Seeing Things’ in Data Visualization”. Katherine Behar: Data’s Entry | Veri Girisi Istanbul. Pera Museum.

Behar, K. Objektai ir prieštaros / Objects and Objections (excerpt from ‘An Introduction to OOF’). In Michelkevicius, V. (Ed.), Nida Art Colony. On Lines and Rituals Vilnius, Lithuania. Log No. 9, Nida Art Colony of Vilnius Academy of Arts.

Conference Proceedings

Behar, K., Ruzanka, S., & Chang, B. (2013). “There’s an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design”. The Engineering Reality of Virtual Reality Proceedings.

Chang, B., Ruzanka, S., & Behar, K. (2011). “Avatar Impotence: On ‘User Will,’ ‘Avatar Agency,’ and ‘System Control,’ in Second Life”. CyberWorlds 2011 Proceedings.

Ruzanka, S., & Behar, K. (2010). “Ambient Clumsiness”. Symposium on Electronic Imaging Science and Technology Proceedings.

Behar, K. (2009). “Command and Control: Cybernetics and BDSM”. Digital Arts and Cultures 2009 Proceedings.

Media Contributions

Behar, K. (2021). Katherine Behar ‘On the Spot’ Part 2.

https://www.instagram.com/tv/CQBavP7BPfK

Virtual studio visit

Behar, K. (2021). Katherine Behar ‘On the Spot’ Part 1.

https://www.instagram.com/tv/CPf9De3Bn6b/

Virtual studio visit

(2014). UK College of Arts & Sciences .

(2014). "Office Hours" on 88.1 WRFL.

(2007). News12.

Presentations

Behar, K. (2024, January 5). Digitally Divided: On Data and Divisiveness. : Medrar for Contemporary Art, Cairo, Egypt.

Behar, K. (2024, January 9). What’s Automation Between Friends?. : INTERFERENCE. Light Art. Tunis, Tunisia.

Behar, K. (2024, January 19). What’s Automation Between Friends?. : Shelter Art Space. Alexandria, Egypt.

Behar, K. (2024, February 9). What’s Automation Between Friends?. : Beall Center Artist Talk and Conversation with Simon Penny. University of California Irvine. Irvine, CA, USA.

Behar, K. (2024, April 13). What’s Automation Between Friends?. : VALS Invited Artist Lecture. University of California Irvine. Irvine, CA, USA.

Behar, K. (2024, May 18). Parsons School of Design BFA Graduation Speaker. : Parsons School of Design, The New School. New York, NY, USA.

Behar, K. (2024, October 28). The Macaronic Medium. Society for Literature, Science and the Arts “Reading Minds” conference. Arizona State University, Tempe, AZ, USA: SLSA.

Behar, K. (2024, October 18). What's Automation Between Friends?. : New Media Program, Purchase College, SUNY.

Behar, K. (2024, January 20). What’s Automation Between Friends?. : College for Creative Studies.

Behar, K. (2024, January 28). Anonymous Autonomous Pop-Up. : Robotics Institute, University of Michigan.

Behar, K. (2024, March 4). Writing Art/Making Theory. : DXARTS, University of Washington at Seattle.

Behar, K. (2024, March 15). Comments on gender and careers in the arts. : “Women in the Arts Panel,” Baruch Undergraduate Student Government.

Behar, K. (2024, April 22). What’s Automation Between Friends?. : Trinity College, Hartford.

Behar, K. (2024, June 2). What’s Automation Between Friends?. : Digital Arts Department, Universität für angewandte Kunst Wien/ University of Applied Arts Vienna.

Behar, K. (2024, July 8). Non-Expertise in Artistic Research. Artistic and Academic Research at Institutions of Higher Education at “Artistic Research: Method, Strategy, and Outreach” Symposium. Dresden, Germany: Landesverband Bildende Kunst Sachsen e. V. & EU4ART.

Behar, K. (2024, October 7). What Sense Makes: Environmental Sensing to Cryptographic Consciousness. Society for Literature, Science and the Arts “Reading Minds” conference. West Lafayette, IN, USA: SLSA.

Behar, K. (2024, February 4). Tzu Nyen Ho’s Critical Dictionary of Southeast Asia. : Mishkin Gallery, Baruch College.

Behar, K. (2024, February 11). Extending Feminist Solidarities to the Object World. : People for Womxn in Philosophy, Oxford University.

Behar, K. (2024, June 16). Backups & Backchannels: From Saving to Secrets in Art, Technology, and Women’s Empowerment. Cairo, Egypt / online: Creative Impact Lab Cairo. Zero1 International Exchange hosted by Medrar for Contemporary Art.

Behar, K. (2024, October 2). Artificial Ignorance Roundtable. Society for Literature, Science, and the Arts “Energy” conference. Ann Arbor, MI / online: SLSA.

Behar, K. (2024, October 8). Artificial Ignorance: A Retronymic Countergenealogy of AI. “Good Relations: Practices and Methods in Unequal and Uncertain Worlds,” conference. Toronto, Canada / Online: Society for the Social Studies of Science (4S).

Behar, K. (2024, November 18). Comments on Maritime Messaging: Red Hook. “Climate Change: Artists Respond.”. : We Are Climate Change (WACA) at Weissman School of Arts and Sciences, Baruch College.

Behar, K. (2024, January 28). E-Waste and OOF. : Tasawar Studio Program.

Behar, K. (2015, May 2). E-Waste: ‘Modeling’ post-species. After Extinction. Milwaukee, IL, USA: Center for 21st Century Thought.

Other Scholarly Works

Althoff, S. (2024). Fat Data: Production without Subject in Katherine Behar’s Clicks. Body in Algorithms, edited by Ashley Middleton and Georgia Perkins.

Whitehead, J. (2023). We Need to Talk About AI.

Kronberger, A. (2022). Diffraktionsereognisse der Gegenwart. Feministische Medienkunst trifft Neuen Materialismus.

https://www.transcript-verlag.de/978-3-8376-6131-6

Hu, T. (2022). Digital Lethargy: Dispatches from an Age of Disconnection.

Behar, K. (2021). From ‘Back’ to Forth: Finding Other Sides to Our Stories.

https://zero1.org/from-back-to-forth

Behar, K. (2021). Looking Forward and ‘Backing Up’.

https://zero1.org/looking-forward-and-backing-up/

Behar, K., & Giordano, F. F. (2021). Comando y Control: Cibernética y BDSM. Holobionte Ediciones.

https://edicionesholobionte.com/comando-y-control-cibernetica-y-bdsm-por- katherine-behar

Suorsa, T. (2021). Becomings of Digital Poetry: the carrier of memory in slow media practice.

Behar, K. (2021). “Do Baskets Contain Computation’s Counterhistory?”. Hoosac Institute Journal. 9

https://hoosacinstitute.com/Katherine-Behar

Fang, Y., & Behar, K. (2021). Technology, Labor, and Race: A Conversation with Katherine Behar.

https://vaaam.tome.press/chapter/spotlight-katherine-behar/

Hansen, M. (2020). On bearable heaviness: A new film series by Pera Museum. Daily Sabah.

https://www.dailysabah.com/arts/reviews/on-bearable-heaviness-a-new-film-series-by-pera-museum

Behar, K., Inopina, A., Mitrofanova, A., Preobrazhensky, G., Rymbu, G., & Zakharkiv, E. (2019). ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿-¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, ¿¿¿¿¿ 2. ¿¿¿¿¿.

https://syg.ma/@galina-1/katrin-bikhar-vviedieniie-v-obiektno-oriientirovannyi-fieminizm-chast-2

Behar, K., Inopina, A., Mitrofanova, A., Preobrazhensky, G., & Rymbu, G. (2018). ¿¿¿¿¿¿¿¿ ¿ ¿¿¿¿¿¿¿¿-¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, ¿¿¿¿¿ 1. ¿¿¿¿¿.

https://syg.ma/@galina-1/katrin-bikhar-vviedieniie-v-obiektno-oriientirovannyi-fieminizm-chast-1

Mattern, S. (2018). Maintenance and Care. Places Journal.

Hu, T. (2018). Wait, then Give Up: Lethargy and the Reticence of Digital Art. Journal of Visual Culture. 16(3), 337-354.

Genc, K., & Soley, U. (2017). Waste Not, Want Not: The Future of Contemporary Art. The Believer—Logger.

Behar, K., & Kirksey, E. (2016). Nonhuman Solidarities: Katherine Behar and Eben Kirksey Discuss High Hopes (Deux).

http://badatsports.com/2016/nonhuman-solidarities-katherine-behar-and-eben-kirksey-discuss-high-hopes-deux/

Tosum, A. (2016). Dünyanin bize hizmet etmek için var oldugun düsünüyoruz. Istanbul Art News.

Behar, K. (2013). Ready Mix. (Disorientalism) Group exhibition curated by Eve Biddle. The Invisible Dog. The Wassaic Project Winter Benefit.

In Progress.

Behar, K. (2013). appARel. Resynplement (collaboration with Ben Chang and Silvia Ruzanka) Solo exhibition. ART NOW Series at Monmouth University.

In Progress.

Behar, K. (2013). Where Text Meets Code: Digital Humanities Distinguished Speaker Series,.

In Progress.

Behar, K. (2013). Ready Mix. (Disorientalism) Solo exhibition curated by Jillian Hernandez. Girls Club Collection.

Behar, K., & Ruzanka, S. (2013). In Search of Digital Feminisms. 2

http://lateral.culturalstudiesassociation.org/issue2/ theory/index.html

Behar, K. (2013). The Food Groups. Disorientalism (collaboration with Marianne M. Kim). Perfomance/presentation.

In Progress.

Behar, K., & Tompkins, K. W. (2013). Artist Talk, Food Summit presentation.

In Progress.

Behar, K. (2013). Fat, Black Monkey: Systems thinking and critical culture in the choreography of The Other. Paper Presentation for the Congress on Dance Research (CORD) 2013 Special Topics Conference Tactical Bodies: The Choreography of Non-Dancing Subjects.

In Progress.

Behar, K. (2008). DISORIENTALISM, Vol. I: The ABCs. Artist Book (Limited Edition of 26).

Hiebert, T. Photographing Ambiguity.

Kronenberger, A., & Krall, L. Agential realism meets feminist art. A diffractive dialogue between writers, theories and art. Matter: Journal of New Materialist Research. 2(2 (2021)), 25-49.

Behar, K. Yes-No-Maybe. Public Technology and Performance Installation Creative Research Project (development stage).

In Progress.

Behar, K. Wendy. (Working Title). Disorientalism (collaboration with Marianne Kim). Video Creative Research Project in progress (shooting stage).

In Progress.

Behar, K., Ruzanka, S., & Chang, B. There's an App for That Shirt! Evaluation of augmented reality tracking methods on deformable surfaces for fashion design.

Behar, K. The Problem with Platforms. Approx 2000 words.

Behar, K. The Food Groups. Disorientalism (collaboration with Marianne Kim) Five-part series. Multimedia creative research project, in progress.

In Progress.

Behar, K. Modeling Big Data. Multimedia creative research project, in process.

In Progress.

Behar, K. Bigger Than You.

In Progress.

Behar, K. We Know What You Mean. (Collaboration with Stephanie Rothenberg). Public Technology and Performance Creative Research Project in progress (proposal stage).

In Progress.

Behar, K. appARel. Resynplement (collaboration with Ben Chang and Silvia Ruzanka). Augmented reality wearable creative research, in progress.

In Progress.

Title	Funding Agency Sponsor	Start Date	End Date	Awarded Date	Total Funding	Status
Indispensable	PSC CUNY 52	07/01/2021	06/30/2023	04/15/2021	3500	Completed
Anonymous Autonomous	PSC-CUNY 49	07/01/2018	12/31/2019	04/15/2018	6000	Completed
The Food Groups: A New Face	PSC-CUNY 47	07/01/2016	06/30/2017	04/15/2016	6000	Completed
Cloud Profile	PSC-CUNY 46	07/01/2015	06/30/2016	04/17/2015	6000	Completed
E-waste	PSC-CUNY 45	07/01/2014	06/30/2015	04/15/2014	5999.05	Completed
The Food Groups	PSC-CUNY 43	07/01/2012	06/30/2013	04/17/2012	3500	Completed
There's An App For That Shirt!	PSC-CUNY 42	07/01/2011	06/30/2012	04/15/2011	3500	Completed
The Food Groups: Slipped Up	PSC CUNY 53	07/01/2022	12/31/2023	04/15/2022	3500	Funded - In Progress
We Grasp at Straws	PSC-CUNY 54	07/01/2023	06/30/2024		3500	Submitted for Review

Honor / Award	Organization Sponsor	Date Received	Description
Visiting Artist	Johns Hopkins University	2023-11-30
New Works Residency.	Harvestworks	2023	Artist Residency
Creative Capital 2023 Awardee in Technology	Creative Capital	2023
Artist-in-Residence	Black Box Projects / Beall Center for Art + Technology, University of California, Irvine, USA	2023
Out of the Circle International Residency	Out of the Circle, Cairo, Egypt	2023	Artist Residency
Visiting Artist	College for Creative Studies	2022
Visiting Artist	Stamps School of Art and Design, University of Michigan	2022
Lead Artist	Creative Impact Lab Cairo. Zero1 International Exchange. Hosted by Medrar for Contemporary Art. Sponsored by U.S. Embassy Cairo	2021
Visiting Artist	Digital Studies Institute, University of Michigan	2021
Visiting Artist	Reed College	2021
Visiting Artist	Cultural, Social, and Political Theory Program, University of Victoria.	2020
Artist Residency, Harvestworks	Harvestworks	2020	Artist Residency
Santa Fe Art Institute Residency		2020	Artist Residency
Artist-in-Residence	Institute for Research on Women and Gender, Center for Ethics, Society and Computing, Stamps School of Art and Design, School of Information, Robotics Institute, University of Michigan	2019
Visiting Artist, Stamps School of Art and Design, University of Michigan		2019
Visiting Artist	Alberta University of the Arts	2019
Visiting Artist	Pace University	2019
Visiting Critic	Department of Art, Hunter College/CUNY	2018
Visiting Artist/Critic	University of Massachusetts Amherst	2018
Artist Residency	Nida Art Colony, Vilnius, Lithuania	2018
Media Arts Artist/Scholar in Residence	Robert Morris University	2018
Fellow	MacDowell	2017
Technology Resident	Pioneer Works	2017
Visiting Artist	Stamps School of Art and Design, University of Michigan	2017
Visiting Artist/Critic	Rensselaer Polytechnic Institute	2017
Visiting Artist/Critic	William Paterson University, New Art Center	2017
Visiting Artist	University of Texas at Austin	2017
Visiting Artist	University of the Arts, Helsinki, MAECP	2016
Visiting Artist, College of Fine Arts and College of Arts & Sciences, University of Kentucky. Lexington, KY.		2014
Participant, “Archives of the Non-Racial.” Johannesburg Workshop in Theory and Criticism. Mobile workshop in South Africa.		2014
Artist in Residence (Disorientalism with Marianne M. Kim).	Museum of Contemporary Art, North Miami, FL	2013
Artist Residency (Disorientalism with Marianne M. Kim). Cannonball / LegalArt. Miami, FL.		2013
Artist in Residence. Launch Pad. Brooklyn, NY		2013
Fellow. The MacDowell Colony. Petersborough, NH		2013
Invited Participant, "Inventive Methods: Data, Calculation and Bodies" CUNY Graduate Center		2013
Fellowship. Baruch Faculty Fellow, The Rubin Museum of Art. New York City		2012
Artist in Residence. Arizona State University, Interdisciplinary Arts and Performance. Phoenix, AZ		2012
Visiting Artist. University of Massachusetts at Amherst, Department of Art. New York, NY		2012
Visiting Artist. Pace University, Department of Art, Performance art class. New York, NY		2012
Artist Residency (Disorientalism with Marianne M. Kim). The Wassaic Project. Wassaic, NY		2011
Visiting Artist. Rutgers University, Program in Women's and Gender Studies. Newark, NJ		2010
Fellowship. Editorial Assistant for Art Journal, College Art Association. New York City, NY		2010
Visiting Artist (with Ben Chang and Silvia Ruzanka). Interactive Media. Virtual Environments Lab. University of Hamburg. Hamburg, Germany		2010
Fellowship. Editorial Assistant for Art Journal, College Art Association. New York City, NY		2009
Visiting Artist. Georgia Institute of Technology, School of Literature, Communication and Culture. Atlanta, GA		2009
Visiting Artist. School of Visual Arts, Department of Visual and Critical Studies. New York City, NY		2009
Artist in Residence. Arizona State University, Interdisciplinary Arts and Performance. Phoenix, AZ		2008
Artist in Residence. The School of the Art Institute of Chicago, Performance Department. Chicago, IL		2008
Artist in Residence. 7.stock. Dresden, Germany		2008
Visiting Artist Lecturer. School of the Art Institute of Chicago. Department of Art History, Theory and Criticism. Chicago, IL		2002
Visiting Artist Lecturer. School of the Art Institute of Chicago. Department of Fiber and Material Studies		2002
Visiting Artist Lecturer. School of the Art Institute of Chicago. Department of Film, Video and New Media		2001
School of the Art Institute of Chicago. Merit Scholarship		2000
Visiting Artist Lecturer. School of the Art Institute of Chicago. Department of Fiber and Material Studies		2000
School of the Art Institute of Chicago. Merit Scholarship		1999
School of the Art Institute of Chicago. Merit Scholarship		1998
School of the Art Institute of Chicago. Merit Scholarship		1997
School of the Art Institute of Chicago. Merit Scholarship		1996

College

Committee Name	Position Role	End Date
WSAS Committee on Academic Standing	Committee Member	Present
WSAS Curriculum Committee	Committee Member	Present
Fine and Performing Arts Department Executive Committee	Committee Member	Present
New Media Artspace Curatorial Committee	Committee Chair	Present
Faculty Senate	Senator	Present
Fine & Performing Arts Department	New Media Arts Program Coordinator	Present
New Media Committee	Committee Chair	Present
Mishkin Gallery Committee	Committee Member	Present
Fine and Performing Arts Curriculum Committee	Committee Member	Present
Provost’s Task Force on Service	Committee Member	Present
Provost’s Task Force on Research/Creative Activity	Committee Chair	8/24/2017

University

Committee Name	Position Role	Start Date	End Date
Awards Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
M.S. Program in Data Analysis and Visualization	Deputy Director	8/25/2018	Present
Faculty Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Admissions Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Curriculum Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
Executive Committee, M.S. Program in Data Analysis and Visualization (DAAV)	Committee Member	8/25/2020	Present
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2023	4/1/2023
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2016	4/1/2016
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2015	4/1/2015
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2014	4/1/2014
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2013	4/1/2013
PSC-CUNY Award Committee for Visual Art, Art History and Communication Arts	Committee Member	1/1/2012	4/1/2012
Guest Curator. "And Another Thing". Exhibition at the James Gallery. Co-curated with Emmy Mikelson		9/14/2011	10/29/2011
Organized surrounding programming and arranged co-sponsorships for "And Another Thing" exhibition, including: "Speculative Realism". Speakers: Graham Harman, Jane Bennett, Levi Bryant. Organized in collaboration with Patricia Clough, and co-sponsored by the Graduate Center's Speculative Realism Seminar. "Art, Materiality and Time". Speaker: Bernard Stiegler. Organized through the CUNY Graduate Center's Center for the Humanities. "Contemporary Art and Neuroscience". Speaker: Suzanne Anker, with Adrienne Klein (discussant). Organized in collaboration with Victoria Pitts-Taylor and co-sponsored by the Graduate Center's NeuroCultures Seminar. "No Thing Unto Itself: Object-Oriented Politics". Speakers: David Turnbull and Shannon Mattern, with Katherine Behar (Moderator). Organized in collaboration with Carin Kuoni, and co-sponsored by the Graduate Center's NeuroCultures Seminar. Moderator. "No Thing Unto Itself: Object-Oriented Politics". CUNY Graduate Center			10/20/2011

Professional

Organization	Position Role	Organization State	Organization Country	Start Date	End Date	Audience
Editorial Advisory Board. Punctum Books	Editorial Review Board Member			8/25/2020	Present	International
Editorial Board. Media-N: Journal of the New Media Caucus	Editorial Review Board Member			8/25/2020	Present	International
International Advisory Board. Photomediations Machine (affiliate journal Culture Machine)	Editorial Review Board Member			8/25/2013	Present	International
Advisory Board (Performance Studies specialist). punctum records (affiliate imprint of punctum books)	Editorial Review Board Member			8/25/2013	Present	International
Advisory Board. McLuhan Centre for Culture and Technology, University of Toronto	Board of Advisors of a Company		Canada	8/25/2022	Present	International
Review Board. The Journal of Interactive Technology and Pedagogy.	Editorial Review Board Member			8/25/2012	8/24/2020	International
Siggraph Art Papers Reviewer.	Reviewer, Conference Paper			8/25/2013	12/31/2013	International
Digital Fellow. Art Journal	Editorial Fellow			8/25/2010	8/24/2013	International
Advisory Editor. O-Zone: A Journal of Object Oriented Studies	Editorial Review Board Member			8/25/2011	8/24/2013	International
"OOF2: CLOSER," Chair and Organizer of Two Panel Stream ("Object-Oriented Feminism: Getting Closer" and "Object-Oriented Feminism: Even Closer") for the Society for Literature, Science and the Arts, Twenty-sixth Annual Conference		Wisconsin	United States		12/31/2012
Task Force Member, Task Force to Review Annual Conference Technologies. College Art Association				2/1/2012	10/31/2012
"New Media Art and Feminism: Hot or Not?" Co-Chair of Open Dialogue Session for the New Media Caucus Annual Meeting		New York	United States		12/31/2011
Grant Review Panelist, Franklin Furnace Fund		New York			12/31/2011
"Object-Oriented Feminism," Chair and Organizer of Two Panel Stream ("Object-Oriented Feminism: Programs" and "Object-Oriented Feminism: Parts") for the Society for Literature, Science and the Arts, Twenty-fourth Annual Conference		Indiana	United States		12/31/2010
Chair and Co-organizer (with Frenchy Lunning). "Decoding, a Method of Performance / Performance, a Method of Decoding," Panel at SLSA 09: Decoding. Society for Literature, Science and the Arts, Twenty-third Annual Conference. Atlanta, GA					12/31/2009
Co-Organizer (with Michael Zimmer), "The Googlization of Everything" Panel at NYU Department of Culture and Communication Graduate Student Conference. Brooklyn, NY					12/31/2005
Co-Moderator and Co-Organizer (with Stephanie Rothenberg), "The Integrated Circuit? Embodiment, Difference, Resistance" Artists' Panel Discussion and Workshops for Version>03. Museum of Contemporary Art Chicago. Chicago, IL					12/31/2003
Panels and Curatorial Grant Review Panelist, Community Arts Assistance Program (CAAP), Multi Arts Category. Chicago Department of Cultural Affairs. Chicago, IL					12/31/2002
Curatorial Advisor to Kevin Newhall, "Recreation." The Spareroom. Chicago, IL					12/31/2002
Guest Artist (Film). Tracing a Vein. Hairless Films. Daniéle Wilmouth, director					12/31/2001
Juror. "Im?Mortal." Gallery 2, Chicago, IL					12/31/2001
Curator (with Thea Miklowski, Kevin Newhall, and Jennifer Dowlin-Kelly), "I Wish I'd Thought of That! Performance Art History Repeats Itself." The Spareroom. Chicago, IL					12/31/2001
Curator (with Thea Miklowski), "Dance Lesson." The Spareroom. Chicago, IL					12/31/2000
Guest Artist (Dance). "Vanishing Point." Marianne Kim, choreographer; Josh Abrams, composer. Links Hall, Chicago, IL					12/31/1999
Guest Artist (Dance). "SMaK Attack." Marianne Kim and Sarah Kraft, choreographers. Museum of Contemporary Art, Chicago, IL					12/31/1999
Guest Artist (Dance). "Jet-Propelled." Joseph Ravens and Poul Bachmeier, directors. Museum of Contemporary Art, Chicago, IL					12/31/1999
Guest Artist (Dance). "Mad / am I / da." Marianne Kim, choreographer. Breaking Bounds, Dance Chicago 98, The Atheneum. Chicago, IL					12/31/1998