Theodore Gordon

Asst Professor

Weissman School of Arts and Sciences

Department: Fine & Performing Arts

Areas of expertise:

Email Address: ted.gordon@baruch.cuny.edu

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Education

Ph.D., History and Theory of Music, University of Chicago Chicago United States

M.A., History and Theory of Music, University of Chicago Chicago United States

B.A., The Arts in the Humanities, Yale University New Haven United States

Artistic and Creative Activities

Gordon, T. (2026). Instruments that Talk Back: Celebrating the Legacy of Don Buchla. Museum of Music Technology.

Gordon, T. (2019). Dream Dance: The Art of Ed Emschwiller: An Evening with Joan La Barbara and Morton Subotnick. Lightbox Film Center.

Gordon, T. (2019). Sounding Circuits: Audible Histories. New York Public Library for the Performing Arts.

Books

Gordon, T. (2025). The Composer’s Black Box: Making Music in Cybernetic America. Berkeley, CA, University of California Press.

Journal Articles

Gordon, T. (2022). “Androgynous Music:” Pauline Oliveros’s Early Cybernetic Improvisation. Contemporary Music Review, 40(4). 386–408.

Erbe, T., & Gordon, T. (2022). Tom Erbe Interviewed by Theodore Gordon. Organised Sound, 27(1). 26–31.

Gordon, T., Rings, S., & Kotche, G. (2019). What Makes a Song Songy? Interview with Glenn Kotche & Steven Rings”. Portable Gray, 1(2). 38–43.

Book Chapters

Gordon, T. (2027). 'On-Line Computational Thought': John C. Lilly in American Experimental Music. In Zeavin, H., & Matthias, J. (Eds.), Submersion: Reconsidering John C. Lilly Cambridge, MA. MIT Press.

Gordon, T. (2024). The Buchla Music Easel: From Cyberculture to Market Culture. In Kitzmann, A., Engstrom, E., Thoren, C., & Teboul, E. (Eds.), Modular Synthesis: Patching Machines and People (p. 49–80). London, UK. Routledge.

Presentations

Gordon, T. (2026, October 3). Don Buchla in the Cybernetics Moment: Exploring Buchla’s Place in 1960s San Francisco. Instruments that Talk Back: Celebrating the Legacy of Don Buchla. Museum of Music Technology: Museum of Music Technology.

Gordon, T. (2026, March 30). "The Composer's Black Box: Making Music in Cybernetic America". Society for American Music Annual Conference. Richmond, VA: Society for American Music.

Gordon, T., Bassett, M., Whitman, K. F., & Stewart, L. (2026, February 4). Ted Gordon’s “The Composer’s Black Box: Making Music in Cybernetic America”. Brooklyn, NY: Roulette Intermedium.

Gordon, T. (2026, September 25). The Composer’s Black Box: A Book Talk and Performance by Theodore Gordon. Tulsa, OK: Oklahoma Center for the Humanities.

Gordon, T. (2026, February 20). The Composer's Black Box. Tufts University STS Lunch Seminar Series. Medford, MA: Tufts University.

Gordon, T. (2026, February 12). The Composer's Black Box. Comparing Domains of Improvisation Workshop. Columbia Computer Music Center, New York, NY: Presidential Scholars in Society and Neuroscience program at Columbia University.

Gordon, T. (2026, March 26). Making Music in Cybernetic America: AN EVENING WITH THEODORE GORDON and musical guests. Baltimore, MD: High Zero Foundation.

Gordon, T. (2026, March 27). Book Launch: The Composer’s Black Box with Ted Gordon. ULISES. Philadelphia, PA: University of Pennsylvania Department of Music.

Gordon, T. (2026, October 30). Pre-Histories of 1980s Multimedia: Electronic Mediations of the Self . Society for the History of Technology Annual Meeting. Luxembourg: Society for the History of Technology.

Gordon, T. (2026, May 30). Instrumentalizing the Synthesizer. American Musical Instrument Society Annual Meeting. Phoenix, AZ: American Musical Instrument Society.

Gordon, T. (2026, April 30). New Sensations: Lilly Diffracted Through American Experimental Music. Reconsidering John C. Lilly. Online

Gordon, T. (2026, October 30). Sun Ra and the Moog: Freedom, Discipline, and Sound. Peabody Institute Musicology Colloquium. Baltimore, MD: Peabody Institute at the Johns Hopkins University.

Gordon, T. (2026, November 30). The Short Life and Long Afterlife of the Buchla Music Easel. American Musicological Society Annual Meeting. New Orleans, LA: American Musicological Society.

Gordon, T. (2026, November 30). Sun Ra and the Moog: Freedom, Discipline, and Sound. American Musicological Society Annual Meeting. New Orleans, LA: American Musicological Society.

Gordon, T. (2021, October 31). Programming and Meta-Programming in the Electro-Organism: Learning to Play the Human Body as an Electronic Musical Instrument. Society for the Social Studies of Science. Toronto, ON, Canada

Gordon, T. (2021, April 24). No Ideas But In (Doing) Things: The Politics and Materialities of Alvin Lucier’s Early Works. Northwestern University New Music Conference. Evanston, IL [virtual]: Northwestern University.

Gordon, T. (2020, October 29). Echolocating the Human. Society for Ethnomusicology Annual Meeting. Virtual: Society for Ethnomusicology.

Gordon, T. (2020, February 28). Interspecies Feedback in Alvin Lucier's Vespers. Circulations: Symposium on Live Audio Feedback in Art. Chicago, IL: University of Chicago.

Gordon, T. (2020, February 21). No Ideas But In Things? Cybernetics and Materiality in Alvin Lucier's Early Electronic Music. Columbia University Department of Music Colloquium Series. New York, NY: Columbia University Department of Music.

Gordon, T. (2019, June 24). Music in the Cybernetics Moment. Sonic Circulations. London, UK: Kings College London.

Gordon, T. (2019, November 30). The Anonymous Artists of America and the Buchla Modular Electronic Music System. American Musicological Society Annual Meeting. Boston, MA: American Musicological Society.

Gordon, T. (2019, October 25). Diffracting Cybernetics at the San Francisco Tape Music Center. Recursions: Music & Cybernetics Conference. Edinburgh, Scotland, UK: University of Edinburgh.

Gordon, T. (2019, July 3). "Cybernetics, Modularity, Subjectivity". Synth Library Prague. Prague, Czech Republic: Synth Library Prague/ZVUK.

Gordon, T. (2019, June 7). The Political and Social Legacies of Bay Area Experimentalism. Indexical. Santa Cruz, CA: Indexical (performance series).

Gordon, T. (2018, February 28). Living on the Earth: The Experimental World(ing) of Ramón Sender. After Experimental Music. Ithaca, NY: Cornell University.

Gordon, T. (2017, June 30). Improvisation and Indeterminacy in the Music of Pauline Oliveros. Performing Indeterminacy. Leeds, UK: University of Leeds.

Gordon, T. (2017, June 30). The Patchwork Girl: Pauline Oliveros and Technologies of Self. Sixth International Conference on Music and Minimalism. Knoxville, TN: Society for Minimalist Music.

Gordon, T. (2017, March 31). ‘The Composer’s Black-Box’: Cybernetics, Creativity, and Technology at the San Francisco Tape Music Center. Society for American Music Annual Conference. Montreal, QC, Canada: Society for American Music.

Gordon, T. (2017, November 10). Excavating Pauline Oliveros's Expanded Instrument System. American Musicological Society Annual Meeting. Rochester, NY: American Musicological Society.

Gordon, T. (2017, October 26). Pandit Pran Nath, Mysticism, and Music in the San Francisco Bay Area. Society for Ethnomusicology Annual Meeting. Denver, CO: Society for Ethnomusicology.

Gordon, T. (2016, April 29). Opening Buchla’s Box: Rethinking Experimentation in Electronic Music in the Early 1960s. Periods and Waves: A Conference on Sound and History. Stony Brook, NY: Stony Brook University.

Other Scholarly Works

Reviews

Gordon, T. (1970,January 1). Review of The Williamsburg Avant-Garde by Cisco Bradley. Journal of the American Musicological Society. Berkeley, CA: University of California Press.

Gordon, T. (2019,April 1). Review of Electronic Inspirations: Technologies of the Cold-War Musical Avant-Garde, Jennifer Iverson (Oxford). Current Musicology.

TitleFunding Agency SponsorStart DateEnd DateAwarded DateTotal FundingStatus
Summer Salary for Book Research and WritingPSC CUNY 5307/01/202206/30/202304/15/20223499.45Completed
Summer 2021 Travel for Archival Book ResearchPSC CUNY 5207/01/202106/30/202304/15/20213500Completed
Summer Salary for Book Research and Writing 2023PSC-CUNY 5407/01/202306/30/202404/18/20233500Funded - In Progress
Honor / AwardOrganization SponsorDate ReceivedDescription
IDM Audio Lab Summer ResidencyNew York University Tandon School of Engineering2025-08-10Week-long residency at the New York University Tandon School of Engineering Integrated Design & Media Program's Audio Lab to conduct research on the instruments of Serge Tcherepnin
Eugene M. Lang Junior Faculty Research FellowshipBaruch College2024-04-30
Leonardo Abstracts Service (LABS) Top-Ranked Thesis AbstractLeonardo2018Awarded "top-ranked thesis abstract" for PhD Dissertation; thesis published in <i>Leonardo</i> Volume 52, Issue 5, October 2019
Mellon Postdoctoral Teaching FellowshipColumbia University2018Awarded prestigious two-year postdoctoral position in the Department of Music at Columbia University for research & teaching
Short-Term Research FellowshipNew York Public Library2017Awarded a research fellowship to conduct archival research at the NYPL Library for the Performing Arts
Field Trip/Notes/Guide FellowshipUniversity of Chicago Art/Science/Culture Initiative2017Awarded a fellowship to join cohort of interdisciplinary scholars to share research and collaborate on co-authored research projects
Stuart Tave Teaching FellowshipUniversity of Chicago2017Awarded competitive fellowship to design and teach original, interdisciplinary undergraduate seminar at the University of Chicago; this seminar was added to the "Media Arts" minor program

College

Committee NamePosition RoleStart DateEnd Date
Curriculum CommitteeCommittee MemberPresent
Baruch in ConcertCommittee MemberPresent
WebmasterCommittee ChairPresent
Committee on Academic StandingCommittee Member6/1/2024
Committee on ResearchCommittee Member6/1/2024

University

Committee NamePosition RoleStart DateEnd Date
CUNY Graduate Center Music Department Admissions CommitteeCommittee Member8/28/2024Present
CUNY Graduate Center Music Department Examinations CommitteeCommittee Member8/28/2024Present

Professional

OrganizationPosition RoleOrganization StateOrganization CountryStart DateEnd DateAudience
Routledge Encyclopedia of ModernismEditor, Associate EditorEnglandUnited Kingdom7/5/2022PresentInternational
American Musicological Society Roland Jackson Award CommitteeCommittee Member9/1/20246/1/2026International